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REVIEW -- Marvel's Runaways (Hulu Plus Exclusive; Season One - Episodes 1-10)



Marvel's Runaways, or simply Runaways, is an American web television series created for Hulu by Josh Schwartz and Stephanie Savage, based on the Marvel Comics superhero team of the same name. It is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films and other television series of the franchise. The series is produced by ABC Signature Studios, Marvel Television and Fake Empire Productions, with Schwartz and Savage serving as showrunners.

Rhenzy Feliz, Lyrica Okano, Virginia Gardner, Ariela Barer, Gregg Sulkin, and Allegra Acosta star as the Runaways, six teenagers from different backgrounds who unite against their parents, the Pride, portrayed by Angel Parker, Ryan Sands, Annie Wersching, Kip Pardue, Ever Carradine, James Marsters, Brigid Brannagh, Kevin Weisman, Brittany Ishibashi, and James Yaegashi. A film from Marvel Studios based on the Runaways began development in May 2008, before being shelved in 2013 due to the success of The Avengers. In August 2016, Marvel Television announced that Runaways had received a pilot order from Hulu, after being developed and written by Schwartz and Savage. Casting for the Runaways and the Pride were revealed in February 2017. Filming on the pilot began in Los Angeles in February 2017. The series was officially ordered by Hulu in May 2017.

The first season was released from November 21, 2017, to January 9, 2018. In January 2018, Runaways was renewed for a 13-episode second season.


Premise


Six teenagers from different backgrounds unite against a common enemy — their criminal parents, collectively known as the Pride.



Cast


Main



Rhenzy Feliz as Alex Wilder: A nerd who longs to reunite with his childhood friends and a member of the Runaways.
Lyrica Okano as Nico Minoru:
A Wiccan who isolates herself with her gothic appearance and a member of the Runaways. Unlike the comics, Nico does not summon the Staff of One through self-harm. Okano said this was tweaked, "for good reason" as there would be "a lot of young teenagers watching the show and we don't want to promote anything like self-harm because that's serious." She added that an element of drawing blood would still be involved.
Virginia Gardner as Karolina Dean:
An alien passing as a human model, who is burdened by her religious upbringing and wants to pursue her own desires and a member of the Runaways instead of following in her mother's footsteps. She can fly and glow with rainbow-colored light.
Ariela Barer as Gert Yorkes: A riot grrrl, social activist, and a Runaway.
Gregg Sulkin as Chase Stein:
A high school lacrosse player who is often dismissed as a dumb jock but displays brilliance in engineering and a member of the Runaways. Sulkin and the writers wanted the character to be "more layered" than the comics, and Sulkin felt that Chase was the most changed of the Runaways from the source material. The character is depicted as having the potential to be as much of a genius as his father is, and builds gadgets such as the weaponized gauntlets called "fistigons". Connor Falk portrays a young Chase
Allegra Acosta as Molly Hernandez: The youngest member of the Runaways who is characterized by her positive attitude. Early on she discovers she is a mutant capable of incredible strength when endangered.  Evelyn Angelos portrays a young Molly.
Angel Parker as Catherine Wilder: Alex's mother, a successful lawyer, and a member of the Pride.
Ryan Sands as Geoffrey Wilder: Alex's father and a self-made business man who had a grueling path to his success who is a member of the Pride.
Annie Wersching as Leslie Dean: Karolina's mother and one of the leaders of the cult-like religious group the Church of Gibborim who is a member of the Pride.
Kip Pardue as Frank Dean: Karolina's father, a former teen star who is struggling in his professional acting career, who is one of the leaders of the Church of Gibborim.
Ever Carradine as Janet Stein: Chase's mother who has a brilliant mind, is "a perfect PTA mom", and a member of the Pride. Sorel Carradine portrays a young Janet.
James Marsters as Victor Stein:
Chase's father, an engineering genius, and a member of Pride. Marsters was inspired by Vincent D'Onofrio's portrayal of Wilson Fisk in Daredevil, saying it was "exactly opposite of what I was expecting", and also looked for common ground with Victor, saying, "I'm not an abusive parent but I’m not a perfect parent. I don’t think anyone is." He added that Victor just wants Chase to live up to his potential. Tim Pocock portrays a young Victor.
Brigid Brannagh as Stacey Yorkes: Gert's mother, a bioengineer, and a member of Pride.
Kevin Weisman as Dale Yorkes: Gert's father, a bioengineer, and a member of Pride.
Brittany Ishibashi as Tina Minoru:
Nico's mother who is a brilliant innovator, ruthless CEO, and perfectionist "tiger mom" who is a member of Pride. The character previously appeared in the film Doctor Strange, in a minor role as a Master of the Mystic Arts, portrayed by Linda Louise Duan. The producers felt free to recast the role and create a different version of Tina Minoru since Duan was not named as the character in the film.
James Yaegashi as Robert Minoru: Nico's father and a member of Pride.


Recurring



Danielle Campbell as Eiffel: A girl who attends Atlas Academy and looks down on Karolina.
Pat Lentz as Aura: A member of the Church of Gibborim who works for the Deans.
Heather Olt as Frances: A member of the Church of Gibborim who works for the Deans.
DeVaughn Nixon as Darius Davis: An old associate of Geoffrey's who holds a grudge against him.
Cody Mayo as Vaughn: Leslie Dean's assistant at the Church of Gibborim.
Julian McMahon as Jonah:
Leader of Pride and Karolina's biological father. McMahon described Jonah as "the wealthy guy who's pretty ego-driven and mission-driven... who's trying to accomplish certain things and if something were to get in his way he'd plow through it", which he felt was similar to Victor von Doom, who he portrayed in Fantastic Four and its sequel. He also revealed that he did not appear in the earlier episodes as the character in his near-death state, as he had been cast after the first four episodes had been completed. Ric Sarabia portrayed the character in this state, which McMahon stated took five hours of make up application to achieve.



Old Lace, a genetically engineered Deinonychus telepathically linked with Gert Yorkes, appears in the series. The character is portrayed by a puppet that was operated by six people, including one person pumping air through the puppet to show the dinosaur breathing. Barer called the puppet "incredible ... You see her emotions. We don’t not make use of that."


Guest



Zayne Emory as Brandon: A member of Chase's lacrosse team.
Timothy Granaderos as Lucas: A member of Chase's lacrosse team.
Nicole Wolf as Destiny Gonzalez: A young woman who joins the Church of Gibborim and is sacrificed soon after by the Pride.
Nathan Davis Jr. as Andre: An associate of Darius' who is used as a sacrifice for the Pride.
Alex Fernandez as Flores: An LAPD lieutenant who works under the Pride.
Ryan Doom as Alphona: Chase's lacrosse coach.
Devan Chandler Long as Kincaid: A man hired by Tina Minoru for devious purposes.
Kimmy Shields as a supporter of Gert's club.
Anjelika Washington as a supporter of Gert's club.
Cooper Mothersbaugh as a supporter of Gert's club.
Amanda Suk as Amy Minoru: Nico's sister and Tina and Robert's daughter who died prior to the beginning of the series. Chandler Shen portrays a young Amy.
Vladimir Caamaño as Gene Hernandez: Molly's father and a former member of the Pride who died in a fire.
Carmen Serano as Alice Hernandez: Molly's mother and a former member of the Pride who died in a fire.
Marlene Forte as Graciela Aguirre: A distant relative of Molly's.


Stan Lee makes a cameo appearance as a limo driver.


Episode Summaries



Episode 1 "Reunion"

A girl named Destiny is "rescued" by the Church of Gibborim from two muggers, who were actually trying to save her. Six months later, friends Alex Wilder, Nico Minoru, Chase Stein, Gert Yorkes, Karolina Dean, and Molly Hernandez have grown apart since the death of Nico's sister, Amy, two years earlier. Alex uses a meeting for their parents' group the Pride to reach out to the others, but they turn him down. They later change their minds: Karolina removes her Church of Gibborim bracelet at a party, sees her hands glowing, and loses consciousness—Chase rescues her from being raped; because of this, Chase stands Gert up for a study session, and she picks up her adopted sister Molly who has discovered that she has super strength and that their parents have a creature in the basement; and Nico arrives after failing to contact Amy's spirit in a ritual. The gathering is awkward, but they soon discover a secret passage in the house that leads to their parents sacrificing Destiny in a ritual. Molly's camera flash is seen by the parents.

Episode 2 "Rewind"

Before the ritual, Geoffrey Wilder had confronted an old associate from his time as a criminal, threatening him against interfering with the Pride's construction project; Victor Stein was having issues testing the container used in the ritual; Leslie Dean convinced Destiny not to leave the Church of Gibborim until she reaches the stage of "Ultra", which involves the then upcoming secret ritual; her husband Frank, an actor who is not a member of the Pride, lost his agent due to his role as the co-founder of the Church. The group are all reluctant to sacrifice someone the same age as their children, but go ahead anyway. When they see the flash, they race to investigate, but are convinced by the children that there was an electrical problem in the house. Geoffrey later finds Molly's hairpin outside the entrance to the secret passage, while Victor realizes that his container malfunctioned and Destiny is still alive inside it. Meanwhile, Frank unsuccessfully attempts to enter Leslie's private study, where a decrepit figure lies on another of Victor's containers.

Episode 3 "Destiny"

Karolina is told that Destiny is officially in London for a Church trip. Nico investigates the Staff of One, but is unable to control its power and calls Alex for help. Chase and Gert use some of Victor's inventions to search for Destiny in the Steins' house, and then discover that the creature in the Yorkes' house is a dinosaur genetically engineered by Gert's parents. Tina and Robert Minoru attempt to deal with their deteriorating marriage, due to Amy's death, but it ends with Robert continuing a secret affair with Janet Stein, and Tina returning home to find Nico and Alex (pretending to be romantically involved to avoid suspicion). Catherine Wilder confronts Molly, but the latter lies that she had been sneaking around to steal alcohol for the other children. Catherine promises to tell Molly about her parents, who died in a fire when Molly was young (members of the Pride blamed each other for doing this). The Yorkes plan to move with Gert, Molly, and their dinosaur to a remote ranch in Yucatan now that the Pride is over, but then Destiny's body is found.

Episode 4 "Fifteen"

The Pride holds an emergency meeting, though the Yorkes are out searching for their missing dinosaur. Victor accepts responsibility for the failed sacrifice; he and Robert go to find a new one. They attempt to kidnap a homeless man, but they bungle the act and are arrested. Karolina is shunned at school as a slut, and Chase is told to apologize to his lacrosse teammates who he injured when he stopped them from raping her. He instead quits the team. Karolina reveals to Chase how her body glows without her bracelet. She and Gert also look for proof of their parents' innocence, but with Alex's help they realise that Leslie has been selecting people from her church to sacrifice for years. This does not include Amy, who appeared to commit suicide but Nico believes was murdered by the Pride. She goes to the police, but leaves when she sees Victor and Robert talking with a policeman apparently on their payroll. The Yorkes find the dinosaur, doing what Gert tells her to do, and are then threatened by Tina who knows about Yucatan. Alex is kidnapped.

Episode 5 "Kingdom"

In flashback, Geoffrey makes a deal with the mysterious Jonah to buy up land and has to convince his cellmate Darius to take the blame for shooting someone to get out of prison. In the present, Darius has kidnapped Alex as ransom for Geoffrey to pay one million dollars. Nico gets Karolina, Gert, Molly and Chase to come to the rescue, using the staff to find Alex. Geoffrey shows up with LAPD to take out Darius and his men, Alex shoots Andre, one of Darius' goons, but he gets taken again. Alex's friends show up and using their newfound abilities cause Darius to run. Alex makes it back to Geoffrey who tells him to go home while he preps Andre for a sacrifice. The kids all barge into the secret room only to realize that the Pride has moved the sacrifice somewhere else. Tina reveals that she knows Nico used the staff, but allows her to use it and Victor's time machine shows Los Angeles crumbling in the future. Frank fails going Ultra and the sacrifice works revealing that the man the Pride was reviving is Jonah who demands to see Karolina.

Episode 6 "Metamorphosis"

Jonah has all the parents recorded during their first sacrifice so as to keep them in check and to prevent them from leaving the Pride. The Pride hosts their annual gala and the kids use the time to download footage of the previous sacrifices from the Minoru's servers. Gert deduces that Karolina is lesbian, but she gets mad at her for not being honest with Chase. While drunk on the roof, Karolina discovers she can fly and Chase kisses her which she is placid to. Alex and Nico break into Tina's office to get the footage causing Nico to become suspicious of him as he knew the password rather easily. During the Pride members speech, Victor reveals his knowledge of Robert and Janet's tryst and collapses from his brain tumor. Jonah uses his experimental medicine to revive him, making him happily euphoric with his family. Frank appears to know about Leslie and Jonah's secret relationship, but keeps this information to himself. Molly, in an effort to know more about her parents, accidentally lets slip to Catherine about her knowledge of the Pride.

Episode 7 "Refraction"

Victor sees a message from Chase from the future telling him not to pick up the fistigons. Frank gets healing gloves from Jonah causing Leslie to become suspicious. Molly becomes distant from the others and tries joining the cheerleaders who disregard her and finds solace with Karolina. Dale and Stacy discover that Jonah's cure makes people hyperactive and euphoric, but gives them a drawn hangover. At the open house, Leslie gets Janet to break up with Robert who agrees due to Victor's changing behavior and has Tina take Robert back. Geoffrey and Catherine tell Dale and Stacy that they must do something about Molly as she knows about the Pride's activities. They tell Molly she is going to be sent away which angers her and Gert comforts her. Frank discovers that Jonah has been living for a long time and finally confronts Leslie about what she and Jonah have been doing. Nico forces Alex to reveal how he knew Tina's password. Victor suddenly becomes violent again and attacks his son with the fistigons only to get shot by Janet.

Episode 8 "Tsunami"

Victor bleeds out as the Pride members arrive to try and patch him up, though this proves to be inefficient. Leslie has Frank arrive to use his healing gloves, but it sends Victor into a coma. Tina contacts Jonah who instructs them to have Janet be sacrificed for Victor causing the Pride to argue. Robert decides to sacrifice himself instead, but Tina destroys the pod reaffirming her devotion to him. Victor is carried away to be revived later. Karolina decides to tell Frank everything she knows about Pride, getting him to her side. Alex reveals to an angry Nico that he was aware of Amy's snooping and was told to keep her information secret. Molly is living with her relative, Graciela, who gives Molly a letter containing a key. It leads her to a locker that holds a VHS tape. Nico finds Amy's things and Alex successfully gets the footage of their parents, but his laptop is destroyed by a sympathetic Chase. In flashback, Amy learns from Alex that her laptop was hacked and confides her findings to Kincaid. Upon "him" finding out, Amy tries to runaway from home, but is caught.

Episode 9 "Doomsday"

Ten years prior, Leslie murders Gene and Alice Hernandez with a bomb while Tina listens on the phone. Molly survives due to strange glowing rocks giving her powers. In the present, Janet covers for Victor's absence to the public as Jonah tasks the remaining Pride members with his current plan; to use Geoffrey's drilling company to dig a hole underneath Los Angeles. Darius monitors the area and voices his suspicions to his wife. Molly returns to the group with the VHS tape which contains a video from her parents warning her about the Pride's activities. The kids decide to use the school dance as a cover to infiltrate the drilling site. Before leaving, Gert and Chase have sex while Karolina kisses Nico, revealing her feelings to her. Frank reveals everything he knows to Jonah who relays the fact that the kids know everything to their parents. The kids arrive at the drilling site and manage to stop the drill. The Pride arrive to confront their kids who have all decided to finally take a stand. The kids reveal their powers and the Pride is shocked.

Episode 10 "Hostile"

Karolina is kidnapped by Jonah while the rest of the Runaways hide. They make it to the woods outside L.A. and Gert is forced to let her dinosaur, now named Old Lace, go. Finding new disguises, Chase and Molly sneak into the Church of Gibborim to rescue Karolina while Alex waits outside and overhears his parents announcing their intent to find him by themselves. Leslie and the Yorkes discover that Jonah is digging for something that is "alive". Leslie reveals that she was indirectly responsible for Amy's death and that she is unsure of Frank's loyalty. She manages to convince the Yorkes, the Minorus and Janet to join with her in killing Jonah. Alex makes a deal with Darius by telling him everything about the Pride. In return, Darius gives Alex hundreds of dollars for him and his friends and a gun. Jonah plans his next move with Frank over Victor's body and reveals that he needs another sacrifice. The Runaways make it to a bus stop and are reunited with Old Lace, but are forced to run upon seeing that they have been framed for Destiny's murder.


The Verdict (SPOILERS... You've been warned)


For the most part, I have kept quiet about this show on the most part, outside of comments I have made to friends here and there, citing it as my favorite new superhero TV drama to date, alongside FOX's The Gifted based in the X-Men universe. Going into this show, I have had no prior knowledge of the Runaways as I never bothered to read that comic book, despite hearing positive things about it over the years. The trailers for this series never really peaked my interest, but during the downtime of multiple television shows going on holiday break between Thanksgiving and Christmas, I had a lot of free time on my hands to invest into watching something new when I was bingewatching One Piece (FINALLY up to the time skip...). To my pleasant surprise, this was nothing like the typical teen angst drama that I was expecting on the lines of everything that The CW churns out for their DC Comics-based TV dramas.

Characters & Casting


From top to bottom, I have literally no issues with the casting for this series. Even going back to glance at photos from the comics, the kids look just like their comic book counterparts and even are well-written to shine from their source material. I had to go back to research these characters after watching the first few episodes and I was pleasantly surprised that this series honors the source material for the most part. The thing that I found amusing that all of the kids fit into common stereotypes for a lot of these teen angst TV dramas, but change them in subtle, yet slight ways. On the surface, Chase Stein is your typical dumb high school sports jock, but he reveals that he has a brilliant mind for robotics, much like his abusive father. Nico is the typical girl who starts wearing all black clothes and make-up with the gothic influence as her way of mourning her dead sister. Karolina is the squeaky clean "perfect" Catholic school girl archetype, but she discovers her sexual identity as lesbian over the course of the season. (Whistles) The Catholic church would have a field day scorning her if they knew about that... Unlike other shows (specifically the CW's DC Comics' based shows handles the treatment of this subject manner very poorly in my opinion...), this was done as a natural progression over the course of the season instead of making it feel forced. Karolina tried to satisfy her affections for settling for Chase out of spite to Gert, but it didn't feel right so she gave up that "chase" and found herself caving to her hidden affections for Nico.

That being said, you don't need any prior knowledge going into this. The kids that consist of the team that they "jokingly" refer to themselves as the Runaways before dismissing the moniker completely before regarding it in bad taste are interesting enough on their own, but this series does a stellar job of making the viewers care about the kids' parents as well. James Marsters (Angel and Buffy alumni - most are well aware of his acting chops) impresses as Victor Stein in roughly every scene he's in. It's easy to sell him onto viewers as being a vile villain from the first few episodes. I didn't even notice it until episode 9 or 10, but Jonah (Julian McMahon) is the same actor that played Doctor Doom in the first two Fantastic Four films by FOX. The dead giveaway is his mannerisms and demeanor that he gives to Jonah's character. In his regard, most people probably remember him from Nip/Tuck than those movies anyway. Out of the parents, I found myself liking the Yorkes (played by Brigid Brannagh as Stacey Yorkes and Kevin Weisman as Dale Yorkes) the most from their quirkiness antics. They seemed like the "ideal parents" with a maniacal edge to them Dexter had on that one episode of Dexter's Laboratory where he accidentally swapped parents with some other kid at the grocery store. Both are Angel and Buffy alumni as well, much like Marsters but played minor characters on their tenure of those shows. Brannagh is possibly more recognized from her lead role in Army Wives though. They are the easiest parents to identify with where they aren't necessarily bad people, they just caught up into a bad situation without the means to get out of it.

If I had any gripe about the characters on this show, it's how the Wilders - the three titular black characters are written. Don't get me wrong here, but I nitpicked about this when I watched Stranger Things and saw the token black family in that series as well. I can't be surprised given the source material, but there's moments here where I busted out laughing from how estranged from black culture or my own upbringing for that matter that this family falls well away from that tree. These three actors do a superb job with the material that they are given, but I wish they weren't given such stereotypical material to work with. Geoffrey (Ryan Sands) falls into the harden businessman with a shady criminal past cliché while his wife Catherine (Angela Parker) is a lawyer, who seems more like a side piece with a resting bitch face. At least their son turned out alright. He's just your typical black nerd.

On the surface, we're expected to see the parents all as heartless villains, but as the show goes on, it's a lot more than that as the kids and the viewers themselves are thrown head-first into the depth of their acts. Even by the end of this first season, we don't get all of the answers, but that's the beauty of this show. They spread enough bread crumbs from episode to episode that keeps you engaged and eager for the next episode's set of revelations and possible answers to this ongoing array of questions.


Narrative


While we're on the subject of how this show seems to keep viewers hooked in, let's move onto the narrative itself. The first episode follows the kids accidentally stumbling onto the scene of their parents, collectively part of an exclusive fraternity called Pride, who are in the middle of sacrificing an individual as part of some cannibalistic ritual. The kids were former childhood friends who found themselves growing apart in their teenage years after the murder/disappearance of Nico's older sister, Amy. Witnessing this possible murder forces them to reunite in a different set of circumstances as they attempt to uncover the truth to their parents' actions. The second episode acts as a recap as the narrative revisits the events of the previous episode, but sheds the light on the background of the kids' parents in flashbacks. That leads up to the reveal that their ritual wasn't successful and their "tribute" (a runaway named Destiny... there's far too much irony in both her name and her situation that I cannot make enough jokes about here...) was still alive. With the victim still alive, the kids are put into a false sense of security that "OK, maybe our parents aren't supervillains?" That belief proves to be false as their tribute winds up dead anyway. With that ritual gone awry, Pride are left with no choice but to find another unwilling host. On a side note, we are treated to Nico's parents on a date where Tina just flat out shows how nasty she is by putting her panties on the table while they were eating with her husband Robert not taking the hint in the slightest. That's such an obvious sign of foreshadowing Robert's infidelity that even Ray Charles saw it coming...

The kids have problems of their own as they continue to uncover the truth about what their parents are really up to, while at the same time they are discovering secrets about themselves. Molly somehow has superhuman strength that manifests during the first episode. Throughout the rest of these episodes she undergoes a quest of self-discovery as she merely wants to find out more about her birth parents, even going as far as potentially revealing to Alex's mother that she knew about what happened during their failed ritual. Her "sister" Gert is able to speak to and command a biologically reproduced dinosaur that she names "Old Lace". Karolina able to glow with some bizarre energy (making her glow like a disco ball in the process) when she removes her bracelet. When she does this during the first time at a party, she blacks out and nearly raped by her high school peers at a party. Fortunately, Chase "chases" them off and takes her home to safety. When he's not looking from his abrasive father, Chase develops a set of cybernetic gauntlets that he dubs the "Fistigons" and Nico discovers that she is able to perform witchcraft with her mother's scepter. Strange enough, Alex doesn't develop any special powers (he's already a naturally gifted hacker and technology wiz), but winds up in over his head as Darius, one of his father's old criminal associates want payback for taking the fall for his previous imprisonment. Darius ends up kidnapping Alex in an attempt to blackmail Geoffrey (Alex's father) into paying for his ransom. The plan is foiled as this episode turns into an exhibition of all of Alex's friends' newfound abilities on display. The build up to this moment was perfect as there was a genuine surprise by all of the Runaways as each of them displayed what they brought to the table. Alex found himself even more detached from his parents after learning about his dad's shady criminal background and motivated him even further into uniting his friends together towards exposing the truth about Pride's unsavory actions.

That was the plan at the Pride's upcoming publicity function, but Chase's father (Victor Stein) exposes the affair between his wife and Nico's father before collapsing from his brain tumor. Frank (Karolina's father) seems to get the idea of what is really going on between Jonah (the vegetable that Leslie has been seen caring for throughout the series to this point) and Leslie (Karolina's mother) as it's not rocket science to figure out that she's been "faking" her marriage to him but that's not revealed until later that Jonah is Karolina's "real" father, due to their similar powers. Jonah treats Victor's brain tumor with some kind of a miracle drug that allows him to instantly recover, but with a kinder demeanor before devolving back into a much more hostile personality that causes him to almost kill his own son with the Fistigons. In response, Janet shoots Victor to save her son from any further harm, leaving Victor bleeding out in their garage in the process. Nico and Alex sneak into her mother's office to download the past Pride meetings from the computer servers, with Alex already knowing her mother's password. This in turn creates a subplot where Nico wants answers on how Alex knew her mother's password.

The truth of the matter ends up being that Alex knew about Amy (Nico's sister) snooping into her mother's files and the fact that she got way in over her head, but didn't tell her. Among the members of Pride, they are forced to resort to Jonah to somehow revive Victor but needing another sacrifice with everyone arguing about who should be sacrificed among them to correct this mistake. Everyone points fingers at Janet, but Robert volunteers to sacrifice himself to add even more strikes in his case of infidelity to Tina. Tina destroys the pod before Robert is sacrifice to show that she loves him regardless of what he's done. Sheesh, the parents are pretty multi-layered huh? Glad that this show went this route instead of making them bland, generic Saturday morning cartoon-level supervillains.

Karolina and Chase found themselves confiding in their parents on their Pride dealings: Chase with his mother Janet for Pride can save his father and Karolina with her stepdad to have her back in what the Runaways are planning against the members of Pride. After Alex cracks the files on Tina's servers to acquire the evidence they need to send their parents to jail, Chase destroys the laptop out of desperation as he needs the Pride to save his father's life. In a flashback, it's revealed that Molly's parents were killed by Leslie that resulted in Molly acquiring her powers from exposure to the mysterious rocks that they were researching on. That was an obvious change from her origin in the comics, whereas Molly was simply a mutant like the X-Men. Marvel Studios didn't have the rights to mutants and the X-Men properties at this point, so it's a natural decision to change things here. Things come to a head and the kids plan to use the upcoming school dance as a cover to confront their parents and stop whatever they have planned to unearth at Geoffrey's dig site. The dance itself was interesting for a lot of levels as we got four out of the six teens hooking up - first Gert and Chase then Nico and Karolina, with the latter really catching me off-guard as I thought Nico was into Alex, but whatever. I joked about this with a friend after the fact, but it was something that reminds me that just about everything in Hollywood does with sexual scenes like this. You don't see anyone clean up or anything but they got on the same damn clothes on in the next scene(s) sitting in an overcrowded car. (Busts out laughing) C'mon, you got to know that car smelled like jock strap and hot nut/cum, yet not a single one of them cleaned up or changed clothes afterwards. The only thing we got afterwards was the awkward silence in the car for the duration of the ride to the dig site. Anywho... that's besides the point... When they get to the dig site, what we get here is an awesome visual of all of the kids' abilities on display to the chagrin to their parents. I honestly pictured that scene as a rehash of the intro to the opening of the X-Men cartoon. There were no if's, and's, or but's... the cat was out of the bag now about their kids knowing about their Pride activities. What they didn't expect was the arrival of Jonah, whose powers are completely identical to Karolina's. She sacrifices herself by holding him off while the other Runaways make their escape, much to the disapproval of Nico.

The last episode of this season follows the Runaways as they escape from the dig site, but find some disguises to use to aid Chase and Molly in rescuing Karolina, who managed to survive her battle with Jonah and was recovering at the Church of Gibborim. Leslie (after confessing that she was indirectly responsible for Amy's death), Janet, the Yorkes, and the Minoru's all agree to join forces in killing Jonah while Alex makes a deal with Darius to exchange all of his information on Pride for money (to help the Runaways get by on the road) and a gun. This is all well and good until they find out that they were framed for Destiny's murder as the season comes to an end.

At this point, it seems like the show is going to mirror the source material more closely. I even managed to spoil a thing or two to myself while researching some of that material online and on Wikipedia. I'll say this much, if they do that then it's a going to be one hell of a ride, that's for sure. The parents don't know if they can trust Frank (Karolina's stepdad and Leslie's current "husband") since he's been brown-nosing with Jonah, Karolina and Nico seem to be getting closer in their intimacy at the expense of Alex's emotions (I'm sure this is going to blow up in their faces down the road), and the Runaways (collectively have to answer to that name literally now after that hilarious moment in one of the earlier episodes of the season had them point out how stupid that name sounds...) have the added heat of the authorities on their backs as they are now being framed for the murder of Destiny.




Watch It or Don't Bother?


Go out of your way to check this out. I wouldn't say that it's worth the price of paying for a Hulu Plus account, but it's definitely a welcome addition on their growing line of exclusive content on their streaming service. I just applaud Marvel taking a chance like this and doing something new and fresh. I definitely had a blast watching it over the holidays - filling in that gap that the rest of my regular TV programming normally took up during the week.

REVIEW -- Black Panther (2018)



Black Panther is a 2018 American superhero film based on the Marvel Comics character of the same name. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the eighteenth film in the Marvel Cinematic Universe (MCU). The film is directed by Ryan Coogler from a screenplay by him and Joe Robert Cole, and stars Chadwick Boseman as T'Challa / Black Panther, alongside Michael B. Jordan, Lupita Nyong'o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker, and Andy Serkis. In Black Panther, T'Challa returns home as king of Wakanda but finds his sovereignty challenged by a long-time adversary in a conflict that has global consequences.

Wesley Snipes first mentioned his intention to work on a Black Panther film in 1992, with that project going through multiple iterations over the next decade but never coming to fruition. A Black Panther film was announced as one of the ten films based on Marvel characters that would be developed by Marvel Studios and distributed by Paramount Pictures in September 2005, with Mark Bailey hired to write a script in January 2011. Black Panther was officially announced in October 2014, with Boseman first appearing in Captain America: Civil War. By the end of 2015, Cole and Coogler had both joined, and additional cast members came on board beginning in May 2016, making the film Marvel's first with a predominantly black cast. Principal photography for the film took place from January to April 2017, at EUE/Screen Gems Studios in the Atlanta metropolitan area, and Busan, South Korea.


Cast:



Chadwick Boseman as T'Challa / Black Panther:
The king of the fictional African nation of Wakanda, who gains enhanced strength by ingesting the Heart-Shaped Herb. After the events of Captain America: Civil War, and the death of his father T'Chaka, T'Challa is in mourning while ascending to the throne. The character appears more comfortable in this film compared to Civil War, now that he is back in his "natural environment". Boseman, who called T'Challa an anti-hero, said that he is "very much aware of the responsibility" and as the leader of Wakanda. Black Panther's suit that forms around his body was inspired by a similar design seen in Ta-Nehisi Coates' Black Panther comic book run. Boseman worked with the same dialect coach he had during Message from the King, and worked with Marrese Crump to stay in shape between Civil War and Black Panther. He signed a five-film contract with Marvel. Ashton Tyler plays a young T'Challa.

Michael B. Jordan as N'Jadaka / Erik "Killmonger" Stevens:
The son of N'Jobu and an American woman, who becomes a U.S. black-ops soldier and seeks to overthrow T'Challa. Executive producer Nate Moore said Killmonger "has his own opinion on how Wakanda has been run and should [be] run". Jordan, who had "been wanting to play a villain for a while," likened Killmonger and T'Challa's relationship to the X-Men characters Magneto and Professor X. He added that Killmonger is "very strategic, thoughtful. He's very patient. Very well skilled, trained to a T." Killmonger's bumpy, ritualistic tribal markings on his chest and torso resemble the scar tattoos of the Mursi and Surma tribes, and consisted of 90 individually sculpted silicone molds that took two-and-a-half hours to apply. His dreadlocks hairstyle was a modern take on the character's long hair in the comics. Corey Calliet served as Jordan's trainer on the film, after also doing so on Creed. Seth Carr plays a young Killmonger.

Lupita Nyong'o as Nakia:
T'Challa's former lover and a War Dog, an undercover spy for Wakanda placed in other countries to complete missions. She is from the River Tribe. Nyong'o called Nakia a "departure" from her comic counterpart. She begins the film fighting for enslaved women in Nigeria; Nyong'o learned to speak Hausa for certain scenes in the film. She also trained in judo, jujitsu, silat and Filipino martial arts.

Danai Gurira as Okoye:
An "extremely proud" Wakandan and traditionalist from the Border Tribe, who is the head of the Dora Milaje, the all-female special forces of Wakanda who serve as T'Challa's bodyguards. When looking to cast Gurira, director Ryan Coogler had not seen The Walking Dead, in which Gurira portrays the popular character Michonne, and instead wanted her for the part because of her performance in Mother of George. Gurira said that the fighting skills she learned playing Michonne complemented the skills of Okoye, but that "there's a lot of ways that they're extremely different ... Okoye is a whole 'nother thing." Gurira described the Dora Milaje as a secret service that is "also very much about intel. It's not just military," with Okoye the head of intel. Regarding Okoye's stoic demeanor, Gurira said, "She can be serious, but she also has an unexpected sense of humor. She has a heart, but for her country and for her people."

Martin Freeman as Everett K. Ross:
A member of the CIA and former liaison of its Joint Counter Terrorism Task Force. Freeman said that Ross "has an uneasy peace with T'Challa", and that he "goes on a strange journey, an enlightening journey to Wakanda." Unlike his comic book counterpart, who mainly served as comic relief, the filmmakers sought to turn this version of Ross into a more capable agent in terms of diplomacy and combat.

Daniel Kaluuya as W'Kabi: A confidant to T'Challa and his best friend, who is the head of security for the Border Tribe, serving as the first line of defense for Wakanda.

Letitia Wright as Shuri:
T'Challa's 16-year-old sister and the princess of Wakanda who designs new technology for the country. Wright described her as "an innovative spirit and an innovative mind" who "wants to take Wakanda to a new place... [and] has a great fashion sense". Wright also felt Shuri was a good role model for young black girls. Moore called Shuri the smartest person in the world, even more so than Tony Stark.

Winston Duke as M'Baku:
A powerful, ruthless warrior who is the leader of Wakanda's mountain tribe, the Jabari, who are in protest to T'Challa being the new king. Duke describe the Jabari as people who "strongly believe that to move forward, you have to have a strong adherence and respect for the past. So they have a deep moral conscience". Character elements from Christopher Priest's 1998-2003 Black Panther series were adapted for the film. M'Baku is not referred to in the film by his comics alter ego "Man-Ape", since Marvel felt there were "a lot of racial implications that don't sit well" in having a black character dress up as an ape. This aspect of the character was instead reworked to have the Jabari tribe that M'Baku is the leader of worship the gorilla gods, with M'Baku still wearing elements of fur on his arms and legs and a chest-plate that hints at the gorilla. Moore continued, "Man-Ape is a problematic character for a lot of reasons, but the idea behind Man-Ape we thought was really fascinating ... It's a line I think we're walking, and hopefully walking successfully." To further differentiate the Jabari, Duke spoke a version of the Nigerian Igbo language rather than the Xhosa language spoken by other Wakandans.

Angela Bassett as Ramonda:
T'Challa's mother and Queen Mother of Wakanda. Boseman noted that Ramonda "is one of the advisors that [T'Challa] would look to... for some of the answers of what his father might want or might do. She may not be exactly right all the time, but she definitely has insights." Bassett wore a silver, waist-length wig for the role that was made from 120 pieces of hair hand-rolled into dreadlocks. Calliet also served as Bassett's trainer, working with her before she began filming and while she was on set by creating high-intensity interval training circuits and helping to craft her diet.

Forest Whitaker as Zuri:
An elder statesman in Wakanda, and the keeper of the Heart-Shaped Herb. Coogler called Zuri a religious and spiritual figure, and a way to reference the spirituality within Wakanda from the comics. He also added that Zuri "is a major tie back" to T'Chaka for T'Challa, and is "Black Panther's version of Obi-Wan Kenobi." Denzel Whitaker, who is not related to Forest, plays a young Zuri.

Andy Serkis as Ulysses Klaue:
A South African black-market arms dealer, smuggler and gangster, who is allied with Killmonger. He uses a piece of advanced Wakandan mining equipment as a sonic disruptor arm-cannon. Boseman described Klaue as a threat to Wakanda, as one of the few outsiders to enter the country and someone with access to vibranium, comparing him to Osama bin Laden. Serkis added that in addition to his desire for vibranium, Klaue is motivated by a "personal" vendetta against T'Challa, and "to expose what he thinks is the hypocrisy of Wakanda."

Additionally, Florence Kasumba and John Kani reprise their respective roles of Ayo and T'Chaka from Captain America: Civil War, with Kani's son Atandwa portraying a young T'Chaka. Sterling K. Brown plays N'Jobu, T'Chaka's brother and a War Dog sent to America. Wakandan elders in the film include Isaach de Bankolé for the River Tribe, Connie Chiume for the Mining Tribe, Dorothy Steel for the Merchant Tribe, and Danny Sapani for the Border Tribe. Sydelle Noel appears as Xoliswa, a member of the Dora Milaje, with other members played by Marija Abney, Janeshia Adams-Ginyard, Maria Hippolyte, Marie Mouroum, Jénel Stevens, Zola Williams, Christine Hollingsworth, and Shaunette Renée Wilson. Nabiyah Be initially announced that she was playing criminal Tilda Johnson, but her character was simply named Linda in the final film due to Gabrielle Dennis portraying Johnson in the second season of Luke Cage. Black Panther co-creator Stan Lee has a cameo in the film as a patron in the South Korean casino, and Sebastian Stan has an uncredited cameo reprising his role as Bucky Barnes in a post-credits scene.



Plot: (FULL Spoilers)



Centuries ago, five African tribes went to war over a meteorite of the alien metal vibranium. A warrior ingested a "heart-shaped herb", that was mutagenically affected by the metal, and gained superhuman abilities. He became the first "Black Panther", and united the tribes to form the nation of Wakanda, though the Jabari Tribe chose not to follow the Black Panther's rule, choosing to stay in the frigid mountains. Over time, the Wakandans used the vibranium to develop highly-advanced technology and chose to isolate themselves from the rest of the world by posing as a Third World country.

In 1992, while on an undercover assignment in Oakland, California, Prince N'Jobu became convinced that Wakanda's isolationist policies had done more harm than good, and vowed to share its technology with people of African descent around the world in order to help them conquer their oppressors. N'Jobu enlisted black market arms dealer Ulysses Klaue to infiltrate Wakanda and steal a cache of vibranium. His older brother, King T'Chaka, learned of this from another undercover agent, N'Jobu's partner Zuri, and confronted N'Jobu. When N'Jobu attacked Zuri, T'Chaka reluctantly killed him, and ordered Zuri to lie that N'Jobu had disappeared. They left behind his American son, Erik Stevens, in order to maintain the lie.

In the present day, following T'Chaka's death at the hands of Helmut Zemo, his son T'Challa returns to Wakanda to assume the throne. He and Okoye, the leader of the Dora Milaje fighting force, extract his ex-lover Nakia from an undercover assignment so she can attend his coronation ceremony, along with his mother Ramonda and younger sister Shuri. At the ceremony, the Jabari Tribe's leader M'Baku challenges T'Challa for the crown, but T'Challa defeats M'Baku in ritual combat, becoming the new king. He allows M'Baku to live.

When Klaue resurfaces to sell a stolen Wakandan Vibranium artifact to a buyer in Busan, South Korea, T'Challa's closest friend W'Kabi—who lost his parents as a result of Klaue's actions—urges him to bring Klaue to justice. T'Challa, Okoye, and Nakia go to the underground casino where the deal is taking place, to find that the buyer is CIA agent Everett K. Ross, who takes Klaue into custody against T'Challa's will. Klaue tells Ross that Wakanda's international image is just a front for a technologically advanced civilization, before being broken out by Erik, now an ex-U.S. black ops soldier who goes by the name "Killmonger". Ross is seriously injured during the attack, and T'Challa decides to take him to Wakanda where their technology can save him rather than pursue Klaue. Shuri heals Ross with vibranium, while T'Challa confronts Zuri about N'Jobu- which strains the friendship between them. Killmonger kills Klaue and takes his body to Wakanda as a token, revealing his identity to the tribal elders and challenging T'Challa for the throne. Killmonger kills Zuri and then triumphs in ritual combat. He hurls the defeated T'Challa over a waterfall. After ingesting the heart-shaped herb to gain the powers of the Black Panther, he orders the grove of Herbs be burned. Killmonger enacts his father's plan and prepares shipments of Wakandan weapons to be distributed to operatives around the world, supported by W'Kabi and his army. Nakia, Shuri, Ramonda, and Ross flee to seek the aid of the Jabari.

At the home of the Jabari Tribe, the group find a comatose T'Challa, rescued by the Jabari in repayment for him sparing M'Baku's life. Healed by a heart-shaped herb brought by Nakia, T'Challa returns to Wakanda to complete his combat with Killmonger, who is now wearing a Black Panther armor of his own. Shuri, Nakia, and Okoye join the Dora Milaje and Jabari in battling W'Kabi and his army, while Ross remote pilots a jet to shoot down the planes carrying the weapons before they can leave the country. Within Wakanda's vibranium mine, T'Challa uses sonic mining technology to disrupt Killmonger's suit and fatally stabs him. Killmonger declines an offer to be healed and imprisoned, choosing instead to die free.

Rejecting Wakanda's isolationism, T'Challa establishes an outreach center in Oakland where Erik grew up, to be run by Nakia and Shuri. In a mid-credits scene, T'Challa appears before the United Nations to reveal Wakanda's true nature to the world and plans to help the world progress. In a post-credits scene, Shuri continues to help Bucky Barnes with his recuperation.

The Verdict: 


I'm going to be honest here, I went to the Thursday night premiere with an open mind, hoping that this film would live up to the hype. Sue me, I had a shitty day at work and I wanted this to be the icing on the cake that would have made all of that worth it. Overall, I was satisfied with the film, but if you're going to get butt-hurt that I have a few gripes with the film then stop reading now. I've kept up with the news and various controversies surrounding this film over the course of the past year, along with reading several early reviews of the film, calling it "Marvel's best film to date" and "simply flawless". I dunno about either of those statements, but we'll get to that later, shall we?


Casting


(Applauds) Mad props to Marvel Studios pulling this off with a majority black/African-American cast. Coming from Captain America: Civil War, we all knew what to expect from Chadwick Boseman as T'Challa/Black Panther. He continued to impress me with his performance in this role as this character while coming into his own with the character as he showed more evolution in his performance than what he was given to work with in his previous appearance. While Florence Kasumba and John Kani reprise their respective roles of Ayo and T'Chaka, it felt a little underwhelming to an extent in their performances. There were times where I felt like T'Chaka/John Kani wasn't even in the same room as Boseman for their scenes together but I guess they were going for The Lion King-style Mufasa/Simba spirit guide dynamic here during those sequences. To say that Florence Kasumba/Ayo had that epic confrontation/stand-off with Black Widow/Scarlett Johannsen that was one of many highlights in Civil War, I was surprised that she was not featured prominently in this film. That was a little confusing to me in that aspect, but I guess the creative minds behind this film thought that any member of the Dora Milaje were interchangeable for the same effect. While I didn't care for the changes made to Shuri's character compared to her comic book counterpart, I can't knock Letitia Wright's performance here. She provided a lot of comedy relief in this film, but sue me, I'm spoiled to her more "bad ass" counterpart in comics and other media, especially in the short-lived BET animated series based on Marvel's Marvel Knights run of Black Panther comics. It makes me wonder with her casting that Marvel Studios hasn't thought about the character's future as a pseudo-replacement to T'Challa when he was injured in the comics continuity. (Shrugs) Who knows at this point...

Danai Gurira (AKA The Walking Dead's Michonne) impressed as Okoye, leader of the Dora Milaje, but it irked me a little that the film didn't spent any time explaining their importance to Wakanda's society and to the king's throne. Her experience from playing Michonne definitely paid off here as Okoye came off as just as much (if not more so) as a bad ass as that character does on-screen. I'm definitely looking forward to her to reprise the role later this year in Avengers: Infinity War. At this point, I feel like Forest Whitaker is phoning it in for these various roles he has lined up back to back lately as I couldn't tell whether he was Saw Guerra (Star Wars Rebels or Star Wars: Rogue One... take your pick) or Zuri here. Not to take anything away from his acting chops, I saw him and instantly went "yep he's going to be dead by the time this is over..." Angela Bassett is Angela Bassett, what can I say? It's either you love her or hate her, given her tenure in Hollywood after all of these years. I'm sure there's a lot of people who raved for seeing her with white hair. I saw that as pseudo fan service from Marvel as she was one of several prominent black actresses who were in line for getting the part of Storm when the first musings of doing a live-action X-Men film was in the works. Lupita Nyong'o is relatively new to me as I haven't seen much of her work, but I thought she portrayed Nakia well. Marvel Studios seems to be setting her up to the key love interest for the time being but I see that changing once the X-Men are properly introduced into this continuity. Let's be honest here - if the FOX buyout happened prior to the time they finished filming this movie, you can bet your ass that they would have squeezed in a Storm cameo in there in some fashion at the last second, even if they had to do some reshoots. I would have been petty about it and have her there in Wakanda in the background, but don't admit that it's her. Cartoons like Rick and Morty do stuff like that all of the time and get away with it to avoid licensing issues.

We haven't seen Andy Serkis/Ulysses Klaue since Avengers: Age of Ultron and Martin Freeman/Everett K. Ross since Civil War, but their inclusions didn't hurt this film not one bit. I was relieved that Ross wasn't just there for comedy relief and given a genuine purpose to be around all of the action in Wakanda. Freeman has more substance here than he did in the star-packed Civil War, so we were granted with more of his acting ability here. From video games to feature films, we know that Serkis is going to give us a show. My biggest regret is that Klaue doesn't have a much more powerful presence here past the first act of this film.

Last but not least, we have Michael B. Jordan portraying Erik Killmonger in this film as a bit of "redemption" after the flop that was FOX's Fantastic Four recent reboot. Oh the irony where both him and Chris Evans got redemption or a rebirth of sorts playing characters in the Marvel Cinematic Universe. Even though most of the ladies were foaming at the mouth on his inclusion since the casting news (obviously seeing him as "man candy"...), I thought he did a great job as this film's primary antagonist, even though his motivations were a bit muddy and blurred at times - then again, that's more the script's fault than his own. (Laughs) Makes me wonder if people (especially the ladies...) would feel the same about him if Killmonger looked like Flavor Flav instead...


Narrative


(Whistles) Let's tackle this bad boy, shall we?

I'll split this discussion up into about three parts: The Klaue Clusterfuck, Overthrowing the Throne, and Reclaiming the Throne.




The Klaue Clusterfuck is what I'm going to refer to as the first act. I loved the throwback in this flashback of one of the old school designs for T'Chaka wearing the Black Panther costume, but I'm still sad that it wasn't the one with the cape. Hey, it's better than nothing. I guess I'll cave for that Wal-Mart exclusive Marvel Legends figure instead to savor that memory. After the events of Civil War, the viewers are informed that T'Challa is on the trail to pick up his ex-girlfriend and undercover Wakanda spy Nakia on their way back home at the start of the film. This goes well and all, effectively leading to the ceremony where T'Challa has to defend his right to the throne of Wakanda. M'Baku (I kept constantly reminding myself he's supposed to be Man-Ape over the course of the film) was cool in his own right, but good Lord how awesome was that cinematography on this sequence though? Seeing all of the onlookers watching from a safe distance while the Dora Milaje and M'Baku's followers encircle around them in a man-made closed off arena. It was shots like this that really added to the tension of this fight scene, even though most of the fights in this film were FAR too blurry for my taste. I thought Hollywood learned not to repeat that mistake from the criticisms of the fight scenes in the early portion of Christophe Nolan's Batman trilogy. I know that I got off-topic there for a second, but T'Challa's claim of the throne promptly led to his first "mission" out in the field as Wakandan king as he wished to do what his father was unable to do and bring in Ulysses Klaue for his crimes of stealing and auctioning off their precious vibranium. This is sounds great on paper and even looked great in the movie from the scenes that followed it that saw Nakia and Okoye join T'Challa undercover as he intercepted a sale (with CIA agent Ross) for the illegally acquired vibranium. That very same vibranium that Klaue stole with the help of his partner, Erik Killmonger, in a heist that seemed straight out of The Dark Knight. You know, being too elaborate for it's own good at the detriment to the narrative. T'Challa captures Klaue but agrees to take him into the custody of the CIA, whereas Killmonger comes to his aid to break him out of imprisonment. Here's the thing that gets me after this. Killmonger demands Klaue take him to Wakanda and when he refuses he ends up slaughtering Klaue anyway, using his corpse as a "gift" to gain entry into Wakanda.



I know everyone watching this casually will merely brush that fact underneath the rug, but how stupid is that? Wouldn't it made more sense just to kill Klaue right off the bat if the end game was getting to Wakanda and using his corpse as a gift to gain entry. Before anyone throws in that argument about Klaue worked with Killmonger's dad before so he saw him as an ally, that's point is moot too as Killmonger could have used that relationship to kill him off the bat. Secondly, how did Killmonger know where Wakanda was after they have kept themselves hidden for so long? He asked Klaue to take him there like he didn't even know where it was himself. One could assume that he learned that information from his father's notes, but once again, that points out more stupidity on why didn't he kill Klaue sooner if that was his plan all along.

Killmonger's arrival into Wakanda bleed into the film's second act, that I'm dubbing "Overthrowing the Throne". Killmonger's past as T'Challa's cousin is revealed after a flashback detailing that T'Chaka killed his own brother after Zuri exposed that he was selling their secrets to Klaue. See, this is where the plot gets a little muddled in my opinion. On one hand, I can understand why all of this is kept secret as they want to keep Wakanda's advancements in technology and medicine secret from the rest of the world. That's been the dynamic that has been constant in the comics for decades now. On the other hand, it paints a bad picture on T'Chaka as a king who was quick to pouch on the situation and kill his own brother without a second thought. That revelation made T'Chaka seem more like the villain here than Killmonger, even though Killmonger's methods were a bit extreme. T'Challa defends the throne as well as his father's principles in a challenge against Killmonger, who seems to kill T'Challa after dumping him off the waterfall. One thing I wanted them to explain was that why wouldn't anyone just attack the king while he's getting his powers turned off or we're going with the bullshit excuse that not everyone in Wakanda have developed some type of powers/mutations from their exposure to the long-term effects of vibranium to the environment. It's not like Killmonger was one of them in a proper sense and it was clear that he had no respect for their customs. After securing the throne, Killmonger's argument is sound though. Wakanda SHOULD be doing more for their people outside of their borders. I found it ironic too as it's the EXACT same argument that was brought up in the Inhumans mini-series by Maximus to Black Bolt. The Royal Family sits back and does nothing while their kind around the globe are suffering to the hostilities and oppression of the rest of mankind. The thing that made Killmonger the villain here was the same thing that regarded Maximus as a "traitor" to the Royal Family was taking militaristic action and staging a coup that pushed out most of the old regime loyal to T'Challa, led mostly by W'Kabi.

The film's final act, which I have dubbed "Reclaiming the Throne" follows Nakia, Shuri, Ramonda, and Ross all travel to M'Baku's domain within the mountains with the last Heart-shaped Herb (the rest were burned by order of Killmonger... Seriously, so they aren't going to have anymore Black Panther's after T'Challa? Then what are they going to do if someone else challenges the throne? He loses his powers and never gets them back? See, people aren't thinking this shit through, man...) in hope of giving it to him to overthrow Killmonger. In the comics continuity, M'Baku had powers already from his own tribe's set of mutations, so I thought this would have been the case here, but he refused the Herb to repay the debt to the comatose T'Challa that spared him in their duel (from the opening of this film). After taking the Herb again, T'Challa confronts his father for his actions and has his own "Not this time, Uncle Ben!" moment (I swear I laughed my ass off at that moment in the theater during Spider-Man 2) to his father and his ancestors, refusing to hold up their old ideology that Wakanda should remain closed off to the rest of the world. T'Challa (wearing the Black Pantehr armor that Shuri managed to take from her lab before they escaped) faces off against W'Kabi's forces and Killmonger, claiming that the fight for the throne of Wakanda is not over as he's not dead as they originally thought. Some friend W'Kabi ended up being to say that he barely knew Killmonger but pledged loyalty to him the second he brought Klaue's corpse on a platter. At least Okoye showed some character depth here - she was faithful to the throne, but the second T'Challa showed back up, her and the rest of the Dora Milaje were right there to back him up. I found it funny that not once the film mentions Killmonger by the name "Golden Jaguar" but that's clearly what armor he is wearing when him and T'Challa face off during the finale. Can Marvel quit with these solo origin stories where the titular hero almost always faces their evil doppelganger (Ironman in both of his first two films, Incredible Hulk, most Spider-Man films, Ant-Man, etc.)? It's getting VERY old at this point and almost every other superhero film follows that motif. It was pretty cool that Marvel included another pseudo-Easter Egg here as both T'Challa and Killmonger's armor had a weakness to sonic vibrations to say that it would become active like either the Venom/Carnage symbiotes from the Spider-Man continuity. We already seen Tony Stark take this technology further with what looked like the Bleeding Edge armor in the Avengers: Infinity War trailers.



That being said, the finale was fun for a lot of reasons. We got to see Nakia in full blown Dora Milaje armor, even though she clearly points out that she was opposed to wearing it at first until Shuri's encouragement. Shuri got some action with her own panther-styled blasters, but why did she have similar facepaint like Tessa Thompson's Valkyrie in Thor: Ragnarok? Ross even managed to hold his own against the Wakandan fighters in Shuri's remote piloting device. Okoye kicked even more ass with the rest of the Dora Milaje against Killmonger and W'Kabi's forces. They found themselves overwhelmed until they got some unexpected help from M'Baku's tribe. I thought it was pretty cool that W'Kabi's forces were using their capes as shields in the same fashion as the soldiers in 300 did. W'Kabi already killed a large portion of the Dora Milaje but Okoye spares him his life? Geez, didn't think she had THAT much compassion in that bad ass exterior, even for the man she loves. Speaking of which, I guess the Dora Milaje aren't groomed to be T'Challa's possible wives in this continuity and merely function as the bodyguards to the king.


In the climax of their battle, T'Challa manages to fatally wound Killmonger but doesn't finish him off. T'Challa shows him compassion and shows him a Wakandan sunset after hearing Killmonger's words from his father promising to show it to him someday. After watching it together, T'Challa offers to heal his wounds, but Killmonger removes the spear from his chest and dies. This scene showed me that despite the fact that Killmonger was his adversary, T'Challa was merely completing his challenge to the throne. He offered Killmonger the means to survive and gave him mercy, much like he did to M'Baku to his benefit, but Killmonger rather die like his father and other estranged people. With Killmonger's demise, T'Challa wasn't going to allow any other of their estranged people feel detached from their homeland. In this scenario, I really didn't see Killmonger as a villain but more of a martyr to show that Wakanda's ways needed to change with the times. For T'Challa, this point hit home rather hard as he already lost his own father to the cruelty of the outside world and didn't want that to happen again if he had the means to prevent it, even if it means sharing Wakanda's resources with the rest of the world. In aspect, I applaud Marvel Studios for that twist on this iteration of Killmonger, despite some of his actions coming off pretty rocky at the start of the film. He may have wanted revenge but ultimately ends up being a martyr for change in Wakanda for the better and more importantly, the world as a whole (especially in the black community for the MCU).

The film ends full circle right where it began right back in Oakland, where T'Challa brought Shuri to be the head of an outreach center (with Nakia) in the very neighborhood where Erik grew up. I thought that was a great way to end this narrative, making me think back to The Lion King's "circle of life" mantra.


Closing Thoughts


Despite the shortcomings I have mentioned above, I thoroughly enjoyed the film. For the people who complain that I ALWAYS shit on people's parades, get over it. It's not my fault that you can't handle criticism over the stuff that you love. I'm not going to praise this film for being the "first" black superhero film when it's not, but it is the first one with a predominately African-American/black cast of actors and that's something to applaud Marvel Studios for without a shadow of a doubt. This film also deserves praise for positive representation of Africa as a whole without the negative connotation of it consisting of merely "uneducated, savages" when some of the most brilliant minds of the world are part of this society - even more talented than Tony Stark himself. Establishing Wakanda this late into the game within the ten year life span of the Marvel Cinematic Universe is a telling sign, especially with this being the last film before Avengers: Infinity War. We know from the trailers that most of the fighting will take place in this futuristic marvel (no pun intended) of a locale. Often there are times where I get frustrated with black representation in mainstream media being ripe and full of tropes and heavy with stereotypes, many of which people seem to continue to encourage to this day, but with this film, I was relieved that there wasn't a single moment where I was rolling my eyes with disgust at the stereotypes of presented by black culture. If I wanted that, I would watch any of Vince McMahon's programming... I was already confident that Marvel Studios wouldn't have to resort to that, especially with their handling with Falcon/Sam Wilson and James Rhodes/War Machine thus far, so I wasn't worried in that aspect. Maybe the success of this film will show Hollywood that you don't have to resort to those methods to convey a narrative with the black community as your target audience.

I can't speak for anyone else, but I haven't been that disappointed at the end of a Marvel film since the end of the first Guardians of the Galaxy in terms of a post-credits teaser. We already knew Bucky was coming back and still in Wakanda. It seemed a little sloppy on the writing that T'Challa didn't get any slack or hostility at all for bringing outsiders to Wakanda (first Bucky and then Ross after he shielded Nakia from a bullet). Too bad we didn't get anything in terms of Thanos and the Black Order on the move, but from the looks of things Avengers: Infinity War is going to be their show. Considering how Ryan Coogler stated in a recent interview about why Bucky Barnes was omitted from the film, I guess they wanted to leave that can of worms unopened.

I better clear the air on somethings too. I repeat - I may have some gripes with the film, but in no way, shape or form did I think it was a bad film. Everyone raved about Thor: Ragnarok being Marvel's best film to date a few months ago and I was pretty indifferent about that too. This was a bit of the same creature, but just had a lot of hype to live up to. Given to the reactions over the past weekend, I'm positive that the casuals were pleased as they aren't savvy to this character while others are just happy that the African-American people are well represented here period. Sue me, I may be overly critical for my own good at times, but at the end of the day, I applaud Marvel Studios for their efforts here. Not bad for a first outing with this character, but the minor gripes that I had with the film can be remedied easily within future sequels/outings with this cast of characters.

If I can be perfectly honest, my main issue with a lot of the praise of this film is that people act like this film has remedied and erased all of Marvel's problems to this date with the MCU just because that it's not as "uniform" and adding to the never-ending world-building to the next Avengers film like almost every other film in the Marvel Cinematic Universe tends to be that has people wondering how it fits in the puzzle to set up the next Avengers. Comments like that frustrate me as people (namely those coming from the mainstream side of things who don't know shit about this source material but constantly tell people like myself who grew up on this stuff on how it should be interpreted and presented when they have only became interested in said media because it's "trendy" nowadays...) forget where this stuff originated from. It's supposed to be an ongoing story. That's what comic books have survived and marketed off of for decades on end. I'm glad that we got what felt like a solo narrative without any ties to the other things going on within the MCU, but in no shape or form that this film is free from the issues that plague the MCU. We have another villain for a solo MCU film where the titular hero faces his evil doppelganger in the film's climax like previously mentioned, then the whole "world in peril" bit that seems to be tacked on every MCU film (and television show for that matter) with little thought or reasoning behind it outside of most Avengers films. Black Panther could have been a closed-off affair as simply a civil war. The whole bit to invade the rest of the world wasn't necessary in the least and could have been saved for a sequel if they wanted to go that route. That's all I'm really saying here.



Watch It or Don't Bother?

Black Twitter has already decreed that this is the universal new "dap" going forward. 

Definitely watch this film - there's no question about it. Comedian D.L. Hughley made the joke on the radio the other day stating the following, "Black people are going to see Black Panther to enjoy and rediscover the roots of their culture and ancestors. Everyone else is going to see this as research." (Laughs) I swear that dude is something else on his own... In all seriousness though, this is a film that definitely needs to be experienced. Marvel Comics' first black superhero finally gets his own feature live-action film and it's done right - despite a few very minor hiccups that I'm sure most are going to brush underneath the rug anyway.

I thank Ryan Coogler for bringing this character and his homeland to life in ways people could have never dreamed of, especially with the representation of African culture to its fullest - without even uttering the "N" (or any negative connotation of blacks period...) at any point of the film. I also don't want to downplay the contributions of the late Jack Kirby himself who (with collaboration with Stan Lee) brought this character to life, while artists/writers like the late Dwayne McDuffie made strides with black superheroes in popular media to make this film a reality in the first place. Too bad that they aren't alive today to see the fruits of their labors in life.

I just have to wonder how long people will be crossing their arms, bouncing their shoulders, and shouting, "Wakanda Forever!" over the next few weeks and months...

REVIEW -- The Gifted (Season One - Episodes 1-13)




The Gifted is an American television series created for Fox by Matt Nix, based on Marvel Comics' X-Men properties. It is connected to the X-Men film series, set in an alternate timeline where the X-Men have disappeared. The show is produced by 20th Century Fox Television in association with Marvel Television, with Nix serving as showrunner.

The series stars Stephen Moyer and Amy Acker as ordinary parents who take their family on the run after they discover their children's mutant abilities. Sean Teale, Natalie Alyn Lind, Percy Hynes White, Coby Bell, Jamie Chung, Blair Redford, and Emma Dumont also star in the show. The series received a put pilot commitment at Fox after a previous attempted X-Men television series did not move forward at the network in 2016; The Gifted was ordered to series in May 2017.

The Gifted's first season aired from October 2, 2017, to January 15, 2018, over 13 episodes. It received mostly positive reviews from critics and "solid" viewership. In January 2018, the series was renewed for a second season.


Cast and Characters



Main

Stephen Moyer as Reed Strucker
Amy Acker as Caitlin Strucker
Sean Teale as Marcos Diaz / Eclipse
Natalie Alyn Lind as Lauren Strucker
Percy Hynes White as Andy Strucker
Coby Bell as Jace Turner
Jamie Chung as Clarice Fong / Blink
Blair Redford as John Proudstar / Thunderbird
Emma Dumont as Lorna Dane / Polaris


Recurring

Hayley Lovitt as Sage
Joe Nemmers as Ed Weeks
Jeff Daniel Phillips as Fade
Jermaine Rivers as Shatter
Garret Dillahunt as Roderick Campbell
Elena Satine as Sonya Simonson / Dreamer
Skyler Samuels as the Stepford Cuckoos

Guest

Pedro (portrayed by Dinarte de Freitas): A light-blue, leonine mutant who can "project fear".
Ellen Strucker (portrayed by Sharon Gless): Reed's mother.
Daniel (portrayed by Jeffrey Nordling): Caitlin's brother.
Carmen Guerra (portrayed by Michelle Veintimilla): Diaz's ex-girlfriend and the leader of a cartel.
Gus / Pulse (portrayed by Zach Roerig): A mutant who can disable electrical systems and other mutants' abilities. He is loyal to Sentinel Services under the Hound Program.
Trader (portrayed by D James Jones): A mutant who can cloud other's vision to hide.
Paula Turner (portrayed by Frances Turner): Jace Turner's wife.
Grace Turner (portrayed by Jaxon Rose Moore): Jace Turner's deceased daughter.
Wes (portrayed by Danny Ramirez): A mutant who can create illusions, whom Lauren grows close to.
Andrew Benator portrays Campbell's aide, a Hound.
Naya (portrayed by Jessi Goei): A young mutant living with the underground that can control water.
Skyler (portrayed by Charlie Nix): A young mutant living with the underground who can repel objects.
Otto Strucker (portrayed by Raymond J. Barry): Reed's estranged father.
Andreas and Andrea von Strucker / Fenris (portrayed by Paul Cooper and Caitlin Mehner, respectively): Ancestors of Lauren and Andy with the same mutant abilities. Nix stated that giving the series' main characters the surname "Strucker", a name given to notable characters from the comics, was an intentional decision, leading to speculation that Lauren and Andy were an adaptation of the Strucker twins. After the series included an Easter egg referring to characters that matched the comics description of the twins, Lind indicated that those characters could appear themselves. In November 2017, the characters were officially confirmed to be appearing in the show, with Cooper and Mehner cast as Andreas and Andrea, respectively.
Montez (portrayed by David Noroña): An anti-mutant senator.
Wolcott (portrayed by Elliot Grey): The Director of Sentinel Services.
Jack Campbell (portrayed by Alex Collins): Roderick Campbell's brother, who died from cystic fibrosis.
Evangeline (portrayed by Erinn Ruth): An attorney who recruited Polaris for the underground on behalf of the X-Men.

Stan Lee makes a cameo appearance in the pilot.

Episodes:


1 "eXposed"

In Atlanta, Georgia, the mutant Clarice Fong escapes from prison with her teleporting abilities, and is rescued from police by members of a mutant underground that aims to protect persecuted mutants from the government. During this, Lorna Dane / Polaris is captured by the police, and is later asked by district attorney Reed Strucker to cooperate with him in exchange for a reduced sentence. Reed's children, Lauren and Andy, go to their school dance that night, where Andy is attacked by bullies. The stress causes Andy's mutant abilities to manifest, and he telekinetically causes major damage to the school. Lauren helps him escape, revealing that she is also a mutant. The pair and their parents are forced to go into hiding immediately by the arrival of the anti-mutant Sentinel Services agency. Reed convinces a member of the underground, Marcos Diaz / Eclipse, to help them in exchange for information on Polaris, but Turner and SS also arrive at their meeting. Clarice is able to teleport everyone to safety, except for Reed, who is captured.

2 "rX"

Clarice falls unconscious from the effort of teleporting the group back to the underground's hideout, losing control of her abilities. Portals begin to open to an unknown road, causing an accident that is brought to the attention of police. Caitlin, a nurse, offers to look for medication that may help Clarice, and races to a nearby hospital that still treats mutants with Eclipse, where they use an old injury to gain access to the medication. In prison, Polaris has a collar placed on her that gives her a shock whenever she tries to use her abilities. She faces discrimination and attacks from the other prisoners, and when she pushes through the pain of her collar to fight back, she is put in solitary confinement. Reed is interrogated by Turner, who tries various techniques to get Reed's cooperation, including interrogating Reed's mother Ellen. Caitlin and Eclipse return in time to help Clarice before her portals cause major damage and force the underground to evacuate. Reed agrees to give Turner the location of the underground in exchange for the freedom of his family.

3 "exodus"

Reed, being tracked by Turner, meets up with a mutant that he knows is working with Eclipse, and he agrees to smuggle Reed to the underground, but Reed decides to not put the mutants in harm and returns to Turner. Clarice begins working with John Proudstar / Thunderbird to control her abilities, but does not have someone that she truly cares about that she can focus her emotions on. Trying to help the underground, Caitlin secretly leaves and finds her brother Daniel, who she says has "connections", and is accompanied by her children. Daniel is unwilling to help, and when news gets out that they are there the Struckers are confronted by locals who want to keep their neighborhood safe. They escape the house with the help of Eclipse and Thunderbird. Clarice creates a portal for the group to return to the underground, but can only do this with strong feelings for Thunderbird, implanted by the mutant Sonya Simonson / Dreamer. Turner turns down an offer for help from scientist Roderick Campbell, who is interested in the Strucker children.

4 "eXit strategy"

Two years ago, the underground helped several mutants escape from an SS "Relocation Center", but Thunderbird's best friend Gus / Pulse—who can short out electrical circuits and other mutants' abilities—was believed to have been killed. Now, the underground plans to rescue Reed and Polaris from SS before they are delivered to a similar center, one that inmates do not return from. Eclipse gets information on the route they will be taken from the cartel he used to work for, now run by his former girlfriend Carmen Guerra. She forces him to use his abilities to torture someone for her in exchange for the information. The underground attacks the convoy transporting Reed and Polaris, with Andy and Lauren combining their abilities to stop the vehicles. They all lose their abilities when Pulse appears, alive and working for SS. Thunderbird knocks Pulse unconscious, Polaris breaks herself and Reed out, and they all escape. Meanwhile, Clarice continues to remember her feelings for Thunderbird, but he tells her that they have never been together.

5 "boXed in"

Thunderbird takes the Struckers back to the underground, where a mutant named Fade recognizes Reed as having been working with Turner; many of the underground's members are uncomfortable with Reed joining them. In order to prove his loyalty, Reed suggests using himself as bait to lure away the SS agents. Thunderbird tasks Fade with helping Reed, and they are successful. Meanwhile, Caitlin, Lauren, and Andy are able to save the life of an injured mutant, Trader. Having earned the underground's trust, the Struckers decide to stay and fight with them. Eclipse and Polaris attack an SS blockade and capture Turner. Dreamer and Clarice join them, as they are surrounded by SS. Dreamer begins searching Turner's memories for information, learning of the program that converted Pulse to an SS agent. She is unable to finish before they have to flee, leaving Turner believing that his daughter Grace is still alive despite her death during a mutant protest four years earlier. Clarice later confronts Dreamer about altering her memories.

6 "got your siX"

Clarice confronts Thunderbird about him not telling her what Dreamer did to her memories, and decides to leave the underground. The group plans to attack a Federal facility where Pulse was taken without Clarice's help; Reed, Eclipse, and Andy go to break in and steal information on the mutants who are now working for SS. Thunderbird worries that these mutants could be the deciding factor in a war that the X-Men believed was coming (they put Thunderbird in charge of the underground before they disappeared). Reed becomes concerned with Andy's abilities and how he enjoys using them to destroy things, and attempts to gain Andy's trust as his father again. After stealing the information, the trio are followed by police into an SS ambush. Polaris takes Lauren and another young mutant, visual illusionist Wes, to help them. Meanwhile, Turner is given a mandatory leave for his reborn grief, but ignores this and instead begins a new partnership with Campbell, giving him the information about Andy and Lauren in exchange for his help.

7 "eXtreme measures"

Guerra forces Eclipse to help her on another job, this time destroying a rival's shipment of drugs; Polaris and Dreamer follow Eclipse after the former discovered he was lying about his whereabouts, and see him work with Guerra. Thunderbird tracks down Clarice, and offers to help her find the road that her portals were opening to when she was sick. They realize that the road leads to the home for mutants that she lived in as a child, but it is now derelict after SS agents stormed the building and killed its inhabitants. She agrees to rejoin the fight. From the stolen information, the underground learns that Wes has a criminal background, leading to him leaving for another underground group, and that Reed's father may have been involved with Campbell's program to turn mutants when he worked for Trask Industries. Now, Campbell and Turner prepare to send these mutants, called Hounds, undercover within the underground. When a DOJ official attempts to stop the pair from using their illegal actions, one of the Hounds makes her have a stroke.

8 "threat of eXtinction"

The underground rescue a group of refugees, but a telepath among them, Esme, reveals that another of the mutants to be a Hound. The latter is taken hostage, and Esme is able to help read her mind; they learn that she was taken hostage by Trask Industries, and their work on her included addicting her to the drug Kick. Reed and Thunderbird visit Reed's estranged father Otto, who used to work for Trask. Otto reveals that his father and aunt, Andreas and Andrea von Strucker, were the mutant terrorists Fenris. They had extremely powerful abilities, which they passed on to Otto; his work at Trask focused on suppressing the mutant X-gene, and he prevented Reed from developing these abilities. Lauren and Andy now have the same abilities as the von Struckers, and can become as powerful as them if their powers are combined. Campbell and SS agents arrive to interrogate Otto, and he attacks them with his abilities to protect Reed and Thunderbird. Otto is able to overcome Pulse's mutant suppressing, releasing a blast that injures Campbell and kills Pulse.

9 "outfoX"

Reed tells his family about his history as a mutant, and about the von Struckers and their terrorist activities. He and Caitlin test Andy and Lauren to see if they could become as powerful as the twins; holding hands, the pair feel the power to destroy the entire building, and are only stopped by Reed separating them. Desperate to rescue her family from Trask, Esme uses her abilities to manipulate the others into agreeing with a plan of attack: Clarice, Dreamer, and the Struckers will take out a power plant supporting the Trask facility, which can then be attacked by her, Polaris, Eclipse, and Thunderbird. Turner predicts this, and organizes an unofficial SS task force to storm the power plant before it can be disabled. Clarice and Dreamer are captured trying to allow Andy and Lauren to escape, as Reed and Caitlin watch in horror from a van outside. Trapped in the basement, Andy and Lauren join hands, but Andy stops them from using their combined abilities before they kill all the building's inhabitants. They surrender themselves to Turner.

10 "eXploited"

Polaris wants to immediately attack Sentinel Services, but Reed and Caitlin argue for a diplomatic solution that will not endanger their children, potentially reaching out to some of Reed's old contacts about Trask and the Hound program. Esme talks to Reed and Caitlin in secret, and suggests that they go to Turner and hope that his better nature prevails. When Esme tells the other mutants what the couple intend to do, they prepare to attack. At Trask Industries, a heavily scarred Campbell forces Andy and Lauren to demonstrate their combined powers by killing Dreamer, and they are able to dent an apparently "indestructible" adamantium wall. After he is confronted by the Struckers, Turner plans to arrest them, but is convinced by his wife to do the right thing. Turner goes to Trask to transfer the mutants back to Sentinel Services. The mutants use this opportunity to attack, but they are betrayed by Esme. She makes the guards kill each other and themselves, and releases her identical sisters, Phoebe and Sophie Frost, who have the same abilities as her.

11 "3 X 1"

The Frost sisters approach the underground for help in stopping the Hound program, though they are doing so to support their own agenda of rebuilding the Hellfire Club. The underground members refuse, while Reed and Caitlin decide to take their family to Mexico. They stop at another refugee base on the way, where they reunite with Wes. One of the sisters visits Andy, asking him to reconsider leaving. Another visits Polaris, and uses knowledge of her mysterious birth father—who once led the Hellfire Club—and her unborn baby to try manipulate her into assisting them. Turner and Campbell launch an attack on the Struckers' location, using Hounds who can combine their abilities with technology developed from Lauren and Andy to start destroying the building and arrest mutants. Polaris, Clarice, Eclipse, and Thunderbird arrive to rescue them, but only the intervention of the sisters allows them to successfully escape. The underground formally partners with the Hellfire Club, unaware that the sisters had given SS the location of the base.

12 "eXtraction"

Polaris, Eclipse, Thunderbird, and Clarice join the Frost sisters at a safe house where Esme explains that when the X-Men established the underground before their disappearance, their rival group the Brotherhood established the new Hellfire Club before their own disappearance. Campbell meets with the anti-mutant Senator Montez at the Humanity Today conference, where he talks about his advancements in the fight to eradicate the X-gene; Montez agrees to give political support to expanding the Hound program for use across the country. Meanwhile, SS agents search for more information on Otto's research. Learning that they are going after Ellen, the Struckers go to her office and persuade her to go into hiding. Andy and Lauren disagree on how much force to use when holding off arriving SS agents. Ellen gives them the name of Otto's research partner, Madeline Risman, before departing. The underground mutants infiltrate the conference with the Frost sisters to abduct Campbell, but flee when he uses children as human shields and SS forces arrive.

13 "X-roads"

Four years earlier, Polaris had been approached at a mental hospital by an attorney named Evangeline, who recruited her for the underground on the behalf of the X-Men. Now, Campbell and Montez set to fly to Washington. The Frost sisters convince Polaris to embrace her heritage and stop them. Turner tracks the Struckers with a new pair of Hounds to the underground's headquarters, and lays siege to it. Reed leads a defense of the building with the few remaining fighters, while Caitlin oversees and evacuation through an escape tunnel. When the Hounds break into the building, Andy and Lauren remain behind to let the last of the underground escape. They combine their abilities, disintegrating the entire building and the Hounds inside it. Polaris destroys the plane that Campbell and Montez are in. Turner quits when his superiors attempt to set him up as a scapegoat. The underground regroups in Nashville, Tennessee, where Polaris and the Frosts arrive seeking recruits for the Hellfire Club. Several choose to join them, including Andy.

The Verdict: 





Casting


A great cast from top to bottom. I honestly don't have any gripes or complaints about the casting in this show in the least. I always loved Amy Acker from her appearances in Angel and one-time appearance in Marvel's Agents of SHIELD, but seeing her take on the role of the mother of the Strucker children was a sight to behold. Good Lord, that girl who plays Lauren Strucker is hot. Between Natalie Alyn Lind and Amy Acker, they would have had me watching this regardless. I had to look up if she 18 or not before I started oogling her. If she's not done growing up yet, then she's going quite the bombshell by the time she hits her 30s. Jesus...

The Mutant Underground took a while for me to warm up to but I liked all of their actors too. I initially rolled my eyes when I saw the casting news for Jamie Chung as Blink, but she won me over as the series rolled on. Emma Dumont was new to me as I never seen her work prior to this show but her look and performance as Polaris from the first episode to the season one finale made me a fan for sure. Blair Redford (Thunderbird) and Sean Teale (Eclipse) were unknowns to me prior to this but they were fine with what they were given here. I could buy into Thunderbird being trusted by the X-Men to hold down the fort in their absence while Eclipse is a believable rebel with a cause that I can buy into. The minor mutants and recurring ones, such as Hayley Lovitt (Sage), Elena Satine (Dreamer), and Skyler Samuels (the Stepford Cuckoos) I felt the same about. They gave you enough to make you want to see more from them as the show went on. Samuels definitely delivered in her performance as the Stepford Cuckoos, by far my favorite trio of mutants by the end of this season.



Narrative


I think it's best I split my review on this show into sections in terms of the narrative. I don't want to come off as scatter brained like I felt while writing my review on the Runaways. Let's start off by admitting that this is best X-Men story within their live-action continuity even though this series is allegedly understood as alternate reality opposed to the one from the live-action films, despite some similar points in the narrative. That being said, this show understands the X-Men better than those films, and I'm surprised that Bryan Singer was attached to the pilot. I would axe him in a heart beat and give the writers for this show a raise and the reigns to take control of the direction for writing how the X-Men will be handled in their upcoming introduction to the Marvel Cinematic Universe.

The first half of the season I want to refer to as the "self-discovery phase" (episodes 1-7) and the latter half (episodes 8-13) as the "war for survival phase".

The self-discovery phase introduces the Strucker family, namely their two mutant children - Andy and Lauren, who become targeted by Sentinel Services after Andy's powers first manifest at a school dance. Lauren's powers had already manifested in the past but she has been hiding them up to this point. The Strucker family then finds themselves thrown head first into the world of being a mutant on the run as their human parents merely want to protect their children, which finds them seeking out help from the Mutant Underground.

The Mutant Underground has their own share of problems when the season starts as well, with Polaris getting arrested during one of their missions and their newcomer Blink struggling to get a sense of control with her powers.

This half of the season is great as it plays off both viewpoints of how society treats and sees mutantkind. The Strucker family are treated firsthand on how their entire world is turned upside down the moment that their children are exposed to be mutants and how their former friends, family members, and colleagues are quick to turn them in to Sentinel Services. At same time, the Mutant Underground faces the growing pains of how not to be like how society and Sentinel Services and expects them to be (despite the ongoing temptations to cave to those methods) and to be more like the X-Men - mutants that fight for equality within the human race (Xavier's principles) while at the same time not resorting to the methods that those who hate and fear them use against them. For example, think of how many times it would have be so easy for the Strucker children to combine their powers and just slaughter everyone but resorted to the means of caring about human lives instead? Instead, this first half of the season hammers the idea home that even though that you have great power, there is always a better way to use it - even though there will be times that you feel completely powerless as a result.

This fact is highlighted by the revelation that the Strucker children are descendants of the mutant twins Fenrir, who used their powers for their own self-gain and destructive tendencies. Andy wants to use this power to lay waste to threats brought to them by Sentinel Services, but Lauren fears the harm that they could do to innocent human and mutant lives, often acting as the voice of reason on how they should use their powers. Andy is impatient and so mentally unstable at times I question how long that his family can compel him to do good before he goes off the deep end.

The second half of the season introduces Esme as one of the new refugees picked up by the Mutant Underground, only to betray the group to reunite with her identical sisters to reveal themselves as the Stepford Cuckoos. Esme manipulated everyone she came across in the Mutant Underground to help her accomplish her end goal of getting her sisters back while simultaneously forcing Sentinel Services to bring out the bigger guns to put out the fire of mutant-kind for good. In this case, SS forms an uneasy alliance with Trask Industries, who want to study the Strucker children to advance their own research. Trask Industries convince the Strucker children to show off the full extent of their powers after killing Dreamer right in front of them. I honestly never heard of Dreamer before this show (TBH I stopped reading X-Men comics hardcore in the early 2000s so that's probably why I didn't get the memo about her) and felt that she was a lame fill-in for Jean Grey, who wasn't a telepath but the next best thing that they could settle for. On one hand, I felt sorry for Dreamer but at the same time, I didn't. She manipulated Blink and Jace Turner's memories with her powers and it was about time that she faced the gravity of those actions. Her shocking demise was a bit much, but hey, it was the shocker that this half of the series needed at the time to drive the Strucker children to use their powers. As powerful as the Strucker children were, Trask Industries still proved to have a few tricks up their sleeves in terms of dealing with them and the rest of the Mutant Underground. Their research on the Strucker's powers proved to be fruitful as they developed similar means of "combining" powers with other compatible mutants that they had under their control. The latter half of this season forced the Mutant Underground to start fighting their own kind (human-controlled mutant weapons) in this battle for survival.

This in turn brings up the question brought up by the Stepford Cuckoos, do the mutants of the Mutant Underground continue to barely survive with their hit and run tactics or do they actually fight back and use their powers - by any means necessary, becoming the lethal weapons of mass-destruction that normal humans fear them of potentially being? Polaris found herself at this crossroads more than anyone else as the Cuckoos remind her of her ties to the leader of the Brotherhood and former member of the Hellfire Club (that the Cuckoos currently work for), Magneto. I thought her dilemma was handled in a hit or miss manner. While I thought it was cool that her powers were becoming stronger due to her pregnancy (something that I remembered that the Witchblade anime did similar now that I'm thinking about it...), but sudden revelation about her having psychological issues prior to joining the Mutant Underground seemed pretty lame after not getting any mention of this beforehand over the course of the entire season up to this point. I suppose that it opens the door to more character development for her in the next season, so I can't complain too much in that aspect as it seems her, Andy Strucker, and Sage are going to be exploring more extreme means of survival as part of the Hellfire Club since they joined with the Stepford Cuckoos at the end of the season one finale.

Closing Thoughts


What I'm wondering on what are they going do for the next season? Jace Turner quit Sentinel Services as he wasn't going to be their fall guy after shit hit the fan with Campbell and Trask Industries. The Mutant Underground's headquarters is completely destroyed and they have to start from scratch after most of their members have joined with Andy Strucker, Sage, and Polaris in the Hellfire Club with the Stepford Cuckoos. We know that Andy and Lauren's powers are nowhere as effective individually as they are together, so what's the point of splitting them up? Is Andy going to come to his senses and come back to the family or will something happen to Lauren to make her join the "dark side" as well? Either way, we have an interesting dynamic going forward as the Mutant Underground isn't so "united" as they were originally and we have two different factions of mutants going forward while Jace Turner is possibly going to resort to even more radical, extreme measures in his quest against mutantkind, along with the United States government after the deaths of Campbell (who I'm guessing is going to come back as a cyborg looking more like his Ahab comic book counterpart...) and the Senator Montez - thanks to the actions of Polaris.

One gripe that this show has going against it is the lack of X-Men "core" characters, but I like to counter that argument by pointing out that their legacy and themes are still present. Xavier's teachings are alive and well, along with the impact of what the actions of the X-Men as well as Magneto & his the Brotherhood of Evil Mutants have been impacted this continuity in some fashion. It's not as jarring as Supergirl where they reference Superman time and time again, but rarely show him until that second season. The difference here is that Superman was essential to that character's origin story when here it's not. You can do X-Men stories and not show the core X-Men characters at all as a lot of the themes and conflicts are the same with almost any mutant. Hell, Marvel's Agents of SHIELD replicated that same conflict for the Inhumans in their series when the X-Men and mutants as a whole were off-limits.

From start to finish, I think the main thing I adored about this season was the significance and importance of protecting one's family wasn't lost from the first episode. It's there between the Strucker family, among Thunderbird and most of the Mutant Underground, definitely abundant between the Stepford Cuckoos, and we definitely can't forget about Jace Turner. His sole character motivation is protecting other families from going through what his own family did when he lost his daughter during an incident involving mutants.


Watch It or Don't Bother?

If you haven't been following the X-Men live action films, but are curious about the X-Men universe as a whole, this is a GREAT starting point/gateway for newcomers and those who are looking for Fox to do more with the X-Men license. They had success with the eight episode mini-series based on Legion (I personally didn't care for it... I checked out after the second episode, but I've been told that it gets better by the end so whatever, I'll give that another shot down the road...) that justified enough of demand for a second season, but that never was truly a full-blown X-Men story. Legion is set in the same universe but more psychological thriller and mind fuck than anything else. What you get here is the trials and tribulations that the X-Men comic books have been telling for decades - their ongoing struggle against discrimination and racial indifferences, along with the ordeals what bonds them all as a family. We also get the added layer of these characters struggling to decide whether or not to use their powers for good like the X-Men or for evil like Magneto and the Brotherhood.

I'll say this much about this show. I had more fun watching and enjoying this than I have ever had watching any of the CW's DC Comics-based narratives drag on and on for week to week. Can someone give Matt Nix a shot at handling the writing for the live-action X-Men films? The guy actually understands this universe much better than Bryan Singer ever has over the last decade and a half. That's for damn sure...