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Showing posts with label Animation. Show all posts
Showing posts with label Animation. Show all posts

REVIEW -- Superman: Man of Tomorrow (2020)



Superman: Man of Tomorrow is an American animated direct-to-video superhero film produced by Warner Bros. Animation and DC Entertainment. It is the first film set in the second incarnation of the DC Animated Movie Universe and the thirty-ninth film in the DC Universe Animated Original Movies and was released on Digital on August 23, 2020 and on Blu-ray, DVD and set to be released on 4K Ultra HD on September 8, 2020.




Premise:


The film chronicles the early life of Clark Kent, before he became known as Superman.



Voice Cast:


Voice actorCharacter
Darren CrissKal-El / Clark Kent / Superman
Alexandra DaddarioLois Lane
Zachary QuintoLex Luthor
Ike AmadiJ'onn J'onzz / Martian Manhunter
Ryan HurstLobo
Brett DaltonRudy Jones / Parasite
Neil FlynnJonathan Kent
Bellamy YoungMartha Kent
Cristina MiliziaMaya, Petey and Kaylie
Eugene ByrdRon Troupe
April StewartMrs. Ross
Piotr MichaelPerry White





The Verdict:


Right off the bat, I have to say that I adore this new art style for these direct-to-video DC Comics animated films. At this point, I was growing sick of them rehashing the same animation style from Young Justice for roughly a dozen films at that point. In that regard, I found it refreshing to see a new art style being used here to kickstart this new animated continuity.

As for the narrative, they played things a little too safe for my taste and didn't change much from the traditional Superman origin story. That's fine for the most part, but on paper it comes off really boring at times.

Hear me out though. While I enjoyed the battles against Lobo and Martian Manhunter early on, I couldn't help but feel like everything in between was dragging along at a snail's pace. I wanted to get engaged with Lois Lane's budding career as a reporter while Clark Kent was coming up as the mere intern at the Daily Planet, but the film would have this stuff playing out as it normally should. Then things would be going on and on until I ultimately found myself not even caring for the majority of the plot until the third and final act.


Man of Tomorrow's Lois Lane.

It's a darn shame too as Ma and Pa Kent are very likable characters during Clark's tenure at home while he comes to grips of his Kryptonian origins. I wanted to like Lois Lane too, but she seemed to lose her hardened edge that she had when she debuts in the film to confront and expose Lex Luthor. She went from bad ass to borderline fangirling over Superman at one point. I get that she saw the guy naked after his battle with Lobo, but c'mon girl, get a grip. Call me biased to Dana Delany's Lois Lane from Superman: The Animated Series, but that Lois Lane, along with the one in the Justice League: WAR continuity (voiced by Rebecca Romijn), are tough acts to follow. Maybe she'll find her "voice" - even though I didn't have a problem with Alexandra Daddario's portrayal like most early reviews and reactions I saw online after the film streamed for free during DC Fandom - in time as this was her first canonical appearance in this new continuity. Lois Lane, much like Superman/Clark Kent, are younger and not as seasoned as their established counterparts. They still have time to grow into their iconic roles and personality traits that we know and love. I know that some people will find it being a knock against this film for portraying a less experienced Superman than we are used to, but after seeing the character broken down physically and mentally from the horrors done to him and the rest of the Justice League in Apokalips War, we deserved a more lighthearted narrative for the Man of Steel to remind us why we root for this character. Superman/Clark Kent, at his core, is just a good ol' Southern boy who wants to do good by his Ma and Pa. He wants to return the kindness and compassion that his parents instilled into him to those around the world, especially after coming to terms that he has the power to do so unlike anyone else.


If that was supposed to be Mercy Graves, then WTF is wrong with her goddamn face?

Zachary Quinto's Lex Luthor didn't get to shine until the film's last act, where Superman is forced to ask him for help in dealing with the threat of Parasite after he absorbed most of his powers. Luthor reveals that he has enlisted Lobo as an informant of sorts, who provides the information that Kryptonians like Kal-El are vulnerable to kryptonite. Naturally, Luthor uses this information to weaponize the kryptonite ring that Lobo used on Superman in their first encounter into a powerful energy rifle. Luthor's few scenes in this film were good, but much like a lot of characters in this film, left a lot to be desired. There was only a split second where I doubted that maybe Luthor would have a change of heart in this continuity and actually be Superman's ally, but that went out of the window the second that Lobo revealed what Superman's weakness was - firmly establishing him as the rat that Lois Lane exposed him as in the early moments of the film. I mean, damn, this film didn't give us any lee way to think otherwise about Lex Luthor. Even Rise of the Supermen and Justice League: Apokalips War gave Lex Luthor some semblance of humanity and had him opt to do the greater good for the sake of saving the planet rather than his own skin.


I could almost literally hear Superman shouting, "BIIIIIRRRRDDDDMANNN!!" when he would fly up to soak up the rays from the sun.


I couldn't help but laugh that this film acted like Superman instantly heals himself by standing in front of the sun's rays as if he's Birdman from the old Hanna-Barbara cartoons. Where the fuck did that come from? If that's a new age/modern take on his powers then that's news to me. I am familiar with the effect that solar radiation has onto his body and his unique Kryptonian cells and biology, but I didn't think the effect on his body was instantaneous like shown in this film.


Parasite sporting a design that I definitely wasn't used to seeing.

I'm sure someone will chime in but was Parasite always able to absorb energy as well in the comics and other mediums? That threw me for a goddamn loop for the first portion of their battle. I ended up reading up on the villain after this viewing and found out that he's always had that ability in the comics, just that it wasn't never exploited in Superman: The Animated Series or the rest of the DC Animated Universe to my knowledge. He didn't use that ability or the ability to transform into a more monstrous state after absorbing a wealth of life-energy. I know the biggest critique against the Justice League: WAR era of DC Animated films was the extreme violence, but we can't shy away without mentioning how gruesome Parasite's victims looked after he was done feeding off of their life-energy. Not a single one of his victims survived. Instead, they were rendered as lifeless husks. That was on the same vein of nightmare fuel as The Joker's toxin/laughing gas victims in Batman: The Animated Series. (Laughs) I'm just sayin'.


I doubt this is the first nor last time that we will see Lobo in this continuity.

I was surprised at the inclusion of Martian Manhunter and Lobo in this film, especially to say that this is the first film in this new movie universe. They aren't wasting any time whatsoever at establishing that everything is all connected and that's a GOOD thing. There's no reason to keep all of these heroes segregated to their own corners of the DC Universe when they are all moving pieces in it that can easily all operate at the same time. In that regard, I thought it was great idea to establish that Batman was already active and established while Superman was in the infancy of his heroism and exposing himself to humanity - in more ways than one. Lobo and Martian Manhunter's inclusion added to something I thought that the Supergirl TV series did well and portrayed the struggle of being an alien hiding on Earth well. Martian Manhunter dealt with the same thing Kal-El did but only saw the worst of humanity. He was fortunate to say hidden with his shape-shifting powers since he wasn't born with a similar appearance to humans like Kal-El. Lobo's arrival made humans perceive aliens as invaders seeking out nothing more to harm mankind, when there's good-natured aliens like Superman who wish to protect mankind against any and all threats to their well-being.

That contrasting opinion/public reception played into the film's climax, where Superman came face-to-face with the film's primary antagonist, Parasite - who was transformed into a Godzilla-sized monstrosity thanks to how much life-energy and raw energy as a whole that he has siphoned off his victims and throughout Metropolis. Despite all of the powers at Superman's disposal, brute strength couldn't defeat this foe. Instead, Superman allowed this creature to absorb his powers once more and appealed to his humanity, the man that he once was to see the error in his ways. Parasite absorbed Superman's sense of justice and righteousness along with the obligation he felt to do good for those around him. That was more than enough to force Parasite to sacrifice himself to save everyone from being wiped out from the potential overloading reactor by absorbing the raw energy into himself. The energy ended up being too much and reduced his body to dust to be scattered to the wind. I went into this thinking that Superman was going to have this back and forth slobber knocker with this foe after coming up with a means to prevent Parasite from stealing his powers, but instead, I found myself a little underwhelmed that this was a problem that wasn't solved by a Superman, but merely one resolved by a good man. I guess that's the lesson/moral of the story that this film is trying to teach its viewers. You don't need to be a Superman, you merely need to use the tools at your disposal to be a good man. That can save just as many lives, if not more.



Watch It or Don't Bother?

Everyone needs a helping hand every now and then.


For those anxious to see how this "reboot" of the DC Animated Movie universe is going to begin, it's a no-brainer to check this out. For everyone else, I honestly can't suggest going out of your way to check this out, especially when it was available FREE legally as part of DC Fandom last weekend. This isn't a very exciting movie, especially after the high stakes and action-heavy narrative of Apokalips War that preceded it, but to be honest, that's to be expected for anything that would follow-up that film to start this animated movie universe over anew. This film does plant the seeds for things to come as Batman already exists in this continuity and has been active for quite some time. Then Lobo left Superman and Martian Manhunter both with the information that they aren't the last of their kind. That was merely something he stated to sweeten his bounties on their alien races, so that leaves the door open for more Kryptonians (Supergirl, General Zod, etc.) and more Martians (Miss Martian?) to join this continuity down the road. Superman finds himself left with a twisted ally in the form of Lobo with his own brand of humor.

REVIEW -- Justice League Dark: Apokalips War (2020)



Justice League Dark: Apokolips War is a 2020 American direct-to-video adult animated science fantasy superhero film produced by Warner Bros. Animation and distributed by Warner Home Video. It is the sequel to 2017's Justice League Dark (2017) and the fifteenth and final film in the DC Animated Movie Universe (DCAMU) and the 38th film overall in the DC Universe Animated Original Movies line. It is directed by Matt Peters and Christina Sotta, written by Ernie Altbacker and Sotta and features an ensemble cast including Matt Ryan, Jerry O'Connell, Taissa Farmiga, Stuart Allan, Tony Todd, Jason O'Mara, Rosario Dawson, Shemar Moore, Christopher Gorham, Rebecca Romijn and Rainn Wilson. In the film, the Justice League, Justice League Dark, Teen Titans and Suicide Squad team up against Darkseid in one epic final battle to save Earth.

The film was announced in July 2019 at San Diego Comic Con and was released on digital platforms on May 5, 2020 and scheduled to be released on 4K/Blu-ray/DVD on May 19, 2020, respectively.





Plot: 

(** FULL Spoilers **)


Following two failed attempts to destroy Earth,[a] Darkseid and his Furies have conquered countless worlds. At the Watchtower, the Justice League, joined by new members John Constantine and his lover Zatanna, plan a counter-attack to Darkseid's conquest but unbeknownst to them, they are being watched by Darkseid through Cyborg. The League travel to Apokolips while the Teen Titans remain on Earth as a "home-guard". Upon arrival, the League are attacked by "Paradooms"; genetic hybrids of Parademons and Doomsday. Several heroes are killed during the attack while Darkseid dismantles Cyborg and replaces his parts with Apokoliptian technology, depowers Superman by injecting liquid kryptonite into his body, enslaves Batman into his mind control with the Mobius Chair, imprisons Barry Allen to eternally run on a treadmill powering the planet, and turns the remaining heroes into cybernetic Furies. Elsewhere, Zatanna is killed by Paradooms as John hesitantly flees back to Earth.

Two years later, Darkseid has successfully taken over Earth with Lex Luthor being a New God representative, reporting to Batman on progress of the devices called "Reapers" being sent to mine Earth's core. The surviving heroes blame Clark Kent, Superman's human identity, for their failure. Clark manages to stop a depressed Raven from stabbing herself while in search for John for a locator spell to track Damian Wayne, so that they can use him to free Batman. After locating Damian, Raven teleports the group there which severely weakens her due to her father Trigon's attempts to escape Raven's magical borne prison.[b] After recruiting Damian, they then teleport to Metropolis where Lois Lane has recruited former members of the Suicide Squad, now led by Harley Quinn following Amanda Waller's death from cancer.[c] With the team gathered, Lois plans to use the Boom Tube gate from LexCorp to return to Apokolips to free Batman after Darkseid leaves to conquer the planet Oa. At the building, they are confronted by Lex who reveals he was just working undercover. Lex then teleports Clark's team to Apokolips, while Lois, Lex and the Suicide Squad stay behind to guard the portal.

Having discovered Lex's betrayal, Batman informs Darkseid who sends his Furies to Apokolips while Batman sends Paradooms to LexCorp. On Apokolips, Clark's team finds Barry and breaks him free from the treadmill. John also sees into Barry's mind and discovers he was the one who caused the Flashpoint,[d] leading into the present-day's events. They then discover Cyborg also under Darkseid's mind control but are confronted by the Furies. John frees Diana using her Lasso of Truth, and she stays behind to fend off the Furies. He then performs a technopathic spell on Cyborg to free him as well just as Batman and Darkseid return. Darkseid orders Batman to kill Damian, but he hesitates after remembering the night his parents were killed and frees himself from Darkseid's control. However, when Darkseid retaliates by attempting to execute Batman, Damian attempts to shield his father and is killed instead. This angers Raven, which releases Trigon with John offering himself as a host, but the demon possesses Clark instead and kills John.

Back at LexCorp, Lois' team become surrounded by Paradooms. Before blowing up the building and sacrificing herself, Lois transmits a goodbye message to Apokolips. This triggers Clark to break free of Trigon's control and regain his powers. Meanwhile, John is briefly taken to the afterlife where Zatanna reveals that Batman wanted John as a backup plan should the original assault fail, she therefore made him flee using her magic in the beginning. Now free of his guilt for running, John is revived by Zatanna as Raven also revives Damian. Raven and John give Trigon his physical body back to fight Darkseid as a distraction. Cyborg teleports the Paradooms back to Apokolips and the heroes to Earth before creating a black hole that drags Darkseid, Trigon, and Apokolips into oblivion, sacrificing himself.

Despite their victory, Batman reveals that 31% of the Earth's molten core has been lost, dooming the planet as the Earth's rotation will be affected. To prevent this, John convinces Barry to erase this timeline and create a second Flashpoint, despite Barry's promise to his wife Iris to not do it again. As he does so, the heroes watch their timeline being reset while Damian and Raven kiss.





Voice Cast:


Voice actorCharacter
Matt RyanJohn Constantine
Jerry O'ConnellKal-El / Clark Kent / Superman
Taissa FarmigaRaven / Rachel Roth
Stuart AllanDamian Wayne / Robin
Tony ToddUxas / Darkseid
Ray ChaseEtrigan
Jason O'MaraBruce Wayne / Batman
Rosario DawsonPrincess Diana / Diana Prince / Wonder Woman
Rainn WilsonLex Luthor
Rebecca RomijnLois Lane
Camilla LuddingtonZatanna Zatara
Christopher GorhamBarry Allen / Flash
Shemar MooreVictor Stone / Cyborg
Hynden WalchHarleen Quinzel / Harley Quinn
Liam McIntyreDigger Harkness / Captain Boomerang
John DiMaggioKing Shark and Trigon
Sachie AlessioLady Shiva
Roger R. CrossJohn Stewart / Green Lantern and Swamp Thing
Sean AstinBilly Batson / Shazam


In addition, Arthur Curry / Aquaman, J'onn J'onzz / Martian Manhunter, Hal Jordan / Green Lantern, Mera, Katar Hol / Hawkman, Dick Grayson / Nightwing, Koriand'r / Starfire, Roy Harper / Speedy, Karen Beecher / Bumblebee, Garfield Logan / Beast Boy, Jaime Reyes / Blue Beetle, Donna Troy / Wonder Girl, Conner Kent / Superboy, Bart Allen / Impulse, Black Orchid, Kate Kane / Batwoman, Luke Fox / Batwing, Barbara Gordon / Batgirl, John Henry Irons / Steel, Barbara Minerva / Cheetah, Doris Zeul/ Giganta, Mark Mardon / Weather Wizard, Toymaster, David Hyde / Black Manta, Bane, and Guy Gardner / Green Lantern all have non-speaking cameos.






The Verdict:



Just wow... I can't believe that this is "the end" or sorts after 15 films in this continuity.

For this film itself, it definitely lives up to it's dark namesake. There's a few articles floating around about plot holes with the narrative, but we can address that right off the bat.


  • SWAMP THING'S DEEP SLUMBER
After getting Alec Holland ripped out of his body in Justice League Dark, I was under the impression that Swamp Thing didn't give a flying fuck about humanity anymore. He was content to allow Darkseid's forces slaughter humanity to extinction as long as it meant that the green would be left to repair the planet whatever damage done to the planet without obstructions.

I could be wrong, but that's the impression I got from the writing here. Swamp Thing had to be coerced by Constantine's spell(s) to take action in defense of the Green. 

  • CONSTANTINE'S SELECTIVE PORTALS
Constantine mentions early into the film that he doesn't have a wealth of magical artifacts to help him conjure up magical spells at his disposal anymore following the defeat of the Justice League to Darkseid's forces while he has been on the run during the two years that following. It was quick throwaway line in the middle of all of his wisecracking banter and sarcasm, so I can see why people missed that explanation. I was under the impression that magic takes a toll on him, much like it does for Raven, in the absence of mystical artifacts. 

  • VIC'S CONVENIENT TELEPORTATION
Now that one I thought was pretty stupid. Between Batman and Vic (Cyborg), they were still both wired into Darkseid's mainframe and security systems, so they could have been able to get Lois and the Suicide Squad out of there before they met their untimely demises. During that entire scene, I was asking myself, "Vic's got time to put this phone call up on all of the monitors in Darkseid's crib, but not enough time to boomtube them out of there?" It was a lackluster ploy to give Superman the nudge he needed to break free from Trigon's control while simultaneously giving Superman another painful loss if he didn't have enough failures in this film. 

  • BATMAN'S DROPPED CONNECTION
Now this I saw as Darkseid's connection/mind control wasn't as good as what he thought. Darkseid even mentions at one point that he even doubts how successful the process was. Damien even states that if anyone could break though Darkseid's control, it would be his father, especially after he was able to break Talia's own back in Batman: Bad Blood. Batman didn't have Brother Eye levels of control over the cyborg Furies and Cyborg like in Future's End, so I gave the writing a bit of a pass there in that regard. Plus, Batman was preoccupied with retrieving Darkseid from Oa.

A better question would be how in the world did Darkseid get possession of Metron's Mobius Chair anyway?


That was a tough moment too and this film doesn't hold back with the punches to the gut in the least. Those emotional blows come in relentlessly in this film, much like Darkseid's evisceration of the Justice League. I'm going to share a few more below.


https://superheroes-or-whatever.tumblr.com/post/617602013527736320/the-justice-league-went-out-sad-justice-league


The last stand of the Teen Titans made me go, "Oh shit..." watching it because the first thing you notice is Starfire ripped in half with her intestines littered across the ground. She obviously didn't stand a chance against the Paradooms. The rest of the Justice League didn't fare any better either.

https://spandexinspace.tumblr.com/post/617316044958302208/john-stewart-in-justice-league-dark-apokolips-war

John Stewart's death was next level fucked up though. I thought the Green Lantern Corps were going to rally together around him for one last stand, despite the fallen bodies of the Guardians laid across the battlefield.

At first, I was questioning the decision to make John Constantine the protagonist of this narrative, but by the time the story came to a close, he was the right man for the job. John Constantine, much like almost every TV show and animated feature film that he has been a part of, is a star in almost every scene he's in. Even after his show got cancelled, Matt Ryan continues to shine in that role of the character.

His journey in this narrative is a little odd at first until the reveal that his girlfriend, Zatanna, cast a spell upon him at the start of the film to act as a fail safe option (as per Batman's orders) if the attack on Darkseid went horribly wrong. I have seen people moan and complain that this was another example of comics "fridging" females to motivate male protagonists. It's a redundant trope, yes, but I was fine with it, especially given the fact that the death toll in this film is so high already. It wasn't like in Avengers: Endgame where Black Widow was the only one - outside of Tony Stark - who lost their lives in that film without any means to bring her back like everyone else who was lost during Infinity War. So many lives were lost in that film, not just females - but both genders - as a noble sacrifice in the HOPE that the remaining heroes could make a better future. As a result of Zatanna's spell, John Constantine made for the perfect trump card of sorts to turn this war around. It even became a joke by the end of the film where everyone was looking to him for all of the answers.

If I had any issue with John Constantine's role, it was the fact that Batman was the one who orchestrated this fail safe option, but he never mentioned it to Darkseid or planned accordingly as part of his regime. If that's not a glaring plot hole, I don't know what is in that case.

From start to finish, this story is structured to be Superman's greatest failure - moreso than Death of Superman and Rise of the Supermen. Superman loses literally everything - his teammates, his powers, thanks to that kryptonite injection from Darkseid, the planet that he's called home - Earth - after being overrun by Paradooms, and even loses the love of his life - Lois Lane - by the time it's all said and done. Even though Darkseid is defeated, there's nothing he can do to save Earth from utter destruction from the damage this war has wrought onto their reality. Darkseid took everything from him, despite regaining his powers in the film's last act.




The emotional dam came crumbling down and with it, Superman was unbound and unleashed in a sense against Darkseid. This fight took me back to the finale of Superman: The Animated Series, where Superman came to confront Darkseid on Apokalips after being manipulated as his brainwashed pawn against the people of Earth.

https://solidsmax.tumblr.com/post/617757049500073984/superman-vs-darkseid-in-justice-league-dark

In the end, it wasn't enough to save the day. Only a fraction of the League is left - with very few without scars or horribly disfigured as cyborgs or monsters from their enslavement to Darkseid or from the horrifying battles themselves. Others are permanently dead and buried - never to walk this life ever again. It's a terrifying ending for this universe/continuity, especially with the real life pandemic going on. There's one sliver of hope though and it serves as the ultimate callback to the story, Flashpoint Paradox, that set this entire continuity into motion. Constantine urges The Flash to create another Flashpoint. He complies with this request, despite promising to Iris West to never do it again after the initial Flashpoint.


Every film in the DCAMU continuity in chronological order.

Off-topic: I had NO idea there was an one-off John Constantine film set in this continuity. I thought Justice League Dark was his first and only canonical appearance in this continuity to date, but oh well, that's something to check out.

In that moment, that's where this continuity ends for the 15 films that led up to this conclusion of this DC Animated Movie Universe with a blinding flash. It was poetic justice that this journey began and ended with The Flash. I'm sad to see this continuity end though as I thought there were some more stories that I would have liked to see this version of the Justice League tackle before closing the book. Even interviews with the minds behind this film said that they would have liked to do a few more stories in this continuity, but it was out of their hands at this point. At the same time, they said this doesn't mean that they couldn't revisit this continuity down the road. The current plans for DC animation in the future are a reboot of sorts, starting with Superman: Man of Tomorrow. That film will be based on the graphic novel of the same name, sporting a new art style to boot.


Is this better than Avengers: Endgame?


There's a lot of talk online after this film's release that it was the equivalent of Marvel Studios' live action blockbuster from last year and I'm heavily inclined to agree. Let's be honest here though. When it comes to live-action films, DC cannot hold a candle to Marvel in that regard, but when it comes to animation, DC beats them at almost any and all opportunities. There's been VERY few rare exceptions, such as X-Men: The Animated Series, Spider-Man: The Animated Series, Avengers: Earth's Mightiest Heroes, and The Spectacular Spider-Man, but for the most part, Marvel's animated endeavors are rarely looked back as fondly as those from DC. In regard to this film though, they've definitely knocked it out of the park with a home run.

DC got away scotch free with their use of the time travel paradox to "undo" everything as a soft reset button as viewers weren't left to see what were the repercussions of that final act. Instead, all of these deaths felt permanent and real. There weren't any Infinity Stones to undo everything at the snap of one's fingers and magically bring all of those lives back to life. Viewers were left with the shocking reality that these heroes were forever gone and scarred beyond repair. Well... That feeling was there until the revelation that The Flash was still alive and there wasn't an instant that I didn't doubt that they were going to send him back into the past to undo everything.

Hell, this was the closest to an Earth-2 Justice League (New 52) and Future's End animated adaptation that I could have asked for. Even looking back at the events of this film, I'm still stunned at how the writers showed no remorse in terms of how vicious and downright gruesome these deaths were. Surviving those horrors in this film wasn't a badge of honor it was just a stroke of luck as death was always around the corner in one way or another. Lady Shiva got killed by a stray bullet in the middle of the battlefield. Damien Wayne and the rest of his team didn't even have time to mourn her death before moving on to the next battle right around the corner. That just echoes the gravity of the situation that the Justice League (or what remained of it) was dealing with in volumes. While I enjoyed Avengers: Endgame for the most part more than most people, I can agree with the fact that the lives that were gone as a result of Thanos' snap NEVER felt like it was going to be permanent. We didn't see these characters get flat slaughtered and ripped apart like we saw here. It didn't feel real as hard as that to convey into words when none of these stuff is actually genuine, but real in the sense of compassion and personal attachments to these characters. The feeling sank in that these characters - at least these iterations of them - weren't EVER coming back in any capacity.

In that regard, that's what makes this a better "finale" of sorts in terms of an apocalyptic narrative when compared to Avengers: Endgame. DC did a masterful job of hammering home the finality of this narrative.


Watch It or Don't Bother?


While this might be a bit heavy for the faint of heart, I highly recommend this to those who have followed all fifteen films in this DC Animated Movie Universe continuity. This is the final chapter in that story (for now it seems anyway...) and quite the bombshell to end on. For everyone else though? I suggest you check out the other fifteen films in this continuity and deem for yourselves whether or not that this is something that you want to check out as it's definitely not for kids. 

Black History Month Special: REVIEW - Black Panther (2010 TV Series: Episodes 1-6)





Black Panther (2010 TV Series) is an American motion comic and television series by Marvel Knights Animation, based on the popular Marvel Comics superhero of the same name. It was the first animated television series produced by BET since Hey Monie!. Each of the six episodes of the series was 20 minutes in length.

The series was broadcast on the Australian children's channel ABC Me in January 2010 and in the United States on BET in November 2011. On March 16, 2018, the entire series was released through Marvel's YouTube channel for free as Marvel Knights Animation - Black Panther.




Voice Cast:


Djimon Hounsou – T'Challa / Black Panther
Stan Lee – General Wallace
Kerry Washington – Princess Shuri
Alfre Woodard – Dondi Reese, Queen Mother, Dora Milaje
Carl Lumbly – Uncle S'Yan
Jill Scott – Storm
Stephen Stanton – Klaw


Additional voices
Jonathan Adams – T'Chaka
JB Blanc – Black Knight, Male Cannibal, Batroc the Leaper
David Busch – Everett K. Ross
Taye Diggs – Historical Black Panther 2
Phil LaMarr – T'Shan
Peter Lurie – Juggernaut
Phil Morris – W'Kabi
Vanessa Marshall – Dora Milaje, Female Cannibal
Nolan North – Cyclops, Nightcrawler
Adrian Pasdar – Captain America
Kevin Michael Richardson – Wolverine, Historical Black Panther 1
Rick D. Wasserman – Radioactive Man





Plot:


Upon becoming the new Black Panther after the assassination of his father T'Chaka, T'Challa deals with the jealousy in the Wakandan royal court while looking for the man who killed his father. Unbeknownst to Black Panther, Klaw (the man who assassinated T'Chaka) has assembled a group of villains consisting of Batroc the Leaper, Juggernaut, Cannibal, the Vatican Black Knight, and the Russian Radioactive Man to help him take over Wakanda.




Episode List:



1 "Pilot"

In a top-secret Washington meeting, Intelligence Agent Everett Ross briefs the government on the history of the Black Panther, the warrior king of the African nation, Wakanda. Meanwhile on the other side of the world, Prince T'Challa wins an annual Wakanda tournament, and becomes the Black Panther. Meanwhile, a disastrous man/machine hybrid is built.


2 "Black Panther"

Having been crowned the new Black Panther, T'Challa must contend with jealousy in the royal court while searching for the man who murdered his father. Unknown to him, a deadly assassin named Klaw is assembling a team of super-villains to attack Wakanda.


3 "Revenge of the Evil"

A young T'Challa travels to Egypt and encounters Storm of the X-Men. While preparing to attack Wakanda, Klaw recalls how he assassinated T'Chaka.


4 "Death of Father"

Juggernaut and the Vatican Black Knight spearhead the attack on Wakanda, and the Black Panther learns the truth about his father's murder.


5 "Black Panther vs. Juggernaut and Black Knight"

With Wakanda under siege from Klaw's team of super-villains, the Black Panther confronts the Black Knight in aerial combat. Princess Shuri must defend herself against the deadly Radioactive Man.


6 "To the End"

Klaw has taken control of Wakanda and the Black Panther races against time to save his nation from destruction by an invading army of Deathloks.




The Verdict:
(** Spoilers Discussion **)


I don't know if it's common knowledge or not, but the entire series is up for FREE (and better, yet legally) on the BETNetworks channel on YouTube that I have linked below.




This is one of the very few properties that's not available on Disney+ from Marvel Comics' wealth of animated endeavors from over the years. I wanted to cover this for Black History Month as I talked about it briefly in my review of the live-action Black Panther film and never really got into it on why I favored this iteration of T'Challa over his live-action counterpart. To be fair though, this show was free from the restrictions that Marvel Studios were saddled with since they don't have access to all of their characters, so it gave them a lot more creative freedom and they even had the actual writers and artists from the comics at the time helping with this.

The show is based off of the "Who Is The Black Panther" mini-series of Black Panther comics of the same name with little to no changes in the narrative for this adaptation outside of the fact that they swapped out Rhino for the Juggernaut on Klaw's team of supervillains.



Each episode is roughly 19-20 minutes of run time with an easy to digest narrative for it's surprisingly short run of six episodes.


Black Panther vs. Captain America

The first episode starts off with one hell of a flashback as Captain America faces off against T'Chaka in his fateful visit to Wakanda that was chronicled by an agent, Everett Ross (not to be confused with Thaddeus "Thunderbolt" Ross and his daughter, Betty Ross, of The Incredible Hulk fame), working for the United States' Intelligence Bureau. The battle doesn't end well for the rookie Steve Rogers at time and royally gets his ass handed to him. The action doesn't stop there as the contest for the throne of Wakanda takes place in the tail end of the episode, with a masked fighter besting the current Black Panther (T'Chaka's brother) before Shuri could have a chance to participate. The masked fighter is revealed to be T'Challa, much to Shuri's chagrin that she wasn't able to challenge for the throne before him.


T'Challa and Shuri.

Shuri's underlying jealousy is something that is criminally absent in the Marvel Cinematic Universe version of Shuri and I thought it would have been great to play up in future sequels of that character's narrative on film, which would lead to Shuri taking up the mantle down the road. That decision to merely regard her as T'Challa's tech expert without any depth outside of that in the films is why I prefer this iteration of the character above her live-action counterpart. It's one of the rare decisions by Marvel Studios that shows that they had not a single shred of foresight in terms of both casting and narrative direction with these characters.

A young Klaw bursting through the floorboards upon his original assignment to assassinate King T'Chaka.

Episode Two chronicles Klaw's efforts to assemble a team of super-villains to invade Wakanda. The choices here are definitely worth the watch alone as we're treated to the Juggernaut making short work of the X-Men in a hilarious manner followed by Klaw's recruitment of Batroc the Leaper, Cannibal (a damn Marvel Comics villain that I rarely hear people talk about much period...), Radioactive Man, and the Black Knight. The latter being one of the most interesting choices as he's flip-flopped on his allegiances in the comics continuity that I honestly haven't kept track. I remember him being one of the Avengers (former villain turned hero like Hawkeye) back when I was growing up in the '80s and '90s, only to see him revert to being a villain in most modern iterations. My biggest gripe with Black Panther's solo film debut in the MCU was how criminally under-utilized Klaw was mishandled here. They killed him off after two appearances - the first you can't even really say much about given his short screen time in Avengers: Age of Ultron. In this series, we get to see exactly how sick and twisted of a man this villain is and why he is regarded as the Panther's primary antagonist for the majority of the character's history.

To follow up with Shuri's jealousy in the previous episode, T'Challa straight up asks her if she can be trusted. Shuri complies (reluctantly after a threat to tell their mother... LOL) and "settles" to being one of T'Challa's aids and advisers, given her expertise in her studies outside of the country.

A young Ororo Monroe (Storm) and T'Challa.

Episode Three chronicles T'Challa's time in Egypt during his youth (narrated by his mother as she tells the story to Shuri), where he befriends the young female mutant who would become known as the X-Man, Storm. It's not mentioned here, but in the comics canon they would eventually get married. This series has a knack for not rushing it, but they lay enough breadcrumbs for viewers to figure out that there's still a fire burning between them, despite all of their time apart and the different paths that their lives have taken over the years. The second half of this episode has Klaw recounting his original mission to assassinate T'Chaka, the previous Black Panther, along with the events that led to him receiving his various cybernetic enhancements.



Episode Four kicks the attack on Wakanda into full gear as the Juggernaut made the first attack, . Meanwhile, Shuri is investigating the strange disturbances in their vibranium mines with a small team under her watch. Shuri and her team find themselves quickly in over their heads as a missile crashes into the mines, containing the Radioactive Man. Storm decides to lend a hand in the ongoing situation in Wakanda- alone, much to the surprise of her fellow X-Men.

Episode Five follows Shuri as the lone survivor of Radioactive Man's attack on the vibranium mine as she hides from detection until an opportunity presents itself. Cannibal (masquerading as Radioactive Man's "wife") finds another means to infiltrate Wakanda from it's Embassy in the United States while the Black Knight continues to run amok, causing T'Challa to personally enter the battlefield on the frontlines. He defeats the Black Knight, causing him to drop his fabled "Ebony Blade" in the process, which falls into the very same vibranium mine that Shuri is trapped in with the Radioactive Man.

If I had any complaint about this series, they didn't offer any shred of information about this weapon and why it was so pivotal to the defeat of the Radioactive Man in the following episode. I know about it since I'm Marvel Comics fanboy, but I don't expect everyone else to know that the Ebony Blade is indestructible and can cut through any substance.

Episode Six picks up from the climax of the previous episode where Klaw is holding T'Challa's mother at gunpoint. T'Challa and Klaw's battle come to a fateful end while the Dora Milaje dealt with Batroc the Leaper. The United States sent back-up in the form of several reanimated soldiers in the form of Deathlok cyborgs but they proved to be unwelcome as T'Challa issued a formal request for them to leave his country or be removed forcefully. Storm and T'Challa share a moment together after peace is restored to the country.




The series ends with a few unresolved issues or rather unanswered questions:

  • The President is in league with Wakanda, as per his "clean up" call after Dondi Reese's report of the situation. Was he planted there or just happens to be a friend of the king from his travels?
  • Cannibal is still inhabiting the body of the lone survivor of the crashed aircraft that made it's way back to Wakanda, unknown to the Wakandan doctors in their infirmary. This villain is as forgotten as he is in the comic book continuity. Couldn't he just break all of his allies out of the Wakandan prisons to run amok over the country all over again?
  • T'Challa killed Klaw, but even though he imprisoned the other villains in league with him, T'Challa has no idea who put him up to invading his country for the vibranium and provided his "enhancements" and kept him hidden from detection until now.
  • Shuri is in possession of Black Knight's Ebony Blade. According to Marvel lore, if the blade has been used for evil, it could potentially corrupt the user. Shuri didn't show any signs of that, but it's still a possibility given the fact that she was forced to kill Radioactive Man.
  • What is to come of Storm and T'Challa's relationship? Comic book savvy fans can easily answer that question, but this series left a lot of questions on the table to say that this didn't get a continuation. 
My only assumption (really a guess at this point) was that this series served as a gateway platform to get fans of the character to pick up this run of the comics at the time to continue following T'Challa's adventures. I kind of wish that more comics would do similar adaptations like this where it's almost a direct adaptation of the source medium with little changes made to get potential readers engaged. 


The X-Men have a very minor appearance in this series. 

I'm sure the motion comic style may be turn off for some people, but I think it works for this series. I personally own a few other Marvel Knights animated properties that use this particular style and I'll admit that it can be an acquired taste if you're looking for your standard high quality animation from your action shows, but this show is literally like watching the pages of the comics come to life before your eyes.

To this day, I'm surprised that this show is underneath a lot of people's radar from the wealth of star power voicing the characters in this. Kerry Washington and Jill Scott voice Shuri and Storm respectively. Alfre Woodard voices three characters in this, years before she would be known for her portrayal as Mariah Dillard (Stokes) in Luke Cage. Surprising to see her and Djimon Hounsou (four years before his MCU debut in Guardians of the Galaxy) showing some love for Marvel Comics well before they were cast for live-action roles. It's a darn shame too as I had Hounsou pegged to play T'Challa years before Chadwick Boseman came into the picture. Taye Diggs even voices one of the previous Black Panthers in one of the several flashbacks while Carl Lumbly voices T'Challa's uncle S'Yan. For as much praise people gave the cinematic debut of this character in terms of representation, the same courtesy should be extended to this animated series for doing the same. The amount of black star power that was attached to this show to merely provide voices to these characters still blows me away.

Black Panther was created under the first "season" of content under the Marvel Knights Animation label, which is part of Marvel Animation that is still active today actually. The only animated series in the first season to get another season was Astonishing X-Men that saw not one, but three more seasons in the second batch of animation created under that Marvel Knights Animation label which was straight-to-DVD content. Over the years, I've seen majority of that stuff in Dollar Tree and other miscellaneous discount DVD outlets/retailers, so take that what you will. I think the biggest uphill battle that Marvel would face doing more with this series would be getting the rights to it back from BET (especially after the Fox buyout), which would be more trouble than it's worth given the fact that Disney would probably want it for their own networks and streaming platforms. It's sad too, given the fact that there's a lot of universal praise for this series online from those who have managed to stumble across it over the years.

I was fortunate enough to find a copy on DVD to own that I didn't have to break the bank for, shortly after it aired on BET in reruns. I haven't seen it go more than $10 online from most retailers and that's definitely a fair price for the length of this series. I have seen anime series that are the same length go for triple that pricing. You can order the series as a box set with most of the other Marvel Knights Animation properties over on Shout Factory!'s website, but I personally wouldn't pay that much for all of these series when they are pretty cheap individually, especially if you just want to see this series over the others. Just remember that the entire series is free to watch over on YouTube in its entirety (legally) but if you can opt to purchase it on DVD as well.

I cannot rave about this series enough. It manages to capture the magic of this character while simultaneously shedding ample light upon his corner of the Marvel Comics universe and providing some excellent moments for this character. The one that sticks out in my mind the most is the young child, Keyshawn, asking to pay his respects to the Black Panther due to his parents wishes for saving his life. The child regards T'Challa as God himself, where T'Challa, in his humbleness in his role as both the King of Wakanda and the Black Panther, removes his mask in front of the child and says the following:

Keyshawn: "Oh, hello, God."
T'Challa: "Keyshawn, I am a man."
Keyshawn: "You're the Black Panther! When we ran to the city I never dreamed to be blessed in your holy presence."
T'Challa: "God works through me the same as he does through you. There is no feat I can achieve that you are not capable of."
 

A simple conversation but full of spiritual metaphors, something that this character is rich of in terms of his place in Africa-American culture. I was glad to see that represented firmly here. For that reason alone, I made it my sole objective for this year to cover this series for Black History Month, especially for it's ten year anniversary.

Watch It or Don't Bother?

Seeing this scene animated is worth the viewing alone of this six episode series.

Are you insane? What the hell are you waiting for? Definitely watch this. This series is worth the watch alone for that spectacular beating Captain America gets in the first episode. This series gives you a great "who's who" refresher on every major player in his end of Marvel Comics' lore while providing a lot of content that both fans old and new to enjoy, despite the fact that this series spans only six episodes.

QUICKIE -- ThunderCats Roar - Episodes 1-2: Exodus (Parts 1-2)



ThunderCats Roar is an upcoming American animated television series produced by Warner Bros. Animation for Cartoon Network. The series is set to premiere in February 2020. ThunderCats Roar features an explicitly cartoonish artstyle with a more lighthearted, comedic tone than previous ThunderCats installments. The show's premise is similar to the original; the ThunderCats escape their dying homeworld Thundera, only to crashland on Third Earth, facing off against various villains and their evil overlord, Mumm-Ra.

On May 18, 2018, it was announced that a third ThunderCats cartoon, ThunderCats Roar, was in development and was picked up by Cartoon Network. It was originally scheduled to premiere in 2019 but was delayed to 2020. The show's developers are Victor Courtright and Marly Halpern-Graser. Courtright previously worked on the Disney XD series, Pickle and Peanut as a writer/storyboard artist and created the Cartoon Network digital series Get 'Em Tommy! Halpern-Graser previously worked as a writer for various DC Nation Shorts and was co-creator of Disney XD's show Right Now Kapow. The first two episodes were released on the Cartoon Network app on January 10, 2020.


Voice Cast:



Thundercats

Lion-O (Voiced by Max Mittelman) – The leader of the ThunderCats.
Tygra (Voiced by Patrick Seitz) – The serious member of the team.
Cheetara (Voiced by Erica Lindbeck) – The fastest member of the team.
Panthro (Voiced by Chris Jai Alex) – The strongest member of the Team.
WilyKit (Voiced by Lindbeck) – One half of the ThunderKittens.
WilyKat (Voiced by Mittelman) – One half of the ThunderKittens.
Snarf.
Jaga (Voiced by Larry Kenney).


Villains

Mumm-Ra (Voiced by Seitz).
Slithe (Voiced by Trevor Devall).
Jackalman (Voiced by Andrew Kishino).
Monkain (Voiced by Jim Meskimen).
Vultureman (Voiced by Dana Snyder).


Other

Berbils (Voiced by Snyder).




Episode Summary: (**Spoilers!!**)


Part 1: After the destruction of their home planet Thundera, the titular ThunderCats fly off to a new home, only to crash land on Third Earth after being shot down by their arch-enemies, the Mutants. Following a scuffle with the Mutants, Lion-O pursues them into the wild while the rest of the ThunderCats meet the Berbils whose village their ship unknowingly destroyed in the crash. Luckily, the Berbils are quick builders and opt to build their base while warning them of Mumm-Ra. Lion-O ends up encountering Mumm-Ra when chased by the Mutants to the villain's pyramid, with Mumm-Ra destroying the Mutants' ship before returning to his lair.

Part 2: Lion-O enters the pyramid to thank Mumm-Ra, only to learn he is evil while revealing the presence of the other Thundercats on Third Earth. Mumm-Ra, explaining his Doomstaff grants him power while establishing a curse where anyone who says his name is struck by lightning, chains Lion-O up and uses a portal to attack the ThunderCats' new home. Mumm-Ra makes short work of the team despite their resistance, with Lion-O and Snarf arriving too late. Things seemed hopeless until Mumm-Ra unintentionally praised the Berbils as they hug him with his own curse used against him, enabling the ThunderCats to break free with Lion-O destroying Mumm-Ra's staff. Mumm-Ra, reverted to his natural form, escapes and Lion-O promises to stay with his team and lead them to victory.




The Verdict:



After seeing the behind the scenes trailer above, I knew what I was getting into when I first saw this, even though I was cringing when I saw the initial images for this. I TRIED to keep an open mind throughout this, knowing that I'm not the audience that they are going with for this new iteration of ThunderCats, but boy, I cannot shake the comparisons to Teen Titans Go!. It wouldn't be so bad if they weren't trying to bastardize what was a great series for Cartoon Network with it's previous iteration with the 2011 series, only to replace it with THIS of all things. Don't get me wrong. There were a few moments that did get a natural laugh out of me from references to the original series, but damn, it hurts seeing ThunderCats dragged through the mud like this into weak comedy efforts.

I don't understand what is with Hollywood bastardizing everything that I grew with as of late, including but limited to ThunderCats, Voltron (let's just all admit that tail end of the Netflix reboot wasn't worth it), Teenage Mutant Ninja Turtles (seriously WTF on Rise of the TMNT at times), and even Transformers (remember they went through their own "comedy" run with Transformers: Animated on this very same network), with poorly drawn "reboots" to cater to kids in a comedic manner with little to no action. That being said, I'm not outraged like the bulk of the Internet at this. At this point, I have just grown ultimately disappointed seeing so many great franchises being reduced to this route. Hollywood isn't catering to my generation anymore as they don't see a profit in it. That's painfully obvious from the trend that these shows keep popping up despite the fan backlash from each and every time a new one pops up.

That being said, there's some interesting differences in this iteration of the ThunderCats lore in comparison to the original series though. Lion-O isn't a boy in a man's body as a result of being aged up from the stasis pods that he was confined within following the Cats' escape from Thundera - something the 2011 series didn't recycle either. Jaga (voiced by the original Lion-O voice actor Larry Kenny himself) is already dead and merely acts as the narrator for the first two episodes. Mumm-Ra doesn't seem to have his original weakness of being unable to face his own reflection, even though that was fucking hilarious in the original series until it was written out in later seasons. Snarf isn't a nanny/babysitter to Lion-O (like in the original series) nor just common housepet (2011 iteration). Instead, he's a fucking robot that offers tools to assist Lion-O out in the field. I guess that's going to be the plot device or deus ex machina as much as the Sword of Omens was in the original series that solved any and ALL problems to the point of absurdity in the original series. When they got to the point where that thing was holding planets together I was like get the fuck out of here, even as a kid. The Berbils were well represented here, even though I have to admit that I'm anxious to see how they adapt some of the other inhabitants of Third Earth into this series in terms of their designs.

What the actual fuck is my immediate reaction to seeing the animation of this show at times...
Speaking of designs, I have to comment on how this show looks visually. It looks like the folks behind Kablam! (remember that Nicktoons fans?) and the Marvelous Misadventures of Flapjack came together to make this from how everything looks down to the expressive manner of the characters at times. I hate to mention those two shows negatively as I loved them for they were but their distinct art styles aren't something I would have thought to see in something like this. Cartoon Network used to pride itself with some of the best animation on the planet back in the '90s and early 2000s, only for the present day landscape of the network's line-up to look like stuff that anyone could make who takes a pen to paper without much thought put into it. Sure, these characters are recognizable to long-time fans, but at the end of the day, it's just another bastardization of yet another beloved childhood property from the popular 80's media.


Watch It or Don't Bother?

If Cartoon Network thinks that just tossing out a subpar ThunderCats show to give them an petty excuse to hang onto the ThunderCats license, then that's only going to toss more oil onto the fire with fans demanding a revival/continuation of the 2011 series and/or more nostalgia to the original series. This show does nothing to quell the fans of either of those iterations of ThunderCats. Instead, it spits in the faces of the fans and memories of those shows alike.  

This one is easy. Spare yourself the torment and avoid this like the plague. It doesn't "officially" debut until February, but the first two pilot episodes are up on the Cartoon Network app for viewing for those with morbid curiosity like me. I honestly would be surprised if this ends up being another hit for the network like Teen Titans Go!. I feel genuinely sorry for Victor Courtright though. In the behind the scenes video that I shared earlier in this article, he seemed like a genuine fan of the original series and wanted to offer his own lighthearted spin on it. I'm sure his intentions were pure and he didn't sought out to tarnish the ThunderCats' legacy, but this show isn't the right course of action following the 2011's series' abrupt cancellation. Sadly, fans aren't going to give him a break in that regard either once this show officially debuts in February and there's mass exposure to it outside of the Cartoon Network app.