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OPINION -- What's Happening To Gaming?



It's no secret that Patrick Johns AKA Sn0H and I have been friends for a very long time. He's an avid PC gamer and notoriously the one who I blame for my obsession with Monster Hunter World and its expansion, Iceborne. He is also one half of the LazyGamers YouTube channel and the mastermind behind the Sn0H01 Twitch channel. He's never been one to bite his tongue about his opinions concerning the gaming industry as a whole and this testimonial that he sent me last week is no different. I wanted to take the time and share this in its entirety since he wanted to me to share this with my readers and followers on here:

What’s happening to gaming? What happened to the days where you bought a game and got a full experience without having paid DLC shoveled down your throat? The days where an expansion to a game was a legit full experience? Now I’m not talking about pure cosmetic DLC, I’m MOSTLY fine with that (Looking at you Dead or Alive with your over 2 grand worth of costume DLC). I’m talking about the dreaded “battle pass” that every game seems to have to have now.

Now there are some cases where a battle pass type thing is mostly harmless - Fortnite, Dauntless, Team Fight Tactics - to name a few. Where you have some free rewards, then a premium track that gives extra cosmetics, and in the case of Dauntless (can’t speak for Fortnite because I do not play it) you gain enough premium currency from completing it to effectively get your next season pass for half off. I’m talking about borderline predatory season passes, where you miss out on potentially game changing items by not buying premium every few weeks.

One example of this is Destiny 2. Now I know it’s semi rebranded itself as a free to play game now so they gotta make money somehow, but in the free season pass you get maybe 4 or 5 cosmetics for completing it (which is quite the hefty grind I might add). The paid one however gets your exotic gear, legendary armor sets, materials, sometimes an exclusive quest for an exotic weapon.

The other example I have is the one that caused me to write this though. Division 2. Now I LOVED Division 1 after they finally did the overhaul a year later, it turned it into a great game, I would have had NO problem paying for expansions for it as well as a battle pass simply because it was a complete experience with a LOT to do. Division 2 however… Well firstly, Massive seems to have taken everything they learned about design from Division 1 and completely threw it in the trash (but that’s a different rant for a different time.). But honestly I don’t regret spending the money on the game at launch and I’ve had enough fun with it that it was worth it.

However a year later, they’ve released an expansion: Warlords of New York. On the surface it seems amazing, we’re going back to New York to track down the big bad behind the virus and end all of it. To the developers credit, the story for the expansion was enjoyable, if a bit pointlessly grindy. It took me about 18 hours or so to complete New York 100%... That’s 18 hours to complete a $30 game, hardly worth it in my opinion. But that’s only the story part of it, as part of the expansion they added a “season pass” type thing to artificially expand the content by adding a set of rogue agents every few weeks. Now on it’s surface I don’t have too much of a problem with it, hey consistent new content, what’s not to like. The reality of it though is that they’re rather uninspired boring rehashing of the same stuff we’ve been doing since the game launched.

The way the seasons work is each season there’s a set of 5 rogue agents that unlock over the course of it, you have to complete certain objectives to “gather intel” on the agent before finally unlocking a bounty to kill them. For instance: One particular one requires you to complete 4 specific invaded missions, then capture a certain number of control points in 4 different zones of DC (did I mention this content all takes place in the base game’s area? Not the new expansion zone?), and complete a bounty in all 4 of those zones before finally obtaining the intel needed to start the bounty to kill the rogue agent. Now here’s the rub: There are ZERO meaningful interactions for this. No special dialogue, no mini missions like the rogue agents in the WONY story had, not even a special one liner from the bounty mission giver upon clearing it. And to further rub salt in the wound, it would appear they’re locking all new skill gadgets behind these seasons. Want that new EMP sticky bomb? Well you gotta grind out all 4 of these agents intel missions to unlock the lead agent who’s bounty rewards it. Massive has also stated that these are limited rewards/bounties as well, so if you miss it, guess you’re never getting that new gadget unless they decide to recycle the seasons.

Add to all this at the same time they’ve also implemented a “League” system that runs concurrent with the seasons. This basically is the meat of their season pass (that they gave for “free” for people that bought the WONY expansion). As you complete challenges and gain EXP from regular gameplay you unlock a few cosmetic items, materials caches, with later levels dropping an Exotic Cache which will give you a random Exotic Weapon or Piece of Armor. Each season is going to run 12 weeks, and will cost $10.

It’s become a worrying trend with modern games where they seem to release unfinished products then sell you battle passes or season passes to add content that should have been launched with the game. Long gone are the days of getting a complete experience out of a $60 game or a $30 expansion, devs (or publishers depending who you want to blame) know they’ve eased the gaming community into being okay with this. Now I’m not an idiot, I realise AAA games cost an extreme amount of money these days, but honestly I think I’d rather pay $10-$20 more at purchase if it meant I was getting the full experience and not a partial game with microtransactions to finish it.

There are some nuances and exceptions to how I feel on this; free to play games, I’m mostly okay with them doing a battle pass type thing as long as it only rewards stuff that’s not game breaking. That’s not to say F2P games are innocent in all of this, MANY of them are plague with blatant cash grabs and pay 2 win mechanics, or in some cases set up in the classic gamble crate setup where the crates are full of 95% useless garbage and 5% good stuff that you have a sub 1% chance of even getting. This kind of crap has seeped into modern console AND PC games due to developers seeing how much money simple mobile garbage like candy crush made.

So far a lot of the things I’ve mentioned seem to be sticking to multiplayer games (a big problem for me since I tend to prefer multiplayer games), but single player games are developing their own scummy issues, such as the episodic release schedule, the perpetual early access cash cow (Looking at you survival games), and again, more of the gambling mechanics. As I get older the more I realise that if this is the direction the video game industry is going, sadly I want nothing to do with it. Gaming has been a huge part of my life as long as I can remember, it’s been a reliable way for me to escape the outside world the unwind. If I’m unable to pay for a game and not have a full experience I’ll just have to give up on buying anything new and just replay old games and more importantly funnel my extra money into more Gundam models.



I'll Weigh in...

Sn0H's not wrong. When a new game releases, I look at it with a sense of dread, even when it is something I really want to play because I know that developers are going to tack onto a season pass or hold off for some sort of DLC component down the line. This type of marketing makes me not even want to buy games at launch more often than not.

Capcom has built up a notorious reputation for their shady DLC tactics over the years, but I'm pleasantly surprised with their good will and means of restoring faith with both Devil May Cry 5 and Monster Hunter World. Devil May Cry 5 didn't have a single shred of an additional DLC content outside of the means to purchase all of the skills and/or abilities outright if you didn't want to level your characters throughout the game. Monster Hunter World's content for the duration of it's first year since its release was entirely free from its quarterly new monster updates and regularly event quests and festivals to reward players for sticking with the game. When Capcom announced World's expansion, Iceborne, I was up in arms like most other players that felt that this was going to be Street Fighter IV and V all over again with a new expansion to wrangle out money from players looking to continue to enjoy the game and not miss out on the new content. Even though I was leery about it during the first few weeks of the expansion, I have to admit that I definitely got my money's worth out of it - a rare exception from gaming these days. Sekiro: Shadows Die Twice, a game that's clearly not for everyone though, definitely gave me my money's worth. It didn't have a shred of additional content after buying the base game.

When Gearbox announced Borderlands 3 last year, I knew instantly that I wasn't buying that at launch from the sheer amount of post-release content that their games have. Hell, I still haven't even touched all of the content in Borderlands 2 nor even started Pre-Sequel, so why even bother getting Borderlands 3 at launch? I'm content waiting for the inevitable Game of the Year Edition that bundles all of that in there for one set price. As much as I loved the PlayStation 4 exclusive Spider-Man game, I didn't spend a dime on buying the DLC episodes separately. After my initial Redbox rental, I waited until the game was on sale and bought the Game of the Year Edition to avoid that unnecessary headache.

I don't play nor invest into too many online multiplayer games nowadays like Sn0H does, but the biggest turn off for me is the fact that you have to have all of the DLC and post-release content that everyone else has or you can't play with them properly. I didn't like it when WWE Games were doing it with their annual releases that tacked on an additional $20-40 to the $59.99 price tag if you wanted to have EVERYTHING out of the box or what was in the pipeline. I still don't understand how players justify that every year. You're paying $100+ for what is essentially a DLC roster update expansion with a new story campaign while playing the same damn game for about 3-5 years now. Mind you that said game tends to remove beloved features in every new release only to repackage them as "new" features down the road.

Hell, I wouldn't even touch a game if it doesn't have any sort of a single player component either. The older I get, the more it feels like pulling teeth to align time tables with friends and/or family members for gaming online or in physical setting/environment. So yeah, I rather not deal with that headache if I can avoid it for the most part.

I'm not crazy about this direction where gaming is leaning towards that you're merely putting down a down payment for the "premise" of a complete product down the line. Gaming is turning into an array of hopes and false promises found on Kickstarter campaigns more often than not. Your $59.99 purchase at launch is merely for an incomplete product which will be finished depending on how much of your hard-earned cash you pump into said game to get the most enjoyment out of it before you're forced to repeat this process all over again. What's even scarier is the fact that companies are digging into their backlogs of older, beloved titles that were complete experiences and offering to remaster, re-release, or remake those properties with a fresh coat of paint for modern era consoles. We've seen it happen already with Capcom's Resident Evil 2 Remake last year, which wasn't a bad game at all, but 2020's Resident 3 Remake has become the hot topic of discussion. It released with a $59.99 price tag and only offered 6-10 hours of gameplay for the entire campaign from start to finish. Capcom bundled it with the online multiplayer squad-based shooter, Resident Evil Resistance, but players have mixed reactions about that too (it was borderline unplayable for the first week of launch before post-launch patches/fixes) with most players leaning towards the opinion that this game could have merely been an expansion to RE2 Remake if there wasn't going to be much effort to spice up the sequel like they did with RE2 Remake outside of the visuals and VERY minor gameplay differences. This wasn't the first time that the gaming industry released a barely passable game at full price for retail and it definitely won't be the last.

I'm currently thirty-five going on thirty-six years old. I have bills to pay and a full-time job, but putting down a $59.99 investment into a video game still feels like a risk more times than not. More often than not, I find myself asking myself time and time again, "Am I going to get my money's worth?" "Is this going to be worth dropping that much cash right now?" "Can I just wait until this drops in the bargain bin?" Very few video games make me question that. I have friends and co-workers who ask me all the time, "Why do you waste your time playing Monster Hunter World all the damn time? There's other good shit out." I could easily stick it right back in their faces and ask, "Why the fuck do you waste your time buying annual bullshit sports games every year?" or whatever is the current cash cow flavor of the month in terms of gaming, but I don't.

The gaming industry is going to continue ripping gamers off like this as long as there's plenty of people who are stupid enough to cave in and settle for this cycle of buying games in installments. I'm no exception. I'm guilty of it too at times. I caved for Final Fantasy VII Remake for crying out loud. We as gamers should be DEMANDING the industry give us complete gaming experiences and not just "settling" for less. I get that these games take time and effort to make, but the players, who clearly are the backbone (i.e. meal tickets) of this industry, should be able to get the satisfaction of going home with a complete product instead of an I.O.U. slip saying, "My bad homie, we got you down the road when we finish this up."

REVIEW -- Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)




Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is a 2020 American superhero film based on the DC Comics team Birds of Prey. It is the eighth film in the DC Extended Universe and a follow-up to Suicide Squad (2016). It was directed by Cathy Yan and written by Christina Hodson, and it stars Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina, Ella Jay Basco, Ali Wong, and Ewan McGregor. The film follows Harley Quinn as she joins forces with Helena Bertinelli, Dinah Lance, and Renee Montoya to save Cassandra Cain from Gotham City crime lord Black Mask.


Robbie, who also served as producer, pitched the idea for Birds of Prey to Warner Bros. in 2015. The film was announced in May 2016, with Hodson being hired to write the script that November, followed by Yan signing on to direct in April 2018. The majority of the cast and crew were confirmed by December 2018. Principal photography lasted from January to April 2019 in Downtown Los Angeles, parts of the Arts District, Los Angeles, and soundstages at Warner Bros. Studios in Burbank, California. Additional filming took place in September 2019.


Birds of Prey is the first DCEU film and the second DC Films production to be rated R by the Motion Picture Association of America. The film had its world premiere in Mexico City on January 25, 2020, and was theatrically released in the United States in IMAX, Dolby Cinema, and 4DX on February 7, 2020. It grossed $201 million worldwide, making it the fourth highest-grossing film of 2020.[7] The film received praise from critics for its visual style, Yan's direction and the performances of Robbie and McGregor, but criticism for Hodson's screenplay.




Cast


Margot Robbie as Harleen Quinzel / Harley Quinn
Mary Elizabeth Winstead as Helena Bertinelli / The Huntress
Jurnee Smollett-Bell as Dinah Lance / Black Canary
Rosie Perez as Renee Montoya
Chris Messina as Victor Zsasz
Ella Jay Basco as Cassandra Cain
Ali Wong as Ellen Yee
Ewan McGregor as Roman Sionis / Black Mask

Additionally, Steven Williams portrays Captain Patrick Erickson, Montoya's superior at the GCPD; Dana Lee portrays Doc, Quinn's friend who owns a Taiwanese restaurant; François Chau portrays Mr. Keo, a rival crime boss of Sionis; Derek Wilson portrays Tim Munroe, a GCPD detective; Matt Willig portrays Happy, previously a henchman who worked for the Joker and for Stefano Galante; and whose face was tattooed by Quinn and the Joker; and Bojana Novakovic portrays Erika Manson, a night club patron who gets harassed by Sionis. Charlene Amoia and Paul Lasa respectively portray Maria and Franco Bertinelli, the mother and father of Helena; Robert Catrini portrays Stefano Galante, the mob boss who killed the Bertinelli family. The Joker appears in the film, through animated-special effects during a flashback sequence, as well as through the combined use of archive footage of Jared Leto from Suicide Squad and a body-double, Johnny Goth, on set. These techniques were used because Leto was not available during filming. A still photograph of Jai Courtney as George "Digger" Harkness / Captain Boomerang also appears on a wall in the Gotham City Police Department.


Plot:


After the Enchantress' defeat, the Joker breaks up with Harley Quinn, throwing her out on the streets of Gotham City. She is taken in by Doc, the owner of a Taiwanese restaurant, and recovers from her relationship by cutting her hair, adopting a spotted hyena (whom she names after Bruce Wayne), and taking up roller derby.

One night, Harley gets drunk at a nightclub owned by Roman Sionis and cripples his driver after said driver insults her. She meets burlesque singer Dinah Lance, who later rescues an intoxicated Harley from an attempted abduction. Roman is impressed by Dinah's skills and appoints her as his new driver. The next night, Harley blows up the Ace Chemicals plant as a way to publicly announce her and Joker's breakup. Meanwhile, GCPD Detective Renee Montoya investigates a series of mob killings carried out by a crossbow-wielding vigilante. Finding Harley's necklace at the scene of the Ace Chemicals explosion, Montoya notes that Harley is in danger without the Joker's protection. She approaches Dinah about being an informant on Roman for them, but Dinah rejects the offer.

Roman sends Dinah and his sadistic right-hand-man Victor Zsasz to retrieve a diamond embedded with the account numbers to the fortune of the Bertinelli crime family, who were massacred years ago. Young pickpocket Cassandra "Cass" Cain steals the diamond from Zsasz and swallows it after she is arrested. Harley, fleeing from Montoya and several other people she had wronged in the past, is captured by Roman's men. Zsasz informs Roman that Cassandra has the diamond, and Dinah warns Montoya about the situation. As Roman prepares to have Harley killed, she offers to recover the diamond for him. Roman agrees but also places a bounty on Cassandra. Breaking into the GCPD with a variety of firework-inspired non-lethal grenade launcher rounds, Harley frees Cassandra and the pair escape.

After escaping, Harley and Cassandra bond while hiding out at the former's apartment. Doc is approached for information by the "crossbow killer", who is revealed to be Helena Bertinelli. Having survived her family's massacre and becoming trained as an assassin, Helena has been targeting each of the gangsters responsible for her family's murders, preferring the moniker of "The Huntress". Quinn's apartment is later bombed by criminals looking for Cassandra, and Doc sorrowfully reveals that he sold Harley out. Harley calls Roman and offers to turn Cassandra over in exchange for his protection, agreeing to meet at an abandoned amusement park. Dinah notifies Montoya of the rendezvous, but her betrayal is noticed by Zsasz, who informs Roman. A devastated Roman dons his ritualistic mask from which he gets his villainous nickname, "Black Mask".

At the park, Montoya confronts Harley, but Harley knocks her out of a window. Zsasz arrives and tranquilizes Harley before holding Dinah at gunpoint, but he is killed by Helena, who reveals Zsasz was the last of her family's killers. Montoya returns and a stand-off ensues, until they realize Roman has arrived with a small army of masked criminals, known collectively as the False Face Society. Using Quinn's old gear, the makeshift team successfully withstand and repel their attack. During the battle, Cassandra is captured by Roman, while Dinah reveals her metahuman ability of supersonic-level screaming, defeating an additional number of mobsters aligned with Roman. Harley gives chase on roller skates, and with assistance from Helena, the pair pursue Roman. At a nearby pier, the final confrontation occurs. Roman prepares to kill Cassandra, but she pulls the ring from a grenade that she slipped in his jacket after taking it from Harley's weapons chest earlier. Harley throws Roman off the pier just before the grenade detonates and kills him.

In the aftermath of destroying Roman's criminal empire, Montoya quits the GCPD. With the money within the accounts hidden inside the diamond, she joins Dinah and Helena in establishing a team of vigilantes – the Birds of Prey. Harley and Cassandra escape, selling the diamond itself to a pawnshop and starting their own contract killing business.

In a post-credits audio sequence, Harley is about to reveal a secret about Batman, but the film ends mid-sentence.





The Verdict

(Laughs) I'm going to get shit for this, but I honestly fell asleep watching this in the theater when it first came out. Since I missed a good portion of the film, I figured it would be best that I watch until the film was available digitally for I could re-watch in its full capacity.

Still looks trashy to me.

It's the feminist bullshit like that is what makes me shake my head in terms of the reception and dick-riding or rather, vagina pleasing, to this film. The costumes didn't need to be revealing to still be contributors to the male gaze. Even Laura Mulvey herself would shake her head at Robbie misusing any reference to her work. There's still several gratuitous moments of the film that cater to portraying  these women sexually. So that argument about this film is so much different with a female director in charge is completely invalid right there.

That being said, I thought it was comical from the early reactions to this film from the angry feminists who claimed that you required a vagina to like this film. Seriously, what the fuck? I don't need a fucking vagina to point out that this film was mediocre. Sure, there's some glimpses of something that could have been much, MUCH better, but it ultimately falls short and feels under-utilized, especially for most of these marquee comic book characters involved. 

There's some VERY noticeable reshoots in this film too as you could tell the difference between the John Wick-esque fight scenes and the not-so brilliantly choreographed other fight sequences. You cannot watch this film and tell that there's some scenes that aren't like the other in terms of the action. I don't understand why there was a decision to reshoot some fight sequences, but keep others in that were just flat out boring as hell to watch. 

Characters


Harley Quinn/Harleen Quinzel (Margot Robbie)


It's sad really when the first reactions to this film weren't met to Warner Bros.' expectations and they had to rename the film Harley Quinn and the Birds of Prey in most markets. Margot Robbie was financially backing this film, so that couldn't be helped, along with the fact that she's the most recognizable and easily the most popular character out of the film's cast.

I can't really say that I liked Robbie's Harley Quinn here more than her previous performance in Suicide Squad, especially after seeing the version of the character presented in DC Universe's animated series of the same name, voiced by Kaley Cuoco. Her Boston accent feels a tad more forced here than it was in the previous film, but that's just something that I have come to expect from all of these actresses that have portrayed this character following Arleen Sorkin in Batman: The Animated Series. I still feel like this another "audition reel" for Margot Robbie landing a bigger part for this character in a much better film (and a better cinematic universe to boot) than this.



Roman Sionis/Black Mask (Ewan McGregor)

Between animation and comics, I have seen multiple iterations and different takes on this particular Batman villain and I have to say that McGregor's take is definitely something. It's not bad, but I think a common theme that plagues a lot of these human villains in the DCEU, ranging from Lex Luthor (Batman v. Superman: Dawn of Justice) to The Joker (Suicide Squad) now Roman Sionis/Black Mask, is that they border on the eccentric and unorthodox to the point of bizarre and silly, rather than truly terrifying entities as they should portrayed as from the source material. It's a darn shame too as I thought McGregor was growing into the role in the third act, but Sionis is killed off before we could seen how McGregor would have evolved the character further in another DCEU appearance down the road.

I think the biggest disservice this film did to this character was killing him off in the last act before he could get his iconic mask grafted to his face and we could have gotten the traditional psychopath that this character was notorious for being in the comics. Instead, he is reduced to a whiny, spoiled brat who is too prissy to get his hands dirty most of the time, but yet, everyone is afraid of this guy from all of his temper tantrums in public.



Victor Zsasz (Chris Messina)

Zsasz comes across as a bigger waste as Shades in the second season of Luke Cage from Marvel Studios' Netflix television properties. He seems to have a homoerotic relationship with Roman Sionis that's never really fleshed out nor explored properly. He just seems to be highly protective of his employer to the point of borderline infatuation.

Huntress kills him off unceremoniously in the film's final act and doesn't offer Sionis any screen time to grieve his most loyal henchman. It felt like such a massive waste for this character. Much like Cassandra Cain (who we're about to discuss shortly), they could have named Sionis' lead henchman anything else and not waste this character.



Cassandra Cain (Ella Jay Basco)

What a massive waste of a character. The writers of this film could have named this character anything BUT Cassandra Cain for a warmer reception from comic book fans. This one decision alone has shot the DC Extended Universe in the foot for yet another blunder, much like Mercy Graves (Batman v. Superman: Dawn of Justice) and countless other "throwaway" characters in this cinematic universe to date. I swear, the folks at Warner Bros. and DC Comics' film divisions have no sense of long-term planning with these films.

By the end of this film, Cassandra is made out to be Harley's "sidekick" or rather protege as they run away together with the money they made from the Bertinelli diamond. Her past with the League of Shadows and potential to be a future member of the Bat Family isn't even mentioned nor established in any shape nor form in this film. This film took absolutely no regard to this character's established history and just made her a blank slate and only exists in the DC Extended Universe as Cassandra Cain in name only. I guess we'll never see Orphan in a live-action Batman film unless this cinematic universe is rebooted with different people involved.

I don't fault Ella Jay Basco for the role as she did the best what she could with this script and it didn't bother me that this iteration of Cassandra Cain wasn't mute either as I knew that going in from seeing the initial trailers for this film. The number one thing that pissed me off about including this character in this film was that there wasn't even a minor nod or anything here to show that the writers had any clue that this character had ties to Batman lore. You could've name her ANYTHING but Cassandra Cain to avoid pissing comic book faithfuls off.



Renee Montoya (Rosie Perez)

I'm sure most people are more familiar with Renee Montoya from her appearances in Batman: The Animated Series rather than her lesbian, true to comics iteration presented here. I grew fond of this character from DC Comics' New 52 graphic novels (where she would take over the mantle of The Question) and in the Injustice: Gods Among Us comics adaptation, namely her lesbian relationship with Batwoman and her own tenure into being a costumed heroine.

Right off the bat, Harley (as the film's narrator) points out that Renee comes off as a parody of  '80s cop movies and I couldn't unsee that for the duration of this film's runtime. From that moment on, Renee came off as a parody of a generic cop in any other one of these action films. I couldn't take her seriously from that fact, along with the fact that they got Rosie Perez of all people to portray this character. Her and Linda Hamilton (Terminator: Dark Fate) must be running for the Oscar for most irrelevant female to come back into relevancy in a mediocre film in 2019-2020.






(Laughs) At least she's still got a nice rack though...

In all seriousness though, Renee's character arc seems incomplete as she solves the case with Sionis, but she doesn't get the credit for it at all among her peers at GCPD, leading her to quit the force and join up with Huntress and Dinah to form the Birds of Prey. It would've been a better slap to the face of the men who tried to discredit her at every turn by slapping the Sionis case in their faces, but not giving her the last laugh so to speak didn't do anything for her character arc. She didn't get to arrest Sionis and no one knew about the Bertinelli diamond and all of that drama surrounding the case other than her, so it was all for nothing. You could say that she quit the force for a "higher calling" as a vigilante, but whatever at this point.



Helena Bertinelli/Huntress (Mary Elizabeth Winstead)

The recreation of the infamous murders of the Bertinelli family was well done, while simultaneously serving as the emotional catalyst for Helena's training as an assassin. They pretty much pegged her to be Batman but without his line he won't cross to kill. Instead, Huntress doesn't have any issue whatsoever with crossing that line to exact her revenge on those who murdered her family in cold blood.





I'm going to be completely honest. I couldn't take Huntress seriously at all in this film from start to finish. When she would open her mouth to speak, the only thing I could see and hear was Ramona Flowers from Scott Pilgrim vs. The World each and every time. It was bad enough that they gave her an abysmal costume to wear in this film too. She gets a more comics-accurate costume during the closing moments of the film, but it still didn't look very good in that regard either. I don't know what the fuck they were thinking with her costume here at all.

Any attempts to take this character serious are diluted by the fact that once she pairs up with Harley and the other Birds of Prey, her serious nature is made out to be a complete joke, no matter how bad ass she comes across in combat. She got revenge by killing all of the men responsible for the murders of her family, but there wasn't much else to write home about her character arc. The tie-in with Sionis just felt tacked on at the last second in all honesty.



Dinah Lance/Black Canary (Jurnee Smollett-Bell)

Black Canary is a character that's traditionally portrayed as Caucasian blonde female, but I didn't have an issue with Jurnee Smollett-Bell being cast as racially diverse take on this character. I can't put my finger on it, but her character in this film is a tad muddled in terms of her direction. At the same time, she has the most "complete" character arc than anyone else in this film - other than Harley Quinn herself to an extent. She shows promise in the first half of the film, where she's content of making enough money to get by singing at Sionis' nightclub that was frequented by Harley Quinn and other shady individuals of Gotham City's criminal underworld. She was content with not getting involved in bringing those individuals to justice, as it was the same vigilante lifestyle that saw her mother get killed (something that Renee Montoya points out via exposition dialogue later in the film). What makes her stand out is no matter how much she tries to run away from that "responsibility" to use her powers for good, she finds herself being forced to answer that call time and time again. The first time was when Harley was about to be "taken advantage of" (read: more likely raped...) by that guy that picked her up at the nightclub during one of her drunken trysts and ready to load her into his van until Dinah stopped in her tracks and beat the shit out of him and his cohorts. Sionis notices her skills on display and employs her as his new driver and enforcer/bodyguard, much to her dismay. Her resolve to not get involved is pushed further by Renee Montoya approaching her about providing intel on Sionis' shady dealings after she reminds Dinah about her mother's heroic exploits.

Dinah struggles to stay within the middle of either side (good and evil) at play here, only to find her hand forced into action once Cassandra Cain was put into the crossfire of Sionis' plans. She informed Montoya of Sionis' deal with Harley Quinn, but found herself still struggling to follow in her mother's footsteps as a heroine. It wasn't until these Birds of Prey were forced with their backs against the wall against Sionis' army that she finally made a stand. She used her signature sonic scream (metahuman ability) to incapacitate most of Sionis' men and finally stepped up as a true heroine. She was done running and hiding from her destiny and true calling. Out of all of the characters in this film, I loved the fact that her narrative was brought around full circle.


Narrative

The film focuses primarily on Harley Quinn chronicling her exploits following her break up with The Joker following the events of Suicide Squad. It should be clarified that this film goes out of its way to keep the ties and references to Suicide Squad to an absolute minimum as Warner Bros./DC Comics wanted to treat this film as it's own standalone feature. Harley Quinn recaps that relationship with a rather cute animation montage at the start of the film.







In an attempt to drown her sorrows away by drinking heavily and partying every night in Gotham City, Harley Quinn abuses her status as The Joker's (ex) girlfriend without fear of repercussions until she foolishly blows up the Ace Chemical Plant that was their beloved "hangout". This clues in everyone to their break up and puts Harley Quinn into the cross hairs of every maniac in Gotham City looking to get even with her or The Joker in some capacity. All of this chaos leads Harley Quinn onto the bad side of Roman Sionis after she broke his drivers' legs during one of her drunken trysts. When she was held at gun point, Harley pleads to curry a favor in the form of retrieving the lost Bertinelli diamond that was stolen by the pickpocket, Cassandra Cain. Cassandra just happened to get arrested for petty theft and swallowed the diamond before she was detained.

The rest of the film has each of the main characters pursuing either Harley Quinn or Cassandra Cain in hopes of retrieving the diamond or cornering Sionis for they could land him in jail after collecting enough evidence.

  • Dinah and Renee happen to cross paths with Cassandra out of pure coincidence. 
    • Renee sees her as a regular at GCPD being brought in for petty theft and pickpocketing
    • Dinah meets her on the way home as they happen to live in the same apartment building
  • Huntress meets all four women after following Zsasz trail to fulfill her own revenge for the murders of her entire family
    • She kills Zsasz and was ready to leave until Renee points out that Sionis was the mastermind behind the plot to murder her entire family
    • Harley was under the impression that Huntress was after her, due to bounty on her head by Sionis
  • Sionis wants the diamond from Cassandra as it would give him complete financial control of Gotham City, even though he had enough power over the city as it is, even down to his moles in the GCPD 

Huntress being involved is sheer coincidence since she had no ties to Sionis until Renee Montoya informed her that he was the one who staged her family's murder. With the dynamic between Renee and Dinah along with their unlikely partnership with Huntress, they could have taken down Sionis and Zsasz on their own without Harley's half-baked "let's work together" speech during the film's climax. On any other given day in Gotham City, those three women wouldn't beaten the shit out of Harley and along with Sionis' men.

I should mention that I watched that final fight sequence rolling my eyes at the sheer stupidity of how all of Sionis' henchmen are fighting these women with melee weapons or hand-to-hand instead of running into Amusement Mile with guns. They wised up when they had the women forced into the choke point as they were filing out of the main entrance, but that proved to be an excuse to resolve Dinah's character arc by making her use her powers in this film for the first time. Seeing that I felt like War Machine in Ironman 2, "How about next time you just lead with that?"

Harley confronts Sionis one-on-one and doesn't even beat him on her own, but by the odd chance that Cassandra Cain picked up one of Harley's hand grenades and pulled the pin at the last second before Harley knocks him off the pier to explode to his own fiery demise. I repeat - that was such a complete waste of that character. With Sionis dead, the five ladies go out together and bond over tacos (yeah... really) until Harley and Cassandra dupe them to take the Bertinelli diamond for themselves. Renee, Huntress, and Dinah form a new alliance as the trio of vigilantes dubbed the Birds of Prey, aimed to taking down other criminal exploits in Gotham City like Sionis' own. Harley takes Cassandra under her wing in a sense as they ride out to make a life of their own with the fortune they've acquired from the Bertinelli diamond. I get that this is supposed to be like "redemption" story of sorts for Harley coming out onto her own away from The Joker, but I can't say that this journey for her did anything for me.

That's well and all that she has the kid (Cassandra Cain) to tag along with her and fill the empty void that Mistah J left in her life after he dumped her, but this doesn't feel like an independence story like it comes across as it should. Don't get me wrong. I'm all for female empowerment and this film has a lot of moments where that is in full swing, but as an overall package, it doesn't feel very significant as a whole across the board. Five women down in their luck happen to cross paths and join forces against the common threat of Roman Sionis - I can buy that narrative for sure, but getting to that point is pretty muddled up with a lot of unnecessary red tape. Not to mention, there's Harley's cringe-worthy "rallying the troops" speech at the film's climax.

A few minor changes would have made this work better in my eyes. First of all, rename the kid anything BUT Cassandra Cain as that leaves that character on the table for the DCEU could bring her into the Bat Family in this continuity properly down the road. Keep Renee, Dinah, and Huntress' stories roughly the same, but add that they were getting tipped off by a mysterious informant throughout the film, who refers to themselves as "Oracle". Savvy comic book fans will know where I'm going with this. A mid-credits scene can reveal Oracle to be Barbara Gordon, Commissioner Gordon's wheelchair-bound daughter who has been monitoring Sionis' activities and looking for the means to take him down before they all came into the picture. Dinah, Renee, and Huntress can agree to continue working together and that's the proper start to the Birds of Prey. Sionis isn't killed off, but he's stuck in jail for a while from all of the evidence that's stacked against him from Renee's detective work, the evidence at the crime scene(s), and Oracle's own networking. Harley can still bond with the kid and all that, with the main change being that she allows the diamond to be returned to the proper authorities. Harley's true intentions are made clear after she tucks the kid in bed at her apartment, only to go out to steal the Bertinelli diamond for herself from police custody. This is where the film ends on a big cliffhanger where she bumps into Poison Ivy breaking into the police station for the very same thing. That way the film ends with a tease of what is to come with Ivy and Harley potentially teaming up while simultaneously laying a proper foundation for the Birds of Prey in this continuity.

But yeah... That's just my two cents on how I would have tweaked this film.




Watch It or Don't Bother?

I'm still laughing at the comments from the first week of this film's theatrical debut going along the lines of "you need a vagina to understand this film" along with Margot Robbie herself saying that people need to read the comics to get this film. I laughed hysterically and said, "Bitch, please." It's painfully obvious that those who were involved with the creation of this film were looking at comic book covers and was looking for "cool" ideas to shoehorn into this film with little knowledge of how these characters should be presented in any capacity.

If you like Harley Quinn (especially after her live-action debut in Suicide Squad), then it's going to be a no-brainer that you are going to want to see this. For everyone else who is already on the fence leery about everything that the DCEU has put on the table after Man of Steel, I say don't go out of your way to see this. It'll be on free television sooner more than later.

PREVIEW -- Gears Tactics - Official Launch Trailer


Outnumbered and fighting for survival, recruit and command your squad to hunt down an evil mastermind who makes monsters in this turn-based strategy game.

Gears Tactics launches on April 28, 2020 on Steam, Xbox Game Pass for PC (Beta) and Windows 10.

#ign


So it's Gears of War, but in an X-COM style setting in terms of gameplay? That could be really interesting. Even though I haven't kept up with the series following the events of Gears of War 3, I have always adored this game's lore and visual style.

PREVIEW -- Streets of Rage 4 - Official Retro Reveal | Launch Trailer


Check out the new gameplay trailer which reveals Streets of Rage 4's tributes to the original trilogy, including unlockable pixel art characters with movesets and abilities unique to their respective games. Additionally, players can also switch to the series iconic original soundtrack backed by tracks from Streets of Rage 1 and Streets of Rage 2.

Streets of Rage 4 is headed to Nintendo Switch, PlayStation 4, Xbox One, and PC.

#ign #gaming

I think that's pretty awesome that they are including these throwbacks to the previous games in the series. The more I see of this game, the more I'm tempted to pick this up at launch.






Check out the latest trailer for Streets of Rage 4 that reveals the game's Battle Mode and the official release date. Coming to PC, PS4, Xbox One (and game pass) and Nintendo Switch on April 30th.


PREVIEW -- Mobile Suit Gundam Extreme vs Maxi Boost On - Announcement Date Trailer...





It's time to suit up & prepare for a Closed Network Test, #Gundam fans!
Mobile Suit Gundam Extreme VS Maxi Boost On arrives July 30th! Sign-up for the Closed Network Test before April 10th and we'll see you on the battlefield! https://bandainam.co/2WwCyiU 

It's a little too late (it's April 13th as of this posting) but I'm glad to see that Bandai Namco is giving Gundam Versus another shot here in the States. My primary concern is that I hope that they have learned their lesson in reference to Gundam Versus where the individual additional add-on DLC Mobile Suits were insanely overpriced if you wanted to acquire all of them to remain competitive in the game online. I played the game primarily in Single Player offline modes with the occasional co-op runs with a friend in Survival Modes, but never touched the online component as I had absolutely no interest in that portion of the game. C'mon, international players and people who have been importing these games for years have the experience advantage by leaps and bounds. This game is hard enough to pick up as it is.

That being said, I adore the fact that this entry will have a wealth of offline content to satisfy players like me. The pre-order Suits do concern me a little as it comes off as the same ploy that the last Gundam Versus game did at launch on PlayStation 4.

WrestleMania 36 - Nights 1 & 2 -- Results & Afterthoughts



WrestleMania 36 was the 36th annual WrestleMania professional wrestling pay-per-view (PPV) and WWE Network event produced by WWE for their Raw, SmackDown, and NXT brand divisions — the first to promote the NXT brand. It was filmed on March 25 and 26, 2020 and broadcast as a two-night event on April 4 and 5, marking the first time the event was broadcast over two nights as well as aired on tape delay. In addition to the WWE Network, the two productions were sold as individual PPVs, with both available as a package deal.

The event was originally scheduled to take place solely on April 5, 2020, at Raymond James Stadium in Tampa, Florida and was to air live. In mid-March 2020, all WWE programming was relocated to the WWE Performance Center training facility in Orlando due to the 2019–20 coronavirus pandemic, with no audience and only essential staff present. WWE subsequently announced that WrestleMania would also be presented from the facility, and air across two nights. The majority of its matches were pre-recorded at the Performance Center between March 25 and 26. Taking advantage of the format, two matches — a "Boneyard match" featuring The Undertaker, and a "Firefly Fun House match" featuring Bray Wyatt — were filmed off-site in atypical, cinematic styles.

The card comprised nineteen matches which were divided between the two nights, including one match on each night's Kickoff pre-show and a dark match on the second night. In the main event for Part 1, The Undertaker, returning to his "American Bad Ass" gimmick, defeated AJ Styles in a Boneyard match, and Braun Strowman defeated Goldberg to win the Universal Championship in the final match from the Performance Center. In other prominent matches, Becky Lynch defeated Shayna Baszler to retain the Raw Women's Championship, and Kevin Owens defeated Seth Rollins in a No Disqualification match.

In the main event for Part 2, Drew McIntyre defeated Brock Lesnar to win the WWE Championship after which, McIntyre defeated Big Show to retain the WWE Championship in a dark match (this match was later shown on the April 6 episode of Raw). In other prominent matches, "The Fiend" Bray Wyatt defeated John Cena in a "Firefly Fun House match", Charlotte Flair defeated Rhea Ripley to win the NXT Women's Championship for a second time, which was the first time an NXT championship was defended at the event, Edge defeated Randy Orton in a Last Man Standing match, which was Edge's first singles match since 2011, and Otis defeated Dolph Ziggler.

WrestleMania 36 received mostly positive reactions from fans and critics. While it was noted that the event suffered from the absence of a live audience and a poor lead-up (partly due to a number of wrestlers being pulled from the event shortly before its filming, mostly in relation to the pandemic, including Roman Reigns, The Miz, Andrade, and Dana Brooke, all of whom were slated to defend or challenge for championships), most felt that WWE exceeded expectations. The Boneyard and Firefly Fun House matches were singled out as highlights due to for their uniqueness and over–the–top tone.





NIGHT ONE (Saturday, April 4, 2020)



KICKOFF
Cesaro def. Drew Gulak

This shit right here that you can see in the gifs below. Cesaro is a freak of nature in pure athleticism and power. Why the hell can we get a competitive one-on-one match between him and Brock someday when he can do shit like this?





Let's not forget that this dude won a match with a fucking Airplane Spin in 2020. Holy shit that was awesome.

WWE WOMEN'S TAG TEAM CHAMPIONSHIP
Alexa Bliss and Nikki Cross def. Asuka and Kairi Sane (c) to win the Women's Tag Team Titles


I just have to ask is it too much to ask that Asuka gets a WrestleMania moment in this damn company? Splitting Asuka and Kairi up would give the RAW Women's Division two more strong challengers for Becky's title, but I think they could have done more with this tag team in the long run. Putting the belts back on Bliss Cross Applesauce (seriously that's REALLY a thing as they have a shirt on WWEShop...) just seems like the death kneel for this women's tag team division that they never seem to know what to do with in the first place. For the girls' credit though, they really tried to make this engaging enough for the most part, but ultimately the champions fell short to the challengers.

In my eyes, neither Asuka nor Kairi need to be losing to Bliss nor Cross in any shape nor form, but that's just me. This match could have been a LOT worse and I'll admit that it kept me interested from bell to bell with the near-falls and action. Asuka deserves more praise


Elias def. King Baron Corbin


I didn't give a flying fuck about this match when it was announced and I sure as hell didn't care when it happened on this card. This was the definition of a bathroom break for me for the night.


WWE RAW WOMEN'S CHAMPIONSHIP
Becky Lynch (c) def. Shayna Baszler


I don't know how to put this. This was a good match, but it wasn't a "WrestleMania" match, y'know? We've all seen better from both of these women in the past, but I'll admit that this wasn't much to write home about outside of the constant brawling outside of the ring. I was definitely surprised when Becky pinned Shayna clean to boot. This would be the first of Triple H's prized prospects to take a L here over WrestleMania weekend.

This decision would easily make people assume those rumors about Vince McMahon not warming up to the reception of Shayna Baszler as the challenger to dethrone Becky Lynch as their main attraction, but after reading the results for Monday Night RAW (4/6/2020), it's obvious to see what WWE has in the pipeline. Nia Jax made her return and it's easy to see that Becky and Nia have an established history between them during Becky's rise to immortality that I could easily see them waiting until Summerslam to pay off. It's something that not everyone is going to be too keen about (I know I don't care to see this feud play out...) but it makes the most sense in terms of opponents that Becky has exhausted at this point.


WWE INTERCONTINENTAL CHAMPIONSHIP
Sami Zayn (c) def. Daniel Bryan

Bryan chasing after Sami like he stole something.

Bryan gave Sami the beating of his life in this match from these sickening strikes to one scary suicide dive that gave me flashbacks to Chris Benoit's dive out of the ring and into the commentary table. I swear, between Edge and Bryan, I don't know who has been studying the Kota Ibushi and Tetsuya Naito book of unnecessary neck bumps harder.

Thinking back to Sami's heyday back on NXT and how Daniel Bryan and Drew Gulak put on a wrestling clinic on the previous PPV, I was expecting a lot more from this but I was entertained for th most part. I just wanted WWE to give this match enough time. Instead, it felt like it was over as soon as the coals were getting hot. I hope they do more with this program, especially once crowds can start filling the arenas again. We all know that once all five (once Cesaro, Nakamura, and Gulak all get formally involved with this program at some point) that this will end up being a wrestling clinic.

I'll admit that I was a little surprised that Sami retained here, but at the same time, I shouldn't have when Bryan has a history of a weakened immune system and asthma from an early age. If he manages to get sick, they would have to take the title off of him anyway. Additionally, didn't he say in an interview that he's almost done working as a full-time competitor when his current deal is up?


WWE SMACKDOWN TAG TEAM CHAMPIONSHIP (LADDER MATCH)
John Morrison (c) def. Jimmy Uso and Kofi Kingston


In terms of in-ring action, this was easily my favorite match of the night despite the fact you could tell that this match was edited to all hell at points to hide crash pads and what not. This was one of the few matches that benefited from the show being taped prior. If you don't watch any other in-ring match from Night 1 go out of your way to watch this match.

One thing people are failing to realize about this spot is that Morrison caught Kofi on the ladder to allow him to perform the Hurracanrana. Without JoMo's cooperation, that wouldn't have looked anywhere as smooth as it did here.


Words don't do this match enough justice. Maybe The Miz needs to stay home and miss more matches for these three guys, especially Morrison, can go out there and kill it like this more often.

Even while he was away in Lucha Underground and IMPACT Wrestling, John Morrison's athleticism will never cease to amaze me. 


This is going to go down as one of - if not the best - matches from the entire weekend. Let it be on record that I absolutely LOVED the finish, even though that bump had to suck royally for Morrison though. Jesus...


NO DQ MATCH
Kevin Owens def. Seth Rollins




When this match ended initially by DQ, I threw my hands up in the air, convinced that we were going to have a typical Monday Night RAW finish to this match to continue dragging out this feud. I was relieved when the match restarted as a No Disqualification Match with both men brawling all around the ringside area before Owens ended it with that dive off the WrestleMania sign.

Not gonna lie but that was pretty sick, even though I wasn't too crazy about the rest of this match.


WWE UNIVERSAL CHAMPIONSHIP
Braun Strowman def. Goldberg (c) to win the WWE Universal Championship


After about 3-5 Spears and Running Powerslams each, Strowman endured Goldberg's assault and put him down for the 1-2-3. There's absolutely nothing to write home about this match, especially with the lack of building going into it when WWE clearly had more than enough time to change their plans around after Roman backed out of the event.

Too bad it's too little, too late to scrap the rocket on Braun when they have squandered that opportunity multiple times over the course of the past two-three years. This decision just marks Braun as the poster boy for the definition of a transitional champion.


BONEYARD MATCH
The Undertaker def. AJ Styles

This reveal, followed by the shot of AJ Styles' buried hand in the dirt, was the icing on the cake that was this cinematic masterpiece of a "theatrical wrestling match". 

From start to finish, this was the best thing to come out of Night 1 and closed out this show in spectacular fashion. WWE clearly took some cues from Matt Hardy's Final Deletion, with that not being a surprise since they have almost everyone who contributed to that endeavor in IMPACT Wrestling outside of Matt and Reby Hardy themselves on payroll now in that company. If this was going to be a traditional match, we knew that Styles would have bumped his ass off to make Taker look good to a lackluster, yet passable effort. With this cinematic style, WWE were able to hide the Deadman's shortcomings and paint him into a new light. If WWE wants to book Taker vs. Sting in a match of this capacity then I'm all for it. Otherwise, I hope Taker calls it quits sooner more than later.


It should be noted that Lucha Underground deserves from props from all of the praise that this "cinematic wrestling" style borrowed elements from. That style of presentation predates even the Final Deletion stuff on IMPACT Wrestling from Matt Hardy by a few years and definitely doesn't get enough praise from wrestling fans. It did make me smile a bit to see that Lucha Underground is still having an impact on wrestling today - from wealth of talent that WWE, AEW, MLW, Ring of Honor, NWA, and even MLW have all employed currently to that unique cinematography and Hollywood movie style presentation that they brought to the table.


Night One Closing Thoughts


Going into this show, I wasn't too enthusiastic about a WrestleMania without a crowd in any way, shape, nor form. I was just watching out of obligation since I'm still paying that $9.99 (plus taxes) for the Network each month, so I figured I should get my money's worth in that regard. If I were grade this show, I'd give it somewhere between a C+ or a strong B-, just for the TLC Triple Threat and the Boneyard Matches alone. There wasn't nothing that was just flat out rotten or god-awful outside of that Elias vs. King Corbin match that nobody asked for, but I went to make dinner throughout the majority of that for I wouldn't have to even entertain the thought of giving WWE my time of enduring all of that match from bell to bell. I'll admit that Night 1 left me satisfied for the most part and eager to see what WWE had in mind for Night 2, especially with the Firefly Funhouse Match after seeing what they pulled off with the Boneyard Match at the conclusion of Night 1.



NIGHT TWO (Sunday, April 5, 2020)


KICKOFF
Liv Morgan def. Natalya




NXT WOMEN'S CHAMPIONSHIP
Charlotte Flair def. Rhea Ripley (c) to win the NXT Women's Championship


This was crazy to me that Night 2 would kick off with this match, but given the fact that Night 2 had multiple women's title matches involved, I suppose this was for the best as this match would have been lost in the shuffle if it was bumped up further up the card.

Like I mentioned several times over on social media this past weekend, I thought this was EASILY the best match on the entire card for Night 2, but I could have done without the loud groaning,  moaning, and screaming like this was bad softcore porn on Cinemax.

I'm still not too crazy about the decision to put the belt on Charlotte Flair, but it's whatever. I'm sure that they would have gone with a different result if there were people in that building.


Otis def. Dolph Ziggler


This match served as the climatic finish (no pun intended) to the Mandy Rose, Otis, and Dolph Ziggler love triangle. A mysterious hacker (I jokingly stated that it was Sami Callihan over on IMPACT pulling overtime) revealed on SmackDown! that it was Sonya Deville that foiled the Valentine's Day date plans for Otis and Mandy, which set this match into motion. As a result, Sonya accompanied Ziggler to the ring for this match.

The match itself wasn't too much to write home about as this match was a PAINFUL reminder of how much better it would have been in front of a crowd, especially after Mandy Rose ran down to slap Sonya Deville down to the floor and Low Blow Ziggler in the family jewels for Otis could pick up the win. The kiss shared in the ring between Otis and Mandy was the icing on the cake for all of this, with the only omission was the live crowd's reaction to Mandy and Otis FINALLY getting together.





About damn time. Go 'head, Otis. Get dem Mandy draws tonight, son. You deserve it.

Mandy Rose is allegedly dating Tino Sabbatelli (remember him?) from NXT behind the scenes, so don't get too excited that this relationship is legit. It was just cool to see the "every man" get the girl for once in one of these stories instead of the pretty girl giving him the shaft and going heel like how majority of these storylines end in wrestling, especially in WWE.


Aleister Black def. Bobby Lashley (w/ Lana)


This match had absolutely no build-up since Lashley was immediately put on quarantine for two weeks following his trip to Africa to promote WWE over there. I couldn't believe that they flew out Lana just for this too while Lashley was wearing some ridiculous new tights for his ring gear. I swear that dude has to be regretting that decision to come back to WWE JUST to fight Brock Lesnar when he hasn't even sniffed towards the conversation of any sort of opportunity in that capacity. Then again, he could just happy for that paycheck since there's no telling what Kristal Marshall left him with after their divorce. We all know IMPACT Wrestling wasn't going to have big money contracts to hang onto him (and everyone else who were a big name in WWE prior) forever.

This match was short (for the most part) and to the point. It did it's job and I can't complain about that. I loved that finish where Lashley went for the Spear and Black instantly put him down with the Black Mass to counter. If they are building up Aleister Black as the point who will retire The Undertaker, then this is a step in the right direction. If I were to pick, they can't go wrong with either Drew or Aleister in that role. I'm personally more keen on Taker passing that torch to Aleister or Finn Balor if I'm perfectly honest, but between those three men that I mentioned, Black would be the most obvious choice, given his similar gimmick.

Other than the decision to have Black go over, the best thing to come out of this match is the tease of a fallout between Lashley and Lana. She was the one who told him to go for the Spear when he had Black beat which proved to be his downfall here. They could totally go that route and split them up if they want.


LAST MAN STANDING MATCH
Edge def. Randy Orton


Going into WrestleMania 36, this was easily the best laid out match going into this show. From the promos, the drama, and the emotions going into it, this match had all of the ingredients for an all-time classic. What transpired was a fucking boring as hell match that went on and on and on AND ON for roughly 40 minutes. What made the Johnny Gargano and Tommaso Ciampa brawl throughout the Performance Center cool was that it was over in less than ten minutes. This shit kept on going and going. I think they could have shaved off at least 15-20 minutes of this in the editing room and still would have had a much better match.

I can't speak for anyone else, but I didn't need to see Orton attempting to hang Edge from one of the weight machines backstage when I literally just saw the Dark Side of the Ring documentary of the Chris Benoit murders/suicide about two weeks ago. Whoever approved that spot for this match and didn't edit out of post-work needs to be slapped.

The emotions between Orton and Edge here were real and played into the closing moments of the match that saw a teary eyed Edge give his friend, Orton, a Con-Chair-to to put him out of his misery while simultaneously sealing his fate as the winner of this Last Man Standing Match.

I think my on and off collaborator Serena said it best concerning her feelings about this match though, given the fact that she has a much more emotional attachment to him growing up during the heights of his career.

I have to say... Never has a return to the ring made me cry. Never has a come back story from an injury made me cry. But seeing Edge back... Honestly, it does bring a tear to my eye 
He deserves it. For some reason, I am so happy to see him back. At least for a little bit

I (along with a lot of people online) didn't much care for this match as a whole, but after being forced to retire, Edge did deserve this opportunity to come back to doing what he loved and that's performing in the squared circle. Sure, this match may not have been everyone's cup of tea, but at the end of the day, Edge is back doing what he loves and that's all what really matters. 


SMACKDOWN! TAG TEAM CHAMPIONSHIP MATCH
The Street Profits (c) def. Austin Theory & Angel Garza



This was essentially a match pulled from a typical Monday Night RAW with the champs defending the titles against a team that never came together until now. Garza and Theory never teamed up not once on NXT, but Austin Theory is getting his WrestleMania (and main roster) debut in a throwaway match on this card.

That's not a knock against anyone in this match either as both teams did what they could to keep this interesting, but there wasn't a single moment in this match where I felt that this was worthy of a spot on ANY WrestleMania card. This was a pre-show match at best.








The biggest takeaway from this match was the fact that Ford's wife, Bianca Belair, ran out to lay out Zelina Vega in the post-match brawl. I'm guessing that this is her formal call-up to the main roster and you can pretty much flush those hopes for her to challenge Charlotte Flair for the NXT title down the drain now.


SMACKDOWN! WOMEN'S CHAMPIONSHIP 5-WAY ELIMINATION MATCH
Bayley (c) def. Lacey Evans, Tamina, Naomi, and Sasha Banks to retain

From the second that they announced this match, I had Sasha pegged to win this thing after FINALLY stabbing her "best friend" in the back. Boy, was I wrong on how this played out by the time it was all said and done. That goes without WWE teasing the hell out of it from the pre-match interview and even during portions of this match.

...Then Sasha Banks got unceremoniously eliminated and absolutely nobody cared about the rest of this match as it was down to Lacey Evans and Bayley. I was more surprised that they let Lacey Evans of all people got to eliminate Sasha than anything else here. Sasha came back into the mix and helped Bayley retain, which asks even more questions as it looked like their partnership was coming to a boiling point where there was a tease of a rift between them at one point. I was hoping for something in the post-match when Sasha handed the belt to Bayley, but nothing.


Outside of the Diva stans on Twitter, who actually remembered that Team BAD was a thing?

I'll give the ladies of SmackDown props. They tried here and this was watchable. Tamina was a wrecking machine for the first portion of the match before she was eliminated by everyone dog piling on top of her - very reminiscent of how Big Show used to get eliminated in battle royals all of the damn time back in the day. Naomi got plenty of time to shine before she fell victim to Sasha and Bayley's double team tactics. Even though I'm still not sold on her as a babyface but Lacey's endurance throughout the punishment that Sasha and Bayley were laying onto her was commendable. Bayley still comes across as so goddamn uncomfortable as a heel at times - at least to me anyway. It doesn't seem organic like how most people warm up at the chance to play "villains" in wrestling.

If they aren't going to do anything with neither brand's Women's Championships, I suggest that they unify both titles. These two divisions have been exposed to the core and it shows that there's a severe lack of depth in these two divisions. Becky, Bayley, and better yet, Charlotte Flair, have all exhausted their credible opponents and match-ups to the point where almost anyone else seems redundant at this stage.

FIREFLY FUNHOUSE MATCH
"The Fiend" Bray Wyatt def. John Cena

The Prototype has returned, along with almost every other gimmick John Cena has been in the past. 
This was just something else... Where the Boneyard Match was a spectacle, this Firefly Funhouse Match was on par with The Final Deletion levels of bonkers and mindfuckery. I said it on Twitter and I'll say it here too - I REALLY hope WWE are cutting Matt Hardy a check for inspiring this "Broken" style influence into WrestleMania this year. That's really surprising too when Matt Hardy went on record in interviews to say that Vince McMahon didn't "get it" and pigeon-holed him back into being the "normal" Matt Hardy during his last run there.

My thoughts EXACTLY, Titus. 
The expression on Titus O'Neil's face was priceless here and worth watching whatever the hell that was alone.



I got no words on that. I wasn't offended by it nor was I blown away by it. I just want to know exactly what combination of drugs and alcohol were involved to produce something like that.

That being said, there's a GREAT explanation/breakdown of that entire sequence by an indie wrestler going around.


WWE CHAMPIONSHIP MATCH
Brock Lesnar (c) vs. Drew McIntyre

Simply put, this was a complete rehash of Strowman and Goldberg from Night 1. As the main event of this show, this felt so fucking lazy on WWE's behalf.

At the end of the day, I'm glad Drew McIntyre got his moment, especially after seeing his WWE 24 special where he was going through the emotions and anxiety of this year's WrestleMania possibly being cancelled among the ongoing coronavirus concerns. It just sucks that there wasn't a crowd there to share that moment with him. What a way to end WrestleMania though... A new champion is crowned but there's no pyro nor confetti to shower him among the roars of the fans to welcome in the new apex predator at the top of the food chain.


Night Two Closing Thoughts

If I was to choose between which night had the better of the two shows, I have to go with Night One. Night Two opened strong with the NXT Women's Championship but dragged on and on, no thanks to the Last Man Standing Match between Edge and Orton. That was coupled with the fact that the majority of the matches on this card were matches that you would normally see on one of the throwaway PPVs and not one of the Big Four PPVs of the year. I'm still disappointed that both Otis and Mandy and especially Drew McIntyre were robbed of the fan response to their triumphant victories. That would've made their WrestleMania moments complete in my eyes. Not some taped show in an empty building.




Looking back at these results, it a little telling that we could be looking at the Four Horsewomen butting heads sooner more than later. The only one of them who isn't holding gold is Sasha Banks and with Money in the Bank still scheduled for May 10th as of this posting, I could see her getting the women's briefcase and starting a sort of clash with the other Horsewomen in terms of who she is going to cash in the opportunity against. This could lead to some playful back and forth between all of them until Sasha ultimately cashes in on Bayley like we all know she should do.

When this show was over, my best friend sent me a message over Facebook. It said, "WWE should've cancelled WrestleMania. This show as a mistake." The more I think about, the more I'm inclined to agree with his opinion. Outside of a handful of matches, this wasn't a must-see event, nor lived up to the reputation of WrestleMania. I don't think we should be grading this show on a curve either since WWE went out of their way to ensure "the show must go on" in the middle of this pandemic while simultaneously putting their talents' health and well-being at risk. While I applaud WWE for providing a lot of people, myself included, in a means of escapism this weekend by watching WrestleMania among the stay at home/lockdown orders in the middle of this ongoing pandemic, I can't say that this is an event that I'm going to fondly remember. I hate saying it like that as there were a lot of great efforts here by the talent to make this show worth our time, but I can't lie to myself and say that this was a "good" WrestleMania. This was a slightly above-average show and that's about it.