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Showing posts with label Raven. Show all posts
Showing posts with label Raven. Show all posts

REVIEW -- Justice League Dark: Apokalips War (2020)



Justice League Dark: Apokolips War is a 2020 American direct-to-video adult animated science fantasy superhero film produced by Warner Bros. Animation and distributed by Warner Home Video. It is the sequel to 2017's Justice League Dark (2017) and the fifteenth and final film in the DC Animated Movie Universe (DCAMU) and the 38th film overall in the DC Universe Animated Original Movies line. It is directed by Matt Peters and Christina Sotta, written by Ernie Altbacker and Sotta and features an ensemble cast including Matt Ryan, Jerry O'Connell, Taissa Farmiga, Stuart Allan, Tony Todd, Jason O'Mara, Rosario Dawson, Shemar Moore, Christopher Gorham, Rebecca Romijn and Rainn Wilson. In the film, the Justice League, Justice League Dark, Teen Titans and Suicide Squad team up against Darkseid in one epic final battle to save Earth.

The film was announced in July 2019 at San Diego Comic Con and was released on digital platforms on May 5, 2020 and scheduled to be released on 4K/Blu-ray/DVD on May 19, 2020, respectively.





Plot

(** FULL Spoilers **)


Following two failed attempts to destroy Earth,[a] Darkseid and his Furies have conquered countless worlds. At the Watchtower, the Justice League, joined by new members John Constantine and his lover Zatanna, plan a counter-attack to Darkseid's conquest but unbeknownst to them, they are being watched by Darkseid through Cyborg. The League travel to Apokolips while the Teen Titans remain on Earth as a "home-guard". Upon arrival, the League are attacked by "Paradooms"; genetic hybrids of Parademons and Doomsday. Several heroes are killed during the attack while Darkseid dismantles Cyborg and replaces his parts with Apokoliptian technology, depowers Superman by injecting liquid kryptonite into his body, enslaves Batman into his mind control with the Mobius Chair, imprisons Barry Allen to eternally run on a treadmill powering the planet, and turns the remaining heroes into cybernetic Furies. Elsewhere, Zatanna is killed by Paradooms as John hesitantly flees back to Earth.

Two years later, Darkseid has successfully taken over Earth with Lex Luthor being a New God representative, reporting to Batman on progress of the devices called "Reapers" being sent to mine Earth's core. The surviving heroes blame Clark Kent, Superman's human identity, for their failure. Clark manages to stop a depressed Raven from stabbing herself while in search for John for a locator spell to track Damian Wayne, so that they can use him to free Batman. After locating Damian, Raven teleports the group there which severely weakens her due to her father Trigon's attempts to escape Raven's magical borne prison.[b] After recruiting Damian, they then teleport to Metropolis where Lois Lane has recruited former members of the Suicide Squad, now led by Harley Quinn following Amanda Waller's death from cancer.[c] With the team gathered, Lois plans to use the Boom Tube gate from LexCorp to return to Apokolips to free Batman after Darkseid leaves to conquer the planet Oa. At the building, they are confronted by Lex who reveals he was just working undercover. Lex then teleports Clark's team to Apokolips, while Lois, Lex and the Suicide Squad stay behind to guard the portal.

Having discovered Lex's betrayal, Batman informs Darkseid who sends his Furies to Apokolips while Batman sends Paradooms to LexCorp. On Apokolips, Clark's team finds Barry and breaks him free from the treadmill. John also sees into Barry's mind and discovers he was the one who caused the Flashpoint,[d] leading into the present-day's events. They then discover Cyborg also under Darkseid's mind control but are confronted by the Furies. John frees Diana using her Lasso of Truth, and she stays behind to fend off the Furies. He then performs a technopathic spell on Cyborg to free him as well just as Batman and Darkseid return. Darkseid orders Batman to kill Damian, but he hesitates after remembering the night his parents were killed and frees himself from Darkseid's control. However, when Darkseid retaliates by attempting to execute Batman, Damian attempts to shield his father and is killed instead. This angers Raven, which releases Trigon with John offering himself as a host, but the demon possesses Clark instead and kills John.

Back at LexCorp, Lois' team become surrounded by Paradooms. Before blowing up the building and sacrificing herself, Lois transmits a goodbye message to Apokolips. This triggers Clark to break free of Trigon's control and regain his powers. Meanwhile, John is briefly taken to the afterlife where Zatanna reveals that Batman wanted John as a backup plan should the original assault fail, she therefore made him flee using her magic in the beginning. Now free of his guilt for running, John is revived by Zatanna as Raven also revives Damian. Raven and John give Trigon his physical body back to fight Darkseid as a distraction. Cyborg teleports the Paradooms back to Apokolips and the heroes to Earth before creating a black hole that drags Darkseid, Trigon, and Apokolips into oblivion, sacrificing himself.

Despite their victory, Batman reveals that 31% of the Earth's molten core has been lost, dooming the planet as the Earth's rotation will be affected. To prevent this, John convinces Barry to erase this timeline and create a second Flashpoint, despite Barry's promise to his wife Iris to not do it again. As he does so, the heroes watch their timeline being reset while Damian and Raven kiss.





Voice Cast:


Voice actorCharacter
Matt RyanJohn Constantine
Jerry O'ConnellKal-El / Clark Kent / Superman
Taissa FarmigaRaven / Rachel Roth
Stuart AllanDamian Wayne / Robin
Tony ToddUxas / Darkseid
Ray ChaseEtrigan
Jason O'MaraBruce Wayne / Batman
Rosario DawsonPrincess Diana / Diana Prince / Wonder Woman
Rainn WilsonLex Luthor
Rebecca RomijnLois Lane
Camilla LuddingtonZatanna Zatara
Christopher GorhamBarry Allen / Flash
Shemar MooreVictor Stone / Cyborg
Hynden WalchHarleen Quinzel / Harley Quinn
Liam McIntyreDigger Harkness / Captain Boomerang
John DiMaggioKing Shark and Trigon
Sachie AlessioLady Shiva
Roger R. CrossJohn Stewart / Green Lantern and Swamp Thing
Sean AstinBilly Batson / Shazam


In addition, Arthur Curry / Aquaman, J'onn J'onzz / Martian Manhunter, Hal Jordan / Green Lantern, Mera, Katar Hol / Hawkman, Dick Grayson / Nightwing, Koriand'r / Starfire, Roy Harper / Speedy, Karen Beecher / Bumblebee, Garfield Logan / Beast Boy, Jaime Reyes / Blue Beetle, Donna Troy / Wonder Girl, Conner Kent / Superboy, Bart Allen / Impulse, Black Orchid, Kate Kane / Batwoman, Luke Fox / Batwing, Barbara Gordon / Batgirl, John Henry Irons / Steel, Barbara Minerva / Cheetah, Doris Zeul/ Giganta, Mark Mardon / Weather Wizard, Toymaster, David Hyde / Black Manta, Bane, and Guy Gardner / Green Lantern all have non-speaking cameos.






The Verdict:



Just wow... I can't believe that this is "the end" or sorts after 15 films in this continuity.

For this film itself, it definitely lives up to it's dark namesake. There's a few articles floating around about plot holes with the narrative, but we can address that right off the bat.


  • SWAMP THING'S DEEP SLUMBER
After getting Alec Holland ripped out of his body in Justice League Dark, I was under the impression that Swamp Thing didn't give a flying fuck about humanity anymore. He was content to allow Darkseid's forces slaughter humanity to extinction as long as it meant that the green would be left to repair the planet whatever damage done to the planet without obstructions.

I could be wrong, but that's the impression I got from the writing here. Swamp Thing had to be coerced by Constantine's spell(s) to take action in defense of the Green. 

  • CONSTANTINE'S SELECTIVE PORTALS
Constantine mentions early into the film that he doesn't have a wealth of magical artifacts to help him conjure up magical spells at his disposal anymore following the defeat of the Justice League to Darkseid's forces while he has been on the run during the two years that following. It was quick throwaway line in the middle of all of his wisecracking banter and sarcasm, so I can see why people missed that explanation. I was under the impression that magic takes a toll on him, much like it does for Raven, in the absence of mystical artifacts. 

  • VIC'S CONVENIENT TELEPORTATION
Now that one I thought was pretty stupid. Between Batman and Vic (Cyborg), they were still both wired into Darkseid's mainframe and security systems, so they could have been able to get Lois and the Suicide Squad out of there before they met their untimely demises. During that entire scene, I was asking myself, "Vic's got time to put this phone call up on all of the monitors in Darkseid's crib, but not enough time to boomtube them out of there?" It was a lackluster ploy to give Superman the nudge he needed to break free from Trigon's control while simultaneously giving Superman another painful loss if he didn't have enough failures in this film. 

  • BATMAN'S DROPPED CONNECTION
Now this I saw as Darkseid's connection/mind control wasn't as good as what he thought. Darkseid even mentions at one point that he even doubts how successful the process was. Damien even states that if anyone could break though Darkseid's control, it would be his father, especially after he was able to break Talia's own back in Batman: Bad Blood. Batman didn't have Brother Eye levels of control over the cyborg Furies and Cyborg like in Future's End, so I gave the writing a bit of a pass there in that regard. Plus, Batman was preoccupied with retrieving Darkseid from Oa.

A better question would be how in the world did Darkseid get possession of Metron's Mobius Chair anyway?


That was a tough moment too and this film doesn't hold back with the punches to the gut in the least. Those emotional blows come in relentlessly in this film, much like Darkseid's evisceration of the Justice League. I'm going to share a few more below.


https://superheroes-or-whatever.tumblr.com/post/617602013527736320/the-justice-league-went-out-sad-justice-league


The last stand of the Teen Titans made me go, "Oh shit..." watching it because the first thing you notice is Starfire ripped in half with her intestines littered across the ground. She obviously didn't stand a chance against the Paradooms. The rest of the Justice League didn't fare any better either.

https://spandexinspace.tumblr.com/post/617316044958302208/john-stewart-in-justice-league-dark-apokolips-war

John Stewart's death was next level fucked up though. I thought the Green Lantern Corps were going to rally together around him for one last stand, despite the fallen bodies of the Guardians laid across the battlefield.

At first, I was questioning the decision to make John Constantine the protagonist of this narrative, but by the time the story came to a close, he was the right man for the job. John Constantine, much like almost every TV show and animated feature film that he has been a part of, is a star in almost every scene he's in. Even after his show got cancelled, Matt Ryan continues to shine in that role of the character.

His journey in this narrative is a little odd at first until the reveal that his girlfriend, Zatanna, cast a spell upon him at the start of the film to act as a fail safe option (as per Batman's orders) if the attack on Darkseid went horribly wrong. I have seen people moan and complain that this was another example of comics "fridging" females to motivate male protagonists. It's a redundant trope, yes, but I was fine with it, especially given the fact that the death toll in this film is so high already. It wasn't like in Avengers: Endgame where Black Widow was the only one - outside of Tony Stark - who lost their lives in that film without any means to bring her back like everyone else who was lost during Infinity War. So many lives were lost in that film, not just females - but both genders - as a noble sacrifice in the HOPE that the remaining heroes could make a better future. As a result of Zatanna's spell, John Constantine made for the perfect trump card of sorts to turn this war around. It even became a joke by the end of the film where everyone was looking to him for all of the answers.

If I had any issue with John Constantine's role, it was the fact that Batman was the one who orchestrated this fail safe option, but he never mentioned it to Darkseid or planned accordingly as part of his regime. If that's not a glaring plot hole, I don't know what is in that case.

From start to finish, this story is structured to be Superman's greatest failure - moreso than Death of Superman and Rise of the Supermen. Superman loses literally everything - his teammates, his powers, thanks to that kryptonite injection from Darkseid, the planet that he's called home - Earth - after being overrun by Paradooms, and even loses the love of his life - Lois Lane - by the time it's all said and done. Even though Darkseid is defeated, there's nothing he can do to save Earth from utter destruction from the damage this war has wrought onto their reality. Darkseid took everything from him, despite regaining his powers in the film's last act.




The emotional dam came crumbling down and with it, Superman was unbound and unleashed in a sense against Darkseid. This fight took me back to the finale of Superman: The Animated Series, where Superman came to confront Darkseid on Apokalips after being manipulated as his brainwashed pawn against the people of Earth.

https://solidsmax.tumblr.com/post/617757049500073984/superman-vs-darkseid-in-justice-league-dark

In the end, it wasn't enough to save the day. Only a fraction of the League is left - with very few without scars or horribly disfigured as cyborgs or monsters from their enslavement to Darkseid or from the horrifying battles themselves. Others are permanently dead and buried - never to walk this life ever again. It's a terrifying ending for this universe/continuity, especially with the real life pandemic going on. There's one sliver of hope though and it serves as the ultimate callback to the story, Flashpoint Paradox, that set this entire continuity into motion. Constantine urges The Flash to create another Flashpoint. He complies with this request, despite promising to Iris West to never do it again after the initial Flashpoint.


Every film in the DCAMU continuity in chronological order.

Off-topic: I had NO idea there was an one-off John Constantine film set in this continuity. I thought Justice League Dark was his first and only canonical appearance in this continuity to date, but oh well, that's something to check out.

In that moment, that's where this continuity ends for the 15 films that led up to this conclusion of this DC Animated Movie Universe with a blinding flash. It was poetic justice that this journey began and ended with The Flash. I'm sad to see this continuity end though as I thought there were some more stories that I would have liked to see this version of the Justice League tackle before closing the book. Even interviews with the minds behind this film said that they would have liked to do a few more stories in this continuity, but it was out of their hands at this point. At the same time, they said this doesn't mean that they couldn't revisit this continuity down the road. The current plans for DC animation in the future are a reboot of sorts, starting with Superman: Man of Tomorrow. That film will be based on the graphic novel of the same name, sporting a new art style to boot.


Is this better than Avengers: Endgame?


There's a lot of talk online after this film's release that it was the equivalent of Marvel Studios' live action blockbuster from last year and I'm heavily inclined to agree. Let's be honest here though. When it comes to live-action films, DC cannot hold a candle to Marvel in that regard, but when it comes to animation, DC beats them at almost any and all opportunities. There's been VERY few rare exceptions, such as X-Men: The Animated Series, Spider-Man: The Animated Series, Avengers: Earth's Mightiest Heroes, and The Spectacular Spider-Man, but for the most part, Marvel's animated endeavors are rarely looked back as fondly as those from DC. In regard to this film though, they've definitely knocked it out of the park with a home run.

DC got away scotch free with their use of the time travel paradox to "undo" everything as a soft reset button as viewers weren't left to see what were the repercussions of that final act. Instead, all of these deaths felt permanent and real. There weren't any Infinity Stones to undo everything at the snap of one's fingers and magically bring all of those lives back to life. Viewers were left with the shocking reality that these heroes were forever gone and scarred beyond repair. Well... That feeling was there until the revelation that The Flash was still alive and there wasn't an instant that I didn't doubt that they were going to send him back into the past to undo everything.

Hell, this was the closest to an Earth-2 Justice League (New 52) and Future's End animated adaptation that I could have asked for. Even looking back at the events of this film, I'm still stunned at how the writers showed no remorse in terms of how vicious and downright gruesome these deaths were. Surviving those horrors in this film wasn't a badge of honor it was just a stroke of luck as death was always around the corner in one way or another. Lady Shiva got killed by a stray bullet in the middle of the battlefield. Damien Wayne and the rest of his team didn't even have time to mourn her death before moving on to the next battle right around the corner. That just echoes the gravity of the situation that the Justice League (or what remained of it) was dealing with in volumes. While I enjoyed Avengers: Endgame for the most part more than most people, I can agree with the fact that the lives that were gone as a result of Thanos' snap NEVER felt like it was going to be permanent. We didn't see these characters get flat slaughtered and ripped apart like we saw here. It didn't feel real as hard as that to convey into words when none of these stuff is actually genuine, but real in the sense of compassion and personal attachments to these characters. The feeling sank in that these characters - at least these iterations of them - weren't EVER coming back in any capacity.

In that regard, that's what makes this a better "finale" of sorts in terms of an apocalyptic narrative when compared to Avengers: Endgame. DC did a masterful job of hammering home the finality of this narrative.


Watch It or Don't Bother?


While this might be a bit heavy for the faint of heart, I highly recommend this to those who have followed all fifteen films in this DC Animated Movie Universe continuity. This is the final chapter in that story (for now it seems anyway...) and quite the bombshell to end on. For everyone else though? I suggest you check out the other fifteen films in this continuity and deem for yourselves whether or not that this is something that you want to check out as it's definitely not for kids. 

PREVIEW -- Justice League Dark: Apokolips War | Official Trailer


Justice League Dark: Apokolips War features the largest Super Hero cast in the history of DC Universe Movies with dozens of actors/characters spotlighted in a grand ensemble of talent reprising their roles from this six-year story continuum. Matt Ryan (Legends of Tomorrow, Constantine), Jerry O'Connell (Carter, Bravo's Play by Play, Stand by Me) and Taissa Farmiga (The Nun, The Mule, American Horror Story) anchor the cast as Constantine, Superman and Raven, respectively - the triumvirate determined to assemble the forces necessary to lead humanity's final attack.

Alongside that trio are the long-running core of Justice League voices -- Jason O'Mara (The Man in the High Castle, Agents of S.H.I.E.L.D.) as Batman, Rosario Dawson (Briar Patch, Daredevil, Sin City) as Wonder Woman, Shemar Moore (S.W.A.T., Criminal Minds) as Cyborg and Christopher Gorham (Covert Affairs, Insatiable, Ugly Betty) as The Flash - as well as JL-adjacents Rebecca Romijn (X-Men, The Librarians) and Rainn Wilson (The Office, The Meg) as the voices of Lois Lane and Lex Luthor, respectively.

Warner Bros. Home Entertainment will distribute the film on Blu-ray, DVD, and Digital in Spring 2020.


This should be one hell of special with everyone from these DC direct-to-video specials from Justice League: WAR to everything that followed coming together to take down Darkseid.

With these animated features, DC rarely disappoints - the opposite reaction in terms of their track record in comparison to their live-action endeavors - so I'm not worried in the least on whether or not this isn't going to deliver. Count me in for sure whenever this drops in the Spring.

REVIEW -- Titans (DC Universe Exclusive; 2018) Season One: Episodes 1-11



Titans is an American web television series that is released on DC Universe, based on the DC Comics team Teen Titans. Akiva Goldsman, Geoff Johns, and Greg Berlanti created the series, which features Brenton Thwaites as Dick Grayson / Robin, the leader of the Titans, alongside Anna Diop as Starfire, Teagan Croft as Raven and Ryan Potter as Beast Boy. Titans premiered on October 12, 2018, and its first season comprised eleven episodes. Ahead of the series' premiere, Titans was renewed for a second season.

A live-action series based on the Teen Titans entered development in September 2014 for the cable channel TNT, with Goldsman and Marc Haimes writing the pilot. The pilot had been ordered by December 2014, but never came to fruition, with TNT announcing in January 2016 it would no longer be moving forward with the project. In April 2017, it was announced that the series was being redeveloped for DC Comics' new direct-to-consumer digital service, with Goldsman, Johns, and Berlanti attached. Brenton Thwaites was cast as Dick Grayson in September 2017, and other series regulars were cast between August and October 2017. In May 2018, the spin-off series Doom Patrol was announced, which will pick up after the events of Titans.


I'll admit the costumes here look great in these promotional shots/posters, but look like utter shit in the actual series.


Cast:


Main

Brenton Thwaites as Richard "Dick" Grayson / Robin
Tomaso Sanelli plays a young Dick Grayson in flashbacks.
Anna Diop as Koriand'r / Kory Anders / Starfire
Teagan Croft as Rachel Roth / Raven
Ryan Potter as Garfield "Gar" Logan / Beast Boy
Recurring
Minka Kelly as Dawn Granger / Dove
Alan Ritchson as Hank Hall / Hawk
Jeff Clarke as Nuclear Dad: The father of the Nuclear Family.
Melody Johnson as Nuclear Mom
Jeni Ross as Nuclear Sis
Logan Thompson as Nuclear Biff
Reed Birney as Dr. Adamson.
Curran Walters as Jason Todd / Robin
Rachel Nichols as Angela Azarath
Conor Leslie as Donna Troy 
Andi Hubick portrays a young Donna Troy in flashbacks.

Guest

Sherilyn Fenn as Melissa Roth
Mark Antony Krupa as Konstantin Kovar
Lindsey Gort as Amy Rohrbach
Jarreth J. Merz as The Acolyte
Bruno Bichir as Niles Caulder
April Bowlby as Rita Farr / Elasti-Woman
Brendan Fraser and Jake Michaels as Clifford Steele / Robotman
Matt Bomer and Dwain Murphy as Larry Trainor / Negative Man
Zach Smadu as Nuclear Stepdad
Lester Speight as Clayton Williams
Richard Zeppieri as Anthony "Tony" Zucco
Tony Mac as Nick Zucco
Elliot Knight as Don Hall / Dove
Marina Sirtis as Marie Granger
Seamus Dever as Trigon
Alain Moussi and Maxim Savaria as Batman: Though not portraying Bruce Wayne, Moussi and Savaria portray Batman as stunt doubles.


Episode Summaries: (SPOILERS)


1 "Titans"


Following her mother Melissa's murder at the hands of a mysterious assailant, troubled teen Rachel Roth exhibits telekinetic powers and flees town. Detroit detective Dick Grayson fights crime at night using his vigilante persona, Robin. Rachel is picked up by Detroit police, recognizes Dick from her nightmares, and asks him for help. By the time he realizes that she was telling the truth about her mother, Rachel has been drugged and abducted. Meanwhile, in Vienna, Austria, Kory Anders awakens in a bullet-ridden car wreck with no memory of her identity. She finds her way to gangster Konstantin Kovar, whom she has apparently betrayed in her search for a certain girl—Rachel. When Kovar attempts to shoot her, she releases a fiery power that incinerates him and everyone else in the room. About to be ritually slain by the man who killed her mother, Rachel blacks out as a dark version of herself emerges and kills her would-be murderer. Dick arrives, and takes her off to safety.

In Covington, Ohio, a green tiger is on the prowl in an electronics store at night and transforms into a human boy.

2 "Hawk and Dove"


Dick takes Rachel to Hank Hall and Dawn Granger, masked vigilantes known as Hawk and Dove with whom Dick fought crime years earlier. Though Hank and Dawn are in a committed relationship, Rachel senses that Dick and Dawn were previously involved, and still have unresolved issues. When a jealous Hank fights with Dick, Rachel's dark self manifests to stop it. The Nuclear Family is "activated" to retrieve Rachel, and they torture Dick's new partner, Detective Amy Rohrbach, to find him. Hawk and Dove take down an arms dealer with Robin's brutal assistance. Rachel is upset to discover that Dick intended to leave her with Hank and Dawn and not return. The Nuclear Family defeats Dick, Hank, and Dawn, capturing Rachel and leaving Dawn gravely injured.

3 "Origins"


Kory tracks down Rachel, and watches the Nuclear Family abduct her. Rachel's dark self refuses to help her, but Kory arrives, incinerates Nuclear Dad with her powers, and convinces Rachel to leave with her. Rachel and Kory find their way to a convent where Melissa had supposedly hidden from Rachel's father when she was a baby, and which Kory had visited in search of Rachel a year before. Dick recalls learning that his parents' death was not an accident, and being taken in by billionaire Bruce Wayne, who offers to teach Dick "another way to deal with the pain." Rachel meets Garfield Logan briefly, and Dick arrives. After Rachel's dark self manifests again, Dick and Kory take her back to the convent, where the sisters secretly lock her in the basement. Kory discovers that before her memory loss she was researching various doomsday prophecies concerning the advent of an apocalyptic "raven". Rachel's dark self taunts her and then manifests, leading to an explosion that allows Rachel to flee.

4 "Doom Patrol"


Rachel comes across Gar, in his tiger form, as she flees through the woods. Gar takes Rachel to his house, where she meets Cliff Steel / Robotman, Larry Trainor / Negative Man, and Rita Farr / Elasti-Woman. Dr. Niles Caulder / The Chief arrives, furious with Gar for bringing a stranger to their home—where they are living in secret—but interested in running tests on Rachel. She agrees, but then demands to be unstrapped from the table. Niles refuses, and shoots Gar with a tranquilizer dart when he tries to intervene. Rachel's dark self emerges and attacks Niles. Meanwhile, Dick and Kory find the convent in ruins, and track Rachel to the Caulder house. Dick calms Rachel down and promises he will protect her. He departs with Rachel and Kory, and Gar goes with them, encouraged by Cliff to live his own life.

5 "Together"


Dick makes the alliance with Kory, Gar, and Rachel official, and they all demonstrate their powers. Rachel and Gar connect, and Dick and Kory have sex. Dr. Adamson sends a new Nuclear Stepdad to the family. The Nuclear Family attacks, but together the group is able to subdue them. Dick also reveals himself as Robin to the group. Dick visits Adamson, who kills the family via a remote detonator. When a strike team comes to kill Dick, the new Robin appears and saves him.

6 "Jason Todd"


Dick and Jason Todd, the new Robin, take Adamson to one of Bruce's safe houses in Chicago, where they are later joined by Kory, Rachel, and Gar. Learning that Bruce implanted a tracker in his arm at some point in the past, Dick removes it with a scalpel. Jason tells Dick that someone is murdering everyone who worked with his parents at the circus. Dick seeks out Clayton Williams, the only performer still alive and the likely next target. Clayton is abducted by Nick Zucco, son of Tony Zucco, the mobster who killed the Graysons. Nick wants revenge against Dick, who he blames for the Maronis' murder of his entire family. Jason helps Dick neutralize Nick, but Dick is disturbed by his needless brutality. Meanwhile, Adamson tells Kory that he will only talk to Rachel.

7 "Asylum"


Adamson slashes his own throat to force Rachel to use her empathic powers to revive him. He then informs Dick and Kory that Rachel will "purify" the world. Adamson tells them about Angela Azarath, Rachel's birth mother, who is being held at an abandoned asylum. They are captured when they arrive at the asylum, and Dick, Kory, and Gar are subjected to torturous examinations. Adamson promises to end their suffering if Rachel calls to her father, but Rachel kills Adamson instead. Rachel finds Angela, showing her birthmark to prove she is actually Angela's daughter. Taking Angela with her, Rachel frees the others, although Gar is traumatized by having killed an asylum doctor. They escape; Kory burns the asylum down, and Dick burns his Robin suit.

8 "Donna Troy"


While Rachel, Kory, and Gar accompany Angela by train to the house she owns in Ohio, Dick goes off on his own to reconnect with an old friend, Donna Troy. The FBI stops the train in search of Kory, but she and the others escape after she causes a train car to explode. While Rachel uses her powers to unlock Kory's memories, Donna translates text that Dick photographed in Kory's storage unit. Donna's interpretation of the lost ancient language is that Kory's mission is to kill Rachel. Kory has a flash of memory, and grabs Rachel by the throat.

9 "Hank and Dawn"


With Dawn still in a coma, Hank remembers his childhood, when he allowed himself to be sexually abused by his football coach to save his little brother Don from molestation. In college, Hank and Don become vigilantes, Hawk and Dove, to punish sex offenders. An unconscious Dawn remembers her life as a ballerina, and the last time she saw her mother. Dawn's mother and Don are killed in the same accident, and Dawn and Hank get to know each other in grief counseling. Dawn discovers Hank's past as Hawk. He tells Dawn about his abuse, but admits that he never sought retribution against the coach because he could not face what happened to him. Dawn finds the abuser and demands that he confess; when they have beaten each other brutally, Hank arrives and finishes off the coach. Hank and Dawn sleep together. In the present, Dawn awakens, and tells Hank they need to find Jason Todd and help Rachel.

10 "Koriand'r"


Donna stops Kory from killing Rachel. Dick and Donna follow a remorseful but confused Kory to an abandoned warehouse, where a spaceship uncloaks itself for Kory. She is Koriand'r, from the planet Tamaran, on a mission to destroy Rachel before she brings about the destruction of Earth and Tamaran. Rachel's father is Trigon, a being from another dimension who devours worlds. Rachel is both Trigon's doorway back to our dimension, and a means to destroy him. Dick, Donna, and Kory realize that Angela is assisting Trigon. Gar begins seeing apparitions in Angela's house, and collapses. With Gar dying, Angela convinces Rachel to call Trigon to help her. She does, and Trigon and Angela are reunited. Trigon heals Gar, and tells Angela that they can begin destroying the world once Rachel's heart breaks. Dick, Donna, and Kory arrive, but only Dick can pass through the mystical barrier that now surrounds Angela's house.

11 "Dick Grayson"


Five years in the future, Dick is living happily with Dawn and their son John, with another baby on the way. Rachel and Gar are at college. A paraplegic Jason asks Dick to stop Bruce, who is intent on killing the Joker. Dick travels to Gotham and is reunited with Kory, who has joined the FBI. Batman kills the Joker in cold blood, as well as every patient and staff member at Arkham Asylum. Dick feels compelled to reveal Batman's secret identity to the police so they can apprehend him. A SWAT team raids Wayne Manor, but Batman slaughters them and kills Kory. Dick demolishes the mansion with explosives, and when he finds Batman alive but trapped in the rubble, Dick kills him. In the present, Rachel is horrified to see Dick enslaved by Trigon's power, and the dark future and Dick's murder of Batman is revealed to have been a fantasy created by Trigon to lead Dick to embrace darkness. Later, somewhere in Metropolis, a man designated as "Subject 13"—and bearing a Superman logo tattoo—escapes containment in a laboratory. He also frees a Labrador Retriever, whose eyes glow red.


The Verdict:


I binge-watched this entire series over the course of the two weeks that I was off from work for the holidays leading up to the New Year and I have to admit that I'm honestly dreading writing this review. 

Costumes and Casting

Seriously, what the HELL is Starfire wearing? It looks like she got dressed out of Kelly and Peg Bundy's wardrobe from off the set of Married...with Children.

Right off the bat, I have to bring up the backlash that Anna Diop got from the casting as Starfire in this continuity. I honestly didn't have a problem with her being black playing the character. My issues came from her being dressed like a Russian hooker related to Foxxy Cleopatra for the bulk of this season. It didn't do the character any favors, especially in the post-New 52 landscape where most comic book fans regard her as a bimbo for sleeping around with most of the Titans anyway. This series seemed to be trying to draw from that with her characteristics at times. The clear clue was her and Robin's random as hell booty call encounter that was immediately brushed underneath the rug a few episodes later once Donna Troy came back into the picture. 

How can anyone NOT like Conor Leslie as Donna Troy in this series? She's easily the best character in this show once she's introduced.

Speaking of Donna, boy did this show did a 180 in terms of the tone once she was introduced. Conor Leslie is arguably the best actress/actor in this show (behind Minka Kelly's Dove though) if you ask me and the most believable in terms of performances. Everyone else just seems to be going through the emotions on the fly, but Leslie and Kelly were at least able to get some decent performances out of Brenton Thwaites in the scenes that they shared together.

Brenton Thwaites is a believable Robin/Dick Grayson. I didn't mind him for the most part, even though his acting came off a little dry at times (a common theme across the board with a lot of these actors and actresses here...). To be fair, it wasn't as bad/cheesy as that dude playing Black Manta in Aquaman though...

I remember going to see Aquaman in the movie theater after binge-watching this series for the better part of a week and going, "If DC and Warner Bros. have so much money to burn/waste on this universe, then why would they go from this film looking absolutely gorgeous from start to finish to stuff on their streaming service looking like utter shit?" The costumes in this series, even from as far as the premiere trailers, look like bad cosplay outfits. Everyone in this series (outside of maybe Dove's outfit) look like they are going trick or treating on Halloween or made their costumes on a low budget for a small town comic book convention. If that wasn't bad enough, the special effects look equally bad if not worse in some cases. It wouldn't be so bad or glaringly noticeable when this show takes itself FAR too seriously at times (something that we'll get to in the narrative department shortly), but you can't take it serious when the costumes look like absolute dog shit. It's baffling when almost every other thing in this show looks laughable in terms of costumes and special effects, but when Donna Troy shows up and uses the Lasso of Persuasion, it looks as good if not better than Diana's Lasso of Truth in the Wonder Woman live-action movie from 2017. If everything in this show had that level of detail and attention to it, then we would've had quite the marvel (no pun intended) to behold here.




I think the bulk of the production budget went into adding all of the effects and what not to Raven's powers, even though I wasn't too impressed by them by the 3rd or 4th time she spazzed out and kills someone with would be best described as the power of the anti-Christ. Teagan Croft isn't bad in the role as the character. She doesn't come off as easily forgettable like Ryan Potter's Gar. I honestly forgot that he was there most of the time. They could have CGI'ed him into the background of most episodes and I probably wouldn't have seen a difference. While we're on the subject of that, boy did his "transformations" look bad. They must have taken that same course The Walking Dead did on Poorly Animated Computer Generated Animals 101 in that regard. 


Action


There's a few fight sequences that look straight up amazing but for every great sequence there's some bad CGI to hamper down what this series does right. Can't forgot to mention how the costumes drag things down too. Some of the hand-to-hand combat sequences are straight up brutal, especially those involving Dick Grayson, Jason Todd, Hawk & Dove, and later Batman (or who we're led to believe that's him in Dick's dreams). I dare say Robin kills more people here than Batman does in Batman v. Superman: Dawn of Justice.


When the Titans get on the same page and actually work together to save/protect Raven throughout the course of this season's narrative (like the scene against the Nuclear family shown above), it's quite the sight to behold and I wish there were more moments like it, instead of the narrative introducing so many characters but most of them barely sticking around long enough to hold your attention.




Narrative


The pivotal words to come out of the first few trailers and teasers for this series was "Fuck Batman" and I can see why. This series wanted to hit the nail on the head to emphasize the fact that this wasn't a Batman-oriented story, but one focused on tormented mind of Dick Grayson instead. 

The bulk of the story focuses on Raven and her mysterious powers as it seems like one set of weirdos after another are after her and her powers. For anyone who was a fan of the Teen Titans cartoon in the early 2000s, this rings of familiarity from her storyline in that series where her origins are tied to the hellish demon called Trigon. In that series, she was regarded as the living "portal" that grants him entry into our world since he was banished from it otherwise. Here, we don't get much about Trigon's origins other than he's forbidden from our world and Raven has to "willingly" invite/summon him to Earth, ushering in a prophecy of the end of the world. 

Titans excels at one major thing and that's expressing how each of the four core Titans of this impromptu team fit into a classic genre/theme that identifies with something that each of them are struggling to cope with. Raven fits the classic horror motif as she fears being alone. Beast Boy, much like the bulk of the Doom Patrol, represents the body horror/carnival motif as he fears truly becoming one of the monsters that he transforms into - inside and out. Starfire represents the fear of the unknown and fear of one's self. Robin/Dick Grayson represents the fear of losing your own identity. This distinction between each of the Titans creates some rather interesting beads to explore in terms of character development over the eleven episode season. 

From left to right: Gar/Beast Boy, Robotman, Elasti-Woman, and Negative Man. 

Speaking of the Doom Patrol, I have to say that their introduction here really fell flat. If they are supposed to be getting their own spin-off series from their minor appearance in this series, then I honestly don't see why anyone would bother with the lackluster effort put into their appearance in this series. Robotman looked like something straight out of Mighty Morphin Power Rangers, while Elasti-Woman and Negative Man weren't that bad; they just didn't scream anything compelling to make me want to see more of them in this universe.



At the same time, I can't fault this show for at least getting the essence of these characters down for the most part. That whole second episode focused on them really hit that theme of body horror and carnival oddities down to the tee though. If I were to check out their upcoming spin-off series, it would be out of morbid curiosity to see how the writers transition from their appearance here to their own series.

I liked Dove's costume a lot more than Hawk's if I'm perfectly honest. Hawk's just looks like something cheap/homemade that you'd see in Kick-Ass or something. 

Right off the bat, I was ready to write off Hawk (Hank) and Dove (Dawn) as merely adrenaline junkies that got off on the sheer amount of danger that they got themselves into. In that regard, I felt it was a huge disservice to those two characters from the first few episodes. As the season rolled on, it's later revealed that Hawk had to deal with sexual abuse from his coach as a child and bottled up his frustrations with that ordeal and feelings of helplessness for the bulk of his life. It wasn't until after he met with the woman, Dawn, who would become the second Dove (the original was Hawk's younger brother, Don) after her mother was killed in the same "accident" that took Hawk's brother from him. They found some common ground in their grief and it really hit home when Dove was inspired after seeing what Hawk and his brother had started from their YouTube antics into vigilantism. She went out and targeted the coach that abused Hawk as a child and they issued their own string of "justice". This led to their pending romance and I'll be lying if I didn't admit that I found this hooking up after this ordeal to be rather odd. The last thing on my mind would be an awkward sexual encounter after beating the holy shit out of the dude that sexually abused me in my childhood, y'know? But to each his/her own... That being said, this revelation added some much needed depth to both Hank and Dawn's characters. Hank wasn't the stupid, dumb jock that I had him pegged out to be and Dawn wasn't just random hot chick just having pity sex with him. Hank and Dawn rely on each other as their own sources of strength to overcome their own personal pain. I can only imagine that Hank and Dawn went to serve justice to the man who was abusing Dawn's mother that was hinted at in their conversation shortly before she was killed with Don in their accident. Dawn is a woman who wants to heal the wounds in the hearts of these damaged men and that's why I feel like she's drawn to men like Hank and Dick.

I'm not going to even talk about how bad this moment was setup in this episode with Starfire just buying a bottle of alcohol and suggesting that they "unwind" and get to know each other better before screwing each others' brains out. That whole exchange there didn't do Starfire's portrayal in this series any favors at all.

It's crazy too that even though it's expressed in the tail end of the season that Donna Troy is seen as Dick's childhood best friend, he sees Dawn in his dream during the season finale as his beloved companion and bearer of his children. Donna's not even mentioned in that dream (at least I don't remember her being mentioned if not at all), but Kory is (sporting a much better look here no less...), despite their only attachment outside of protecting Raven was their one sexual hook-up. 

One thing that I felt was a slight surprise here was the appearance of Jason Todd in this series. I seriously doubt that they are going to explicitly display his demise at the hand of The Joker, so it was a bit of a head-scratcher to see him in this series. On the other hand, I guess people would have complained if they skipped over him and went straight to Tim Drake without any explanation as timeline-wise in order of events of the Bat family, Robin was already Nightwing by the time Drake came around. This narrative is clearly setting Robin up to become Nightwing by the early part or tail end of the next season as his own "graduation" of sorts as his final departure from separating himself from Bruce Wayne/Batman. I think that fact is so obvious that even a blind man can see it from how the narrative here has been leading viewers along with the breadcrumbs from the start of the season to the finale. We start with Dick dreading even putting the costume on period to finally crossing a line that he promised himself that he wouldn't cross until he finally burns the Robin costume for good after ordering Kory to burn down the asylum that tortured the four heroes until Raven killed that whack job who was in charge. It looked like he was going to leave that life behind completely until getting caught up with Donna Troy again and found himself drawn back into protecting Raven once more as a surrogate father figure.


Conor Leslie's Donna Troy is truly a gem and a saving grace in the tail end of this season. I cannot rave about her enough here.

Let's talk about the finale though, shall we? The whole episode is tailored around the warped idea that Dick Grayson has finally found some semblance of a normal life as he's married to Dawn and they have a son together with her pregnant with another child on the way. Dick found himself visited by a wheelchair-bound Jason Todd, who informs him that Bruce Wayne has finally gone off the deep end and is going to kill The Joker. Dick is then urged by his friends to go back to an overrun Gotham City to attempt to talk some sense into Bruce. It turns out it's too late as he finds out that Batman has killed all of Arkham Asylum's staff and patients as well as The Joker himself. Dick has no choice but to spill the beans that Bruce Wayne is Batman. A SWAT team storms Wayne Manor, including special agent Kory Anders. The attack goes sour as Batman is killing everyone left and right until Dick issues the order to blow the mansion with C4 after Kory's killed mercilessly by Batman. Dick goes into the mansion to survey his handiwork and finds Batman pinned underneath the rubble and issues the fatal blow, killing him in the process and succumbing to his inner darkness. It's then revealed that this was a ploy by Trigon to manipulate Robin to do his bidding. The episode ends with a teaser of someone (clearly Kryptonian and obviously Superboy) breaking out of confinement and rescuing a dog with glowing red eyes.

Here's my problem with all of this... I get that they were going with a possible mindfuck for this finale, but it just doesn't really stick nor hit home with not that much weight behind it. Throughout the entire thing, I was rolling my eyes waiting for Dick to wake up from this obvious dream sequence. The whole "special agent" gimmick for Kory Anders didn't stick from her alien origins being revealed in the episode prior, so that was another dead giveaway that this was a dream. The main thing that frustrates me with the writing on this episode is that it attempts to rip off one of the best episodes of Batman: The Animated Series, "Over the Edge", where Batman is being hunted down by the Gotham City Police Department for the possible murder of Barbara Gordon/Batgirl. The war between Commissioner Gordon and Bruce Wayne/Batman ends up costing them their lives until the whole ordeal is revealed to be dream from Barbara Gordon/Batgirl's damaged psyche after being exposed to Scarecrow's fear toxin. In the case of this series, the whole Batman at war with the police subplot comes off as a cheap imitation without any of the emotional weight behind it that Over The Edge had for that series. They merely pulled what they wanted from it that benefited for this mock dream sequence and muddled it all up. Dick desperately wanted to distance himself from Bruce Wayne - this dream gave him that. He got to settle down and have a family. He was able to put the cape and cowl days behind him and actually do something that Bruce Wayne hasn't ever been able to do - have a life outside of crime-fighting and his endless devotion to avenging his parents' deaths. This whole episode was done at the detriment of the other ongoing plots. I'm finding it hard for myself or anyone for that matter is going to remotely care what is going on to maintain interest whenever the next season starts.

I read that there were some odd cuts/edits and reshoots for this season finale (along  for the season could end in a similar "cliffhanger" of sorts that The Walking Dead tends to do to attempt to keep their viewers invested. If Trigon's plan was to find a hero to corrupt to do his bidding then why waste his time with Dick Grayson of all people? Look, I get it - his whole world domination plan hinges on the fact once Raven's heart is broken, but he could have killed Gar instead of healing him for the same result. Trigon and Angela are making this world domination/destruction plot with Raven far too complicated than it needs to be. On top of that, if you need pawns to do your bidding wouldn't it be more proactive to have Kory Anders (who already proved that she's clearly a threat to Raven's powers) and Gar under his control over someone who doesn't even have any powers to begin with? Let's not forget that they ended this season with the reveal/teaser that Superboy exists in this continuity so that just diminishes any real threat of having the Boy Wonder under your control has in the pending battle. He's going to be as helpful as Robin was in that Family Guy cutaway gag...




I'll admit that having Superboy in this is quite the revelation though as I wouldn't have pegged him to be in this show, especially when the CW had to bend over backwards to get Superman in Supergirl. I guess his origins and partnership with Krypto the Superdog will be highlighted in Season Two, whenever that comes to fruition. With Young Justice back for a third season, fans will want to see more of that character, especially one with the darker origins that he had in that show with ties to being a clone created from the DNA of both Superman and Lex Luthor.

At this stage, I honestly don't see what their endgame is outside of Robin's transformation into becoming Nightwing. Other than that, there's not really much here to sink your teeth into in terms of plot. There were some promising questions and threads started throughout the season, but they are either never mentioned again or picked up so far later in the season that you completely forget that it was a thing to begin with. I doubt the Trigon/Raven dilemma is going to last the bulk of the next season with Superboy wondering around in this continuity along with the two other most powerful characters in this series, Starfire and Donna Troy, ready to pounce on Trigon the second he steps out of his barrier. It merely brings up the question of "Why should I care? And why should I keep watching this?" I'll watch out of morbid curiosity to see where it ends up, but I can't see the vast majority of fans having that much patience from what was presented here in this first season.



Watch It or Don't Bother?

That's probably going to be the exact same question your friends and family will ask when they catch you binge-watching this show...


This is a rather tough sell for both DC Comics fans - old and new.

Currently, the only way to watch it (legally) in the United States is to subscribe to the DC Universe streaming service. Alternatively, most countries outside of the United States will be able to watch the full first season in its entirety on Netflix as crazy as that sounds to say that DC Universe's selling point is that their original series on the service would be exclusive to that platform.

I wouldn't say this series is necessarily awful. It's better than a wide margin of the crap that the CW puts out on their DC Comics-based shows on a regular basis (I know, that's not saying much...), but I think the mature take on the violence wasn't necessary to tell the story that they were going for. Let me put it this way. When I go to watch something from a grittier comic book-based character, such as The Punisher, I'm going in expecting the violence cranked up to eleven, not for something like the Titans here. Before anyone goes ham in the comments or on social media, I'm aware that some of the George Perez era stuff for the Titans was pretty out there in terms of content and most of those stories would require a mature rating to fly nowadays with most audiences (i.e. like most of the DC direct to video animated films, Justice League vs. Teen Titans and Teen Titans: The Judas Contract immediately come to mind). This show seemed like it was written by teenagers who learned their first curse word and just wanted to say "Fuck fuck fuck fuck" in every line of dialogue. People have come to respect Marvel Comics' "mature" narratives on Netflix because those stories were justified. Here, it just seems like the violence and vulgar language are there as a gimmick instead of enhancing the product.

A better way to describe this series is that there's a lot of potential to be good, given the possibility that the writers capitalize on the good that this series does and negate the bad. Dick Grayson's journey is worth the watch alone, despite the fact that it takes a backseat to some of the other weaker subplots far too frequently. For example, Kory Ander's alien origins could have been saved for the next season after how little effort was put into that revelation once it had little to no impact on the season finale. On the other hand, I wish they put more attention to Gar's struggles to distinguish himself from the beast(s) that he transforms into instead of brushing that topic under the rug as quickly as they brought it up. The same goes for the history of Hawk and Dove's personal demons that brought them together being revealed, only for them to have a very minor role in this season, outside of Dawn playing a pivotal role in Dick's dream during the finale. There's a lot of potential for this show to be good in time, but it's a shaky foundation to start off with.

With so many live-action comic book-based shows on television, it's hard to recommend this when there's many other (much better if I may add) options out there. (Coughs) Like Marvel's Runaways Season 2... (Coughs) If you've exhausted yourself with everything else that CW's DC Comics-based properties have put out leading up to their current midseason breaks, then this is worth a look. Otherwise, I can't recommend going out of your way to check this out. It's definitely not worth justifying the purchase of the DC Universe streaming service to check out. 

REVIEW -- Teen Titans: The Judas Contract (2017)



Teen Titans: The Judas Contract is a direct-to-video animated superhero film directed by Sam Liu from a screenplay by Ernie Altbacker based on The Judas Contract by Marv Wolfman and George Pérez. It is the twenty-eighth film in the DC Universe Animated Original Movies series and is the sequel to Justice League vs. Teen Titans (2016). The film features the voices of Christina Ricci, Taissa Farmiga, Miguel Ferrer, Stuart Allan, Brandon Soo Hoo, Jake T. Austin, Kari Wahlgren, and Sean Maher.

This film marks Ferrer's final performance before his death from throat cancer at age 61. It had its world premiere at WonderCon on March 31, 2017. The film was released through digital download on April 4, 2017, and will be released through home media on April 18, 2017 by Warner Home Video.


Voice Cast:


Stuart Allan as Damian Wayne / Robin
Taissa Farmiga as Raven
Brandon Soo Hoo as Garfield Logan / Beast Boy
Jake T. Austin as Jaime Reyes / Blue Beetle
Kari Wahlgren as Koriand'r / Starfire
Sean Maher as Dick Grayson / Robin / Nightwing
Christina Ricci as Tara Markov / Terra
Miguel Ferrer as Slade Wilson / Deathstroke
Gregg Henry as Sebastian Blood / Brother Blood
David Zayas as Alberto Reyes
Maria Canals-Barrera as Bianca Reyes
Jason Spisak as Wally West / Kid Flash
Masasa Moyo as Karen Beecher / Bumblebee
Crispin Freeman as Roy Harper / Speedy
Meg Foster as Mother Mayhem
Kevin Smith as himself


Plot: (FULL Spoilers)


Five years ago, the original Teen Titans (Dick Grayson as Robin, Speedy, Kid Flash, Beast Boy, and Bumblebee) rescue the Tamaran Princess Starfire from her captors sent by her evil sister, Blackfire. As she is no longer able to return to her planet, the Titans offer her a home on Earth.

In the present Dick Grayson (now Nightwing) rejoins the Titans to track down a terrorist cult led by Brother Blood, who plans on capturing the team to absorb their powers with a machine that he has tested on Jericho (whom his assistant, Mother Mayhem, quickly shoots afterwards). Blood hires the mercenary Deathstroke to deliver the Titans to him, which he obliges to do for both the money and the chance to get revenge on Damian Wayne. Deathstroke monitors the Titans through his double agent that joined the team a year prior, Terra, whom he rescued after her parents turned their whole village against her and tortured her. When Damian grows suspicious of Terra's behavior and starts tracking her, he is captured by her and Deathstroke.

Terra acts cold and distant towards the other Titans despite their welcoming attitude, but eventually warms up to them over time. During the night celebrating her one year anniversary with the Titans, she shares a tender moment with Beast Boy and kisses him. The next day, Deathstroke kidnaps Blue Beetle at the soup kitchen he works at, Beast Boy at a convention where he thought he would do a podcast with filmmaker Kevin Smith, and Starfire at the apartment shared by her and Nightwing. Dick discovers what happened to the other Titans and is attacked by Deathstroke at his apartment. He manages to escape by faking his own death, while Terra captures Raven.

Deathstroke and Terra bring the Titans to Brother Blood, but since the machine cannot operate properly without a sixth Titan (as Slade failed to capture Nightwing), Slade offers him Terra instead. Blood starts draining the Titans of their powers, but they are rescued by Nightwing. Nightwing and Robin fight Deathstroke while the rest take on Brother Blood (whom has absorbed all of their powers). The two villains are stopped by the intervention of Terra, who is enraged at Slade for his betrayal. Blood is depowered by Raven and killed by Mother Mayhem while Deathstroke is buried underneath multiple rocks thrown by Terra. Too ashamed to face her former friends/allies after betraying their trust, Terra decides to bring down the entire area. Beast Boy attempts to assist Terra in escaping the crumbling fortress, but Terra pushes him back and is buried underneath multiple layers of rubble. Beast Boy digs her up and she dies in his arms.

In the epilogue, Beast Boy goes on Kevin Smith's podcast and talks about the Titans with the host. He mentions that the team has a "wonderful" new member and that he will miss Terra. In a post-credits scene, Jericho is shown to have survived the bullet Mother Mayhem shot at him earlier.


The Verdict: 

Pretty awesome shot of this new team of Titans here, even though Cyborg is missing from the party.
Continuing the trend from their continuity established in Justice League vs. Teen Titans and everything going back from Justice League: WAR (Son of Batman, Batman vs. Robin, Batman: Bad Blood, Justice League: Throne of Atlantis, and Justice League Dark), DC Comics and Warner Bros. brings us a mature adaptation of the popular Judas Contract storyline from DC Comics' Teen Titans comics. I thought it was pretty cool that they started off with a flashback to the young days of the Titans with Robin (pre-Nightwing Dick Grayson) and Beast Boy sporting their vintage costumes - who are joined by Speedy (Roy Harper), Kid Flash (Wally West), and Bumblebee (Karen Beecher). If I may add, most of those previous members of the Titans are voiced by their respective voice actors from Young Justice. I thought that was a nice touch to say that the same animation studio is behind this stuff so that was a nice nod to that show.

Things fast forward to present day with the same team of Titans (sans Cyborg) are led by Nightwing and Starfire on a raid on Brother Blood's HIVE facility. What's jarring here is that they already have Terra on their team and have accepted her into their ranks without any questions. It just seems odd right off the bat - even more so that Terra's voice sounds a lot older than what she looks like, thanks to Christina Ricci providing her talents to that role, but we'll get back to that subject later. Between Terra's sarcastic remarks and Starfire and Nightwing's obvious flirting and sexual humor between each other makes this a joy to watch in these opening moments.




No lie, there were tons of moments like this in the film where I had to pause just from laughing so hard.

Don't worry Starfire and Nightwing's relationship becomes a recurring joke in this film - along with the recurring theme that somehow, someway that Nightwing gets his arm broken in ALL of these Bat-family-featured animated films in this continuity. Sadly, Damien (Robin) doesn't get as much dialogue as I was expecting here, but I guess a bit less of the kid being a dick was a good thing when we already had Terra filling that role with her sarcasm and attitude.

As much as the original Teen Titans cartoon is beloved for their adaptation of this story arc with Terra and Slade/Deathstroke, I felt that it was VERY rushed here. How did they expect audiences to care about Terra when it was clear cut from right off the bat that she didn't even like them or even tried to fit in? The partnership with Deathstroke was revealed a bit too early for my taste. Even though I knew it was coming but this film suffers greatly from its pacing. Damien is captured early into the film and the Titans don't really bat an eye about that (despite Slade's douchebag texts as filler) until they were reunited at the film's climax when they were all captured by Brother Blood.

Yeah... they went there in this film...


Even though Terra and Beast Boy's relationship doesn't hit off as well as it did in the original Titans animated series, I still
felt like he said some deep, meaningful stuff to her that really hit home. 


I can't really fault them for trying to recapture the magic that was between Terra and Beast Boy like it was presented in the original Titans animated series on Cartoon Network, but it was lost here when they already established that Terra had a thing for Deathstroke. Without making it seem creepier than it was on paper, I think that's why DC/WB cast Ricci for the role here with an older/mature voice for Terra to give off the illusion that she's older than she actually looks, but it's hard to buy into that when she flat out says that she wants to have sex with Deathstroke before he turns her down. I know that DC/WB are going with a more mature direction with these films, but didn't they get enough people frowning on them about how they portrayed women in the animated adaptation of The Killing Joke? Yes, yes... I'm well aware that story isn't kind to women at all but the "extras" added to it didn't really do it any favors, so I'm just saying here.

Changing gears a bit here, let's talk about how flawed her, Deathstroke, AND Blood's plans were... Okay, Blood wants the powers of powered people and he just settled for the Titans when the Justice League exists in this continuity. If you're going to hire someone as expensive as Deathstroke on the mercenary market, why not go after the Justice League and get your money's worth? Instead, you're going to settle for a team of kids, mostly with 2 out of 5 projected members not even having fucking powers (Robin and Nightwing)? What was even more stupid was that the whole point of having Terra deceive everyone was lost when she really didn't deal with the Titans herself. She helped Slade take out Damien, but everyone else was taken out by Deathstroke himself after her recon and research on all of their powers and weaknesses. I felt like Slade was just too lazy to do his homework himself (something Batman would have had no problem doing...) and it came off that he was just using this girl (Terra) to do what he didn't want to do to fulfill his contract with Blood. To say Beast Boy is supposed to have the entire animal kingdom at his disposal, it seemed pretty stupid that he couldn't hear Terra calling Slade flat out during the middle of the Titans' meeting before they were all being targeted.

Don't even get me started on how the finale of the film tried to act like Blood's combined powers were beating the Titans no problem until Terra went apeshit. They are really downplaying how powerful Raven is - especially after the events of Justice League vs. Teen Titans, but I'm guessing the excuse they want to throw out there between the lines that her focus is divided between controlling her powers and making sure her father stays imprisoned. That being said, she still was able to tap into his powers to land the finishing blow on Blood, so I don't get why she didn't do that in the first place. Once again, it just comes off as rushed storytelling - same issue that Justice League Dark's finale had. I think we can all agree that Blood was just an afterthought when it came to a main villain here in this film. It could have came down to the Titans facing off against Terra and Deathstroke.

What was really missing here is that killer edge the Titans had against Terra after her deception in the original animated series.



I was left wondering why should they still care after all of this? She didn't like Beast Boy here since Day 1 here, even though she caved for that kiss as part of her "cover" but she managed to keep pushing the rest of the Titans away when they got close. That was apparent at the party when she was barely even into it. She saved the pictures on her phone, but it was obvious she was all in for Slade until it was too late. Call me ruthless, but she got what she had coming and I didn't see a reason for the Titans to pity her. Goddammit, they missed the golden opportunity for Damien to say something savage as fuck at that moment when Beast Boy dug her body out of the rubble. Damien let me down in that department.

One thing I'm left wondering at the end is that why did the film gloss over the fact that Jericho (the guy who Mother Mayhem killed after the experiment) is Deathstroke's son? Well, I only know that since I'm familiar with this storyline from the comics, but it just seemed odd not to mention that at all here. I guess whatever is the next Titans-themed animated film after this will address that then.

Gotta admit, I'm looking forward to Donna Troy/Wonder Girl on the team for the next go 'round.

Last but not least, what the hell at Kevin Smith being in this as a legitimate character? Who thought that was a good idea? I get that he's a fan of this storyline but the brown nosing for Kevin Smith has to end at some point. He's a cool dude, but damn, I don't want to see him involved with everything DC related.

Watch It or Don't Bother?

Much like the rest of the DC Universe Animated Original Movies in this continuity, it doesn't hurt to check this out if you have been keeping up since Justice League vs. Teen Titans or Justice League: WAR. I can recommend this if you have been a fan of the Titans since the Cartoon Network original cartoon or Young Justice, but don't expecting too much out of this in terms of a great story outside of a few good laughs. It's not a bad story, but I was a little let down that they didn't go all out with this adaptation, especially when they had so much to work with here in terms of material.