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Showing posts with label Agents of SHIELD. Show all posts
Showing posts with label Agents of SHIELD. Show all posts

REVIEW -- Marvel's Agents of SHIELD - Season 4 Episodes 1-4: "Ghost", "Meet the New Boss", "Uprising", and "Let Me Stand Next to Your Fire"


The fourth season of the American television series Agents of S.H.I.E.L.D. (promoted as Agents of S.H.I.E.L.D.: Ghost Rider), which is based on the Marvel Comics organization S.H.I.E.L.D. (Strategic Homeland Intervention, Enforcement, and Logistics Division), revolves around the character of Phil Coulson and his team of S.H.I.E.L.D. agents and allies as they deal with various enhanced individuals following the signing of the Sokovia Accords. It is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise. The season is produced by ABC Studios, Marvel Television, and Mutant Enemy Productions, with Jed Whedon,Maurissa Tancharoen, and Jeffrey Bell serving as showrunners.

The season was ordered in March 2016, and production began that July. Alongside Clark Gregg, who reprises his role as Coulson from the film series, principal cast members Ming-Na Wen, Chloe Bennet, Iain De Caestecker, Elizabeth Henstridge and Henry Simmons return from previous seasons while John Hannah was promoted to the principal cast after appearing in a recurring role inseason three. This season deals with how the film Captain America: Civil War affects the series, and introduces recurring guest star Gabriel Luna as the mystical Robbie Reyes / Ghost Rider to coincide with the film Doctor Strange, which explores mysticism in the MCU.

The Plot: (FULL Spoilers)

"Ghost"


Former S.H.I.E.L.D. agent Daisy Johnson, now the vigilante "Quake", is hunting gang affiliates of the anti-Inhuman terrorist group Watchdogs in Los Angeles when members of the Aryan Brotherhood are murdered by the fiery "Ghost Rider" in front of her. Agents Phil Coulson and Mack, who were forbidden from searching for Johnson by the new Director of S.H.I.E.L.D, are tipped off to her location by Agent Melinda May. They fly to Los Angeles under the guise of checking in on Inhuman asset Elena "Yo-Yo" Rodriguez, who has signed the controversial Sokovia Accords and is now under the jurisdiction of S.H.I.E.L.D. and the United Nations.

Agent Leo Fitz visits friend and S.H.I.E.L.D. ally Holden Radcliffe, a transhumanist doctor who is on probation after previous illegal experimentation. Fitz discovers that Radcliffe has secretly transferred his artificial intelligence AIDA into a human-like body, which he intends to be the first in a line of decoys for field agents in danger. Believing Radcliffe's altruistic intentions, Fitz agrees to help him perfect AIDA, and to keep her a secret from his girlfriend Agent Jemma Simmons, who is in the paranoid Director's inner circle, and takes daily lie-detector tests. Simmons realizes that Coulson and Mack are investigating Johnson, and orders May to stop them; May and her new strike force arrive to find Coulson and Mack surveilling Chinese gangsters, who they believe are potential targets of Quake.

The gangsters have bought a weapon off the Brotherhood which can help them fight against Inhumans. The open the box containing the weapon, and unleash a mystical being who turns the gangsters berserk. She secretly infects May as well, as the strike force takes out the gangsters. Johnson meets with Rodriguez, who stole medication from S.H.I.E.L.D. during their brief check with her which can help Johnson heal—her recent over use of her Inhuman abilities as Quake has been fracturing her bones. Johnson then tracks down the Ghost Rider and confronts him, but he defeats her, explaining that he only murders people that deserve it. She later sees his human form, Robbie Reyes, looking after his disabled brother Gabe.



"Meet the New Boss"


S.H.I.E.L.D. and Johnson independently investigate the figure, an apparent ghost of a woman named Lucy Bauer, both concluding that she worked at an abandoned facility, Momentum Energy. Johnson confronts Reyes again, and he once more overpowers her. Restraining her, Reyes searches Johnson's belongings and discovers her research on Momentum. He leaves, and Johnson escapes her restraints. As Mace plans to officially announce S.H.I.E.L.D. as a legitimate organization again, the infected May grows increasingly paranoid, seeing all people as monsters, and eventually attacking other agents. Mace restrains May with his Inhuman strength, and promises to take care of her. Mack and Fitz arrive at Momentum to find more ghosts, who attempt to blow it up with them inside. Ghost Rider intervenes, destroying one of the ghosts, and Johnson arrives to stop S.H.I.E.L.D. from taking him in. Rather than rejoin S.H.I.E.L.D., Johnson agrees to work with Reyes, who believes that the actions of the ghosts and Watchdogs may be tied to him.


"Uprising"


Inhuman S.H.I.E.L.D. asset Elena Rodriguez is caught in a blackout in Miami. Reyes and Johnson are caught in another in Los Angeles. A group claiming to be the Inhuman resistance, fighting registration with the Sokovia Accords, take responsibility. Reyes explains that his uncle, Eli Morrow, was imprisoned for causing an explosion at Momentum that apparently created the ghosts; he believes that atoning for Morrow's sins will pay his debt to the Devil, and rid Reyes of the Ghost Rider. At the Reyes' house, Gabe realizes that Johnson is Quake and asks her to leave Robbie alone. Radcliffe and Simmons 'cure' May by killing and reviving her. Coulson, Mack, and Fitz save Rodriguez from a group of Watchdogs, and find the EMP that caused the blackout—it was set off by the Watchdogs, who had access to S.H.I.E.L.D.'s list of registered Inhumans, and have backing from Senator Rota Nadeer, whose brother is encased in an Inhuman terrigen cocoon. Hoping to assuage public fears of the Inhumans, Mace announces the return of S.H.I.E.L.D.


"Let Me Stand Next to Your Fire"


Johnson forces Simmons to help track the Watchdogs' actions. They discover that the group hacked an Inhuman's monitoring device, and race to save the next Inhuman on the list. Coulson visits Morrow in prison, but gets no answers. Reyes arrives to talk to Morrow, and Mack recognizes him as the Ghost Rider. They capture Reyes, and earn his trust. AIDA supervises May's recovery, as a Turing test by Radcliffe. Johnson and Simmons find the Inhuman JT James and destroy his monitor. Reyes visits Morrow, and learns that the Momentum explosion was caused by a group of scientists studying the Darkhold, a mysterious book. Only Lucy's husband Joseph, whom Morrow had put in a coma trying to stop the experiments, survived. James betrays Johnson—he hates being an Inhuman, and gave the Watchdogs access to his monitor. Coulson, Mack, and Reyes save Johnson and Simmons, alerted by the monitor's destruction. They then get May to help find the Darkhold, and when Simmons sees AIDA she deduces her true nature.


The Verdict:

"Ghost"


Let's start this review off right...



I TOLD you guys on social media that I had the utmost confidence in what Marvel Studios was going to do with Robbie Reyes in this continuity. They wouldn't go out of their way to introduce this new character after getting the Ghost Rider license back from FOX. Just because Agents of SHIELD isn't on Netflix doesn't rule them out from being another solid contribution to the Marvel Cinematic Universe. Whether you have followed the show or not up to this point, but Agents of SHIELD have been the glue that holds this universe together between the blockbuster film releases and the narratives told in Hell's Kitchen with Daredevil, Jessica Jones, and shortly Luke Cage on Netflix. This show shouldered the aftermath of the original Avengers, demonstrated how vast HYDRA's infliction was like a disease to the SHIELD organization following Captain America: The Winter Soldier, introduced the Inhumans to this continuity - along with the Kree Empire via T.A.H.I.T.I., long before Guardians of the Galaxy and the conversation of the Inhumans ever getting a feature film came to fruition, and most importantly, this series serves as the origin story for one of the titular SHIELD agents in the comics continuity, Quake/Daisy "Skye" Johnson.

I'm glad that we can put the memory of Nicholas Cage's Ghost Rider behind us - even though I didn't "hate" those two movies but I wasn't really crazy about them. Agents of SHIELD used this single episode and portrayed the best iteration of Ghost Rider to date. I'm sure the hardcore Robbie Reyes fans will be mad that it seems like they made Robbie into a "traditional" Ghost Rider instead of being possessed by a demonic serial murder, but I thought they settled for a happy medium, giving fans and casuals the best of both worlds for this character. That being said, I love this new "darker" approach to this season. Outside of a few rare instances in the previous seasons, this show was a bit too light-hearted for my taste at times, especially for the subject manner that was touched upon. I was glad that Agents of SHIELD is moving away from being all smiles and giggles and into a much more serious tone that was needed since the HYDRA reveal. We were given a lot of insight on the surviving members of Coulson's team have been hardened by the friends and loved ones that they have lost over the last three seasons. I think the darker approach and tone for this season is going to pave the way to some rather dark storytelling portraying how far away from the traditional "heroic" path some of these characters are going to walk to insure that they won't lose anyone else dear to them again. It's painfully evidence in Quake's character now, who is still suffering from the events of the Season 3 finale along with the loss of her parents in Season 2. I'm anxious to see how Robbie Reyes and the Ghost Rider's principles and personal outlooks on life will clash with Quake's own.

I'm glad that AoS didn't just completely write off or "forgot" about remaining Inhumans or rather Secret Warriors that were recruited during the ordeal with Hive and HYDRA last season. This premiere saw the return of YoYo Rodriguez, who is continuing her on/off romance with Mack who is ironically not trying to get his "mack" on.

I honestly don't know where they are going with Fitz and Radcliffe's subplot of working on LMD (Life Model Decoys) but I hope and pray that's not an excuse/copout to bring back everyone they have killed off up to this point as LMDs. I said it on social media last season and I'll say it again now. Keep Grant Ward away from this show. We've all had our fill of him. Let him stay dead and gone. Another thing I hope they don't do is have Fitz with a Weird Science-style imitation of Jemma Simmons that does "anything" he wants. To be honest, I thought LMDs would have been introduced in Captain America; The Winter Soldier when Nick Fury "faked" his own demise.


"Meet the New Boss"


The biggest takeaway from this episode is the revelation that the new director is an Inhuman credited as Jeffrey Mace. This is the first time I've actually seen how Jason O'Mara looks like despite being a fan of his voice acting work. I'm surprised that he hasn't tried his hand at getting a role in more live-action superhero roles until now.

On top of that, we're treated to the fact that the Ghost Rider is the only one who can "kill" these new ghost adversaries that have popped up this season that are aligned with Lucy Bauer. We also learn that Bauer is after a spell book referred to as the Darkhold. In the comics continuity, the Darkhold directly ties to Dr. Strange as it is considered to be the ultimate dark grimoire, a collection of all evil spells in the existence collected by the Elder God Chthon. It serves as the anti-thesis of the Book of the Vishanti. Trust me, if a lot of this magical stuff is over your head then fear not as it's just to warm people up to this side of the MCU before Dr. Strange's formal introduction next month in theaters.

I had to feel bad for May this season as she's been sidelined as the show's resident badass, only to be one-upped by the Ghost Rider. I'm sure May will take her place back in due time but there's no denying Robbie Reyes/Ghost Rider's presence in this show. Two episodes in and he's like the best thing that's happened to this show to say that he's just a guest star/recurring cast member for this season.


"Uprising"


About time we got a Yo-Yo centric episode. I was starting to miss her as a regular from last season's focus on the Inhumans. Out of all of the "New Warriors" Daisy recruited last season, she was definitely my favorite and I was glad to see that she was sicking around. Much like the treat we got of May in a dress a few seasons back, it was nice to see Yo-Yo in one for this episode, even though it was brief.

I found it rather odd that it took them like what, two seasons now to show the public populace are reacting to the Inhumans living among them. Agents of SHIELD are sprinkling these "X-Men-like" issues of dealing with indifference and racism to potentially prepare audiences for whenever Marvel Studios finally actually gets the X-Men license (along with the use of mutants period) back and are able to integrate them into the MCU.

I wasn't surprised to see that Radcliffe had to risk exposing AIDA to Simmons to save May's life, but I'm left wondering how are they going to prevent future "infections" from contact from the ghosts in future conflicts. It's not like they have protection against that or anything. I have to be honest that I have felt that Simmons has been sketchy since her time away from the Coulson's team to do her undercover op as an agent for HYDRA a few seasons ago and her new role as a high ranking SHIELD agent is rubbing me the wrong way. Remember that she was the main one who didn't want to give Inhumans a chance at all about two seasons ago so what makes you think that her intentions have changed since then after all that has transpired despite the fact that the new director is one himself? I have a feeling that she's going to let the sheep out of the bag and expose her real intentions sooner more than later and it will ultimately drive her and Fitz apart.

I thought it was interesting to see that Robbie's brother was the one who got Daisy to leave after seeing her powers firsthand, yet he's blind to see that his own brother isn't normal himself. I'm familiar with Robbie Reyes' comic book counterpart and I'm anxious to see if this show draws from the demonic possession by a serial killer (his uncle Eli) or not. So far, it's looking like they aren't dwelling into the comics too much but I want to see where this goes.

At the end of the day, this was a fun episode that we needed to remind viewers that Coulson's team still has it and can hold their own. I'm glad that they are actually picking up this storyline of the Watchdogs after leaving it floating in the air for a while in favor of the plot with Hive last season. They make for a nice diversion among all of this mystical and magical stuff being introduced this season.

One of my favorite things this season is that I can sit back and enjoy the ride with most fans who aren't savvy to the bulk of this stuff. The mystical/magical realm of Marvel Comics is something I have no problem admitting that I'm not very knowledgeable on so I'm enjoying learning about this stuff as this season peters out, along with Dr. Strange around the corner.

That being said, I have NO idea what they got planned for Senator Nadeer's brother locked up in that carbonite... err terrigen cocoon. Whatever it is, I'm positive he'll end up being something that Daisy, Yo-Yo, and Robbie will end up having to deal with.


"Let Me Stand Next to Your Fire"

Ha, Daisy keeps using her powers recklessly and she's going to quake her arm off. I'm finding it rather hard to believe that she was too stupid to take the special gear and gloves that Simmons made about a season ago for her NOT to hurt herself with her own powers with her when she left SHIELD. Even Simmons reminds her about them but Daisy blows her off about them not being incognito. Fuck being incognito if it they are going to help her in the long run.

I couldn't help but find it to be hilarious that Radcliffe addressed my question from the last episode on how were they were going to prevent future "ghost" infections by telling May that they are developing a countermeasure to that. I don't see Radcliffe's "experiment" going bad unless Simmons spills the beans and I know she will... I just can't shake this feeling that she's sketchy this season. I will admit that AIDA seems confused about the conception of "lies" and that might come to bite Radcliffe's ass later in the season.

About time we get a car chase with Coulson's Lola in this show. Even better that it was against Reyes' Charger.

Here's where the comics' Reyes is different than the MCU Reyes. Uncle Eli was a serial killer and is already dead. Eli made a pact to become a demon in death and that's what possessed Robbie Reyes to give him his powers. He wasn't in prison nor a noble man like the one depicted here. I guess since Reyes is the "first" Ghost Rider introduced into the MCU properly into this continuity so I'm guessing they are going to keep with the traditional Ghost Rider story and axe the whole twist about being possessed by a serial killer. A guy gives up his soul to become an avatar to fight in the presence of evil. Hmmm... I wonder if they are going to introduce Mephisto in this show or not then? All of this talk about God and Devil has me wondering...

Was anyone really surprised that JT James ended up throwing Daisy and Simmons to the "wolves" or rather to the Watchdogs? That dude was shady before Hive infected him and recruited him to his group of Inhuman "superfriends" so I wasn't surprised in the least at that double cross. It's times like this that I'm a little sad that Raina's not around to serve as a better villain when it comes to these clever double crosses.

Everytime Robbie's eyes flare up, I think of this from Ronin Warriors...
Most bad ass moment of this episode was Reyes grabbing that flaming chain from James. James couldn't been more stupid to fight a guy who's immune to fire though. I keep hoping that they are going to have Reyes bust out the Penance Stare but nope. They keep teasing it but no dice. I'm guessing they are saving that for last hurrah of this season.

I have to share Coulson's feelings about being stern with Daisy though. She didn't have to run but I guess she's unofficially back on the team for now along with Reyes.

This was another fun episode that built off the previous one of Coulson rebuilding his team with members old and new to prepare to deal with this upcoming threat of whoever is going to get their hands on the Darkhold first. This Marvel team-up might not go as well as they all envision if Simmons ends up spilling the beans to the new director. I swear... that girl has turned into a wet blanket to be the buzzkill on everyone's parties lately.


Watch It or Don't Bother?


If you haven't given Agents of SHIELD a chance until now, this is a great place to start, especially if you want to see what Marvel has done with Ghost Rider back under their roof of cinematic properties. I think this episode will turn even the hardest of skeptics into fans of what they have done with that character being introduced into this continuity. Each episode thus far has been better than the last and I can't help to see how this season plays out. Marvel's definitely raising the bar on the superhero dramas right now. 

OPINION -- My Top Two Issues With the Marvel Cinematic Universe as It Currently Stands

Jessica Jones' cast and Luke Cage are the only ones missing from this photo to be honest...
After the Agents of SHIELD winter midseason finale, I have to vent my disgust on this matter. I have been allowing this matter to slide for a while now in hope that it would change in Phase 2, but we're going into Phase 3 with Captain America: Civil War in a few months and I seriously doubt it's going to change anytime soon.

Just fair warning, I'm going to mention a LOT of spoilers and potential spoilers, so continue reading at your own risk if you haven't been keeping up with the Marvel Cinematic Universe as a whole lately.

I. Disposable Villains

Top (left to right): The Winter Soldier, Thanos, Justin Hammer
Far left: Loki (of course)
Bottom (left to right): Red Skull, Ultron, Nebula

Outside of Grant Ward (Marvel's Agents of SHIELD), the Kingpin (Daredevil), Nuke (Jessica Jones), Crossbones (Captain America: The Winter Soldier), Nebula (Guardians of the Galaxy), Loki (Thor: The Dark World), and Thanos (Avengers) there are little to no "major" villains that exist in play in the Marvel Cinematic Universe. EVERY.SINGLE.TIME they debut or showcase a remarkable villain, that same villain is either killed off or written off in a way that there's no way that it's remotely possible nor fathomable that they would EVER return again.

Perfect example? David Tennant's Kilgrave/Purple Man from Marvel's Jessica Jones. WHY THE FUCK DID THEY KILL HIM OFF AFTER ONE SEASON!!??? I'm sure there's some angry feminist out there that will be standing on her soapbox preaching that it was the only way for Jessica to get over her PTSD and move on with her life, but it's turning into a common copout for almost every single one of these films in this universe. "Well we can't think of a better conclusion to these films, so we'll just kill the big baddie off. I'm sure we can thumb through the comics for someone else later." Holy fuck, if I was on creative staff for planning the narrative of this universe, I would be slapping people during these meetings for even suggesting this stuff.

If you look at the Marvel Comics Universe, no matter what decade, reality, nor main (616) canon or Ultimates versions, there is ALWAYS a wide assortment of villains at play to act as obstacles for these heroes to overcome.


II. The Segregation between the films and TV/Netflix properties


As of Avengers: Age of Ultron, the only marque actor contracted by Marvel to appear in the TV series/Netflix properties has been Samuel Jackson (limited to a few sporadic appearances on Marvel's Agents of SHIELD as Nick Fury) and Cobie Smulders (Agent Maria Hill). I find that rather odd. It's no secret to Marvel fans that these characters interact and engage each other on a regular basis, so I don't see why it's such a daunting task to use their contracted actors for regular roles across their TV/Netflix properties. Seeing some of the Avengers pop up in Agents of SHIELD would definitely garner more attention that struggling show needs in it's follow-up seasons, especially with appearances from Avengers who haven't had their own solo titles, such as Hawkeye (who has history with Adrianne Palicki's Mockingbird/Bobbi Morse in the source material) and Black Widow (who could really benefit with more exposure, given Agents of SHIELD's knack for establishing "kick-ass" female protagonists).

I suppose another excuse that Marvel/Disney would give is the fact that they have a "long-term" plan and seeing the Avengers appear in the TV/Netflix properties will take away from their merit/worth on the big screen. In reality the opposite is true. Look at what the CW is doing with the few characters that they are allowed to use from DC Comics. Warner Bros. is on the crisp of kickstarting their own cinematic universe with the debut of  Batman vs. Superman: Dawn of Justice and the inevitable Justice League follow-up. As much as I'm not crazy about their approach nor methods of how they have been going about that from a narrative standpoint, at least DC Comics has the balls to try putting together a superhero team-up show on television. Sure, Marvel has that in the pipeline with the Defenders MUCH later down the road and possibly the Secret Warriors on Agents of SHIELD, but who knows how soon that is coming from how far Marvel keeps spreading their films out over the course of the next decade.

When I saw Falcon/Sam Wilson appear in Ant-Man I was beginning to become optimistic, thinking that maybe that Marvel/Disney would possibly start doing the same with allowing the heroes/villains crossover into the TV/Netflix properties. With the Netflix exclusives, I can totally understand the lack of connections to the films as those series have been pretty grounded and personal to their own corner of the MCU. Daredevil dealt exclusively with the harsh realities of the impact of the Battle of New York on Hell's Kitchen while Jessica Jones is a story that focus entirely on one woman's path of redemption. I can expect no different from Iron Fist and Luke Cage when those series debut.

To it's credit, the ONLY character who seems to have a continuous stake in the movies AND the TV universes is Peggy Carter, whether it be via flashbacks or throughout her own solo series. She acts as the bridge between the world that Captain America left behind after being frozen in ice for roughly 50 years and the modern day equivalent to our own world that majority of the MCU takes place. She is the link to the foundation of the SHIELD organization that the Agents of SHIELD work for and are currently trying to rebuild after exposing HYDRA's corruption from within. She was revealed to be an ally and friend to a young Hank Pym in the opening flashback of Ant-Man and she remains as a significant figure in Captain America's life, whether in the past or present and even in his dreams and memories via flashbacks. All that I'm asking is that Marvel Studios show this much of attention to more of their characters in this universe.

III. Hope For the Future



Marvel Studios has The Inhumans on their horizon for future films and with the Infinity War being split up into two solo films, there's more room to expand what's going on between those said films on the TV and Netflix properties.

Marvel recently reported that the Infinity War (Part I and II) would be the film(s) where the ENTIRE Marvel Cinemataic Universe comes together. I hope this means that everyone (TV shows AND films) have some sort of representation. Creating and maintaining this universe has been a group effort and everyone deserves that one moment to shine together on the silver screen, even if it's for a few seconds.

At the end of the day that's the double edged sword that Marvel Studios has created with this cinematic universe. Much like the comics, you expect the Avengers (or other misc. heroes in this universe) to jump in at every chance to help out their friends and allies in their times of greatest need. That's what I was thinking towards the end of Thor: The Dark World and throughout the ENTIRE plot of Ironman 3 - it was like they totally forgot that they were teaming up in their last theatrical appearance. Which was really strange to say that it was a global threat much like the Battle of New York. Captain America: The Winter Soldier handled the team-up naturally that they had enough Avengers/SHIELD agents involved that it was totally understandable what they were doing to help this matter. The fall of SHIELD/HYDRA had to be a massive dilemma that possibly had the Avengers spread out pretty thin around the world with Hawkeye more likely staying low with his family in his safe house, Hulk/Bruce Banner and Tony Stark/Ironman dealing with things on their end at Stark Industries after the ordeal in Ironman 3, and Thor was still coming to grips with the events after The Dark World.

With the more feature films and television properties that they continue to create to introduce more of these heroes and villains into the Marvel Cinematic Universe the expectations of fans are going to continue to escalate to the point that they will continue to ask why their favorite heroes aren't crossing over more often. While I understand that even the comic books allow these heroes to continue with their own solo adventures despite being on teams and factions, it's not too much to ask that Marvel at least try to blur the lines every now and then instead of keeping their properties segregated.

I mean c'mon. If CW's Arrow and The Flash can do at least 2-3 team-up or cameos per season, it shouldn't be too much to ask Avengers or some of the other television properties to jump around back and forth. Hell, if it were up to me, I would require it in the actors' and actresses' contracts when they sign to Marvel for these films.

REVIEW -- Marvel's Agent Carter (TV Series) - Season One


Marvel's Agent Carter, or simply Agent Carter, is an American television series created for ABC by Christopher Markus and Stephen McFeely, inspired by the films Captain America: The First Avenger and Captain America: The Winter Soldier, and the Marvel One-Shot short film of the same name. It is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise.

The series was officially ordered on May 8, 2014, and the first season aired from January 6 to February 24, 2015, during the season two mid-season break of Marvel's Agents of S.H.I.E.L.D. Despite steadily dropping ratings, critical response to Agent Carter was positive, with much praise going to Atwell's performance, the series' tone and setting, and its relative separation from the rest of the MCU.

Cast:

Main

Hayley Atwell as Peggy Carter
James D'Arcy as Edwin Jarvis
Chad Michael Murray as Jack Thompson
Enver Gjokaj as Daniel Sousa
Shea Whigham as Roger Dooley

Recurring

Kyle Bornheimer as Ray Krzeminski
Ralph Brown as Johann Fennhoff
Dominic Cooper as Howard Stark
Meagen Fay as Miriam Fry
Lyndsy Fonseca as Angie Martinelli
Bridget Regan as Dottie Underwood

Guests

Lesley Boone as Rose
Alexander Carroll as Yauch
Kevin Cotteleer as Alex Doobin
James Frain as Leet Brannis
Ralph Garman as the radio announcer
James Landry Hébert as Sasha Demidov
Toby Jones as Arnim Zola
James Austin Kerr as Jonathan "Junior" Juniper
Neal McDonough as Timothy "Dum Dum" Dugan
Devin Ratray as Sheldon McFee
Walker Roach as the "Captain America" radio actor.
Leonard Roberts as Samuel "Happy Sam" Sawyer
Benita Robledo as Carol
Costa Ronin as Anton Vanko
Richard Short as Percival "Pinky" Pinkerton
Erin Torpey as the "Betty Carver" radio actress
James Urbaniak as Miles Van Ert
Ray Wise as Hugh Jones

Stan Lee cameos in "The Blitzkrieg Button" as a shoeshiner patron, while John Glover cameos in "The Iron Ceiling" as a journalist and friend of Dooley. Chris Evans appears in "Now is Not the End" as Steve Rogers / Captain America via archive footage from Captain America: The First Avenger.

Premise: 

In 1946, Peggy Carter must balance the routine office work she does for the Strategic Scientific Reserve (S.S.R) while secretly assisting Howard Stark, who finds himself framed for supplying deadly weapons to the top bidder. Carter is assisted by Stark's butler, Edwin Jarvis, to find those responsible and dispose of the weapons.

Episode List:

Episode 1 - "Now Is Not The End"

In 1946, Peggy Carter, mourning the apparent death of Steve Rogers, returns to work for the Strategic Scientific Reserve in New York City following the end of World War II. The S.S.R. investigates industrialist Howard Stark for apparently selling weapons to enemies of the United States. Stark secretly reaches out to Carter, and asks her to help him clear his name. Before he leaves the country, he tells her about his formula for molecular nitramene that is going to be sold at a club. Infiltrating the club in disguise, Carter learns that the formula has been weaponized. She shows one such nitramene bomb to Stark Industries scientist Anton Vanko, who deduces that it came from a Roxxon Oil refinery. Carter, along with Stark's butler Edwin Jarvis, investigates the refinery, and encounters Leet Brannis, who apparently works for an organization called Leviathan, and escapes with a truck full of the nitramene weapons. Before leaving, Brannis drops a nitramine bomb, and as Carter and Jarvis escape, it destroys the entire building.

Episode 2 - "Bridge and Tunnel"

Carter goes undercover again to search for the truck with the weapons, and finds the address of the truck's official driver. The S.S.R. agents interrogate Miles Van Ert, the Roxxon scientist who made the weapons, and learn of the address as well. Carter and Jarvis arrive at the house first, and find Brannis, who they force to go with them. The three are attacked by Sasha Demidov, who works for Leviathan, an organization that it now seems Brannis has betrayed. Carter fights Demidov, but he still manages to mortally wound Brannis. Jumping to safety with Carter and Brannis, Jarvis forces the truck to careen off a cliff with Demidov, and the weapons inside implode. Before he dies, Brannis draws a symbol in the dirt. S.S.R. agents Dooley, Thompson, and Sousa later arrive to find Brannis's body, a woman's footprints, and a hotel key (belonging to Demidov). Meanwhile, Agent Krzemenski, sifting through the remains of the Roxxon refinery, finds the license plate for Stark's car that Jarvis and Carter used to get away.

Episode 3 - "Time and Tide"

Dooley and Agent Krzeminski investigate Demidov's hotel room, and discover a typewriter. Thompson and Sousa take Jarvis in for interrogation, and the former threatens him with revealing an old treason charge to the immigration office. Carter, feigning ignorance, botches the interrogation to get Jarvis out, and receives a stern reprimand from Dooley. Carter and Jarvis then follow the sewer system below Stark's vault, through which Brannis took the stolen technology, to the docks, where they find the weapons on board The Heartbreak (a ship bearing Brannis' symbol). Jarvis anonymously gives the S.S.R. their location, while Carter fights off a guard who had been working with Brannis. Carter and Jarvis are forced to leave him behind as the S.S.R. arrives. While being transported back to S.S.R. headquarters by Krzeminski, the guard is about to identify Carter as the woman interfering with the Stark investigation, when an unidentified assassin kills them both.

Episode 4 - "The Blitzkrieg Button"

After learning that Brannis and Demidov were supposed to have died during the Battle of Finow, Dooley travels to Germany to speak with the Nazi colonel who lead the opposing forces, and though he doesn't learn how Brannis and Demidov survived, Dooley does discover that their Soviet forces were seemingly massacred before the Nazis even arrived. With Carter's only job to collect lunch orders, she meets up with Stark, who has secretly returned in the wake of his technology's discovery. Looking at photographs Carter takes of the weapons, he identifies one of them as the Blitzkrieg Button, which he claims can cause a permanent blackout throughout the city. However, a suspicious Carter opens the device to find a vial of Rogers' blood. Angry at Stark for lying to her, she hides the vial. The criminal who smuggled Stark into New York, but was scammed out of his money by Carter and Jarvis, follows Carter back to her apartment, but he is killed by her new neighbor, Dottie Underwood.

Episode 5 - "The Iron Ceiling"

Carter decrypts an encoded message, received from Leviathan through Demidov's typewriter, for the S.S.R., learning that Stark will be selling weapons to Leviathan at a Soviet military complex. Thompson is sent to stop the sale and apprehend Stark, and is forced to take Carter when she enlists the help of her war comrades, the Howling Commandos. They discover that young girls are trained at the complex to infiltrate the US as sleeper agents, and realize that they have walked into a trap when one girl kills the Commando Junior Juniper. Soviet soldiers attack the team and Thompson freezes under fire, but Carter ensures that they escape, along with imprisoned psychiatrist Dr. Ivchenko. Meanwhile, Underwood, who is actually a sleeper agent trained at that complex, discovers the photos of Stark’s weapons in S.S.R. custody when searching Carter’s apartment, while Sousa realizes that Carter is the woman who has been interfering with the S.S.R.’s investigation.

Episode 6 - "A Sin to Err"

Carter and Jarvis investigate the women that Stark has been involved with over the last six months, believing that a female Leviathan operative may have been used against Stark and to kill Krzeminski, but their search is unsuccessful. Sousa reveals to Dooley that Carter is an apparent traitor, and all agents are tasked with tracking her down. They eventually corner her and Jarvis, but Carter fights them off. During the commotion, Dr. Ivchenko, who is actually working for Leviathan, hypnotizes Agent Yauch, who reveals that only Dooley can access Stark's weapons. Yauch shows Ivchenko how to get out of the S.S.R., before Ivchenko forces him to commit suicide. Carter retrieves Rogers' blood from her apartment. As she tries to escape the building, she is knocked out by Dottie Underwood, but not before realizing that Underwood is the Leviathan operative. Underwood is about to kill Carter when Thompson and Sousa arrive. She feigns ignorance, and the agents arrest Carter.

Episode 7 - "Snafu"

As Carter is resisting interrogation at the S.S.R., Jarvis appears with a fake signed confession from Stark, promising surrender if Carter is released. Carter sees Ivchenko communicating in Morse code with Underwood, and reveals the truth about her own investigation to her colleagues to gain their trust. Ivchenko hypnotizes Dooley and has him steal one of Stark's weapons from the S.S.R.'s labs: a gas cylinder that Underwood and Ivchenko activate in a crowded cinema before leaving and locking the door behind them. The agents find Dooley wearing a Stark experimental vest given to him by Ivchenko, which Jarvis explains will explode with no way to deactivate it. Dooley jumps out a window moments before the device detonates, killing him but saving the others. The gas in the cinema makes many in the audience become maniacal and attack each other violently, and when an usher arrives soon after, the entire audience is dead.

Episode 8 - "Valediction"

The S.S.R. discovers the gas cylinder in the cinema and realize that Ivchenko possibly plans to turn all of New York on itself. Stark returns and explains that he had developed the gas, named Midnight Oil, to give American soldiers extra stamina during war, but it caused psychosis and lead to them killing each other. During World War II, the American military stole Midnight Oil and used it on the Soviets at Finow. Stark believes that Ivchenko – real name Johann Fennhoff – blames Stark for the ensuing massacre, and allows the S.S.R. to use him as bait to draw Leviathan out. This plan goes awry when Underwood distracts the agents while Fennhoff kidnaps Stark, and uses hypnosis to convince him to drop the gas on Times Square. At Stark’s secret plane hangar, Sousa apprehends Fennhoff while Carter defeats Underwood (who escapes) and convinces Stark not to drop the gas on the city. Carter later dumps Rogers' blood in the East River, finally moving on with her life, while Fennhoff is imprisoned with the scheming Arnim Zola.


The Verdict: 

I'm going to start off this review by addressing some of my readers and followers on social media who wouldn't give this show a fair chance because they only support Agents of SHIELD or want to disregard this show as non-important since it's not set in the present day Marvel Cinematic Universe. Agent Carter serves as a break between Agents of SHIELD's winter mid-season finale and also serves as gateway point to reflect on how SHIELD was established and how everyone (namely Peggy Carter) continue to live their lives in a world without Steve Rogers after the events of the original Captain America film. If you have been a fan of the Marvel Cinematic Universe up to this point, it would benefit watching this mini-series. Agent Carter fills the gaps on some unanswered questions to this point in this continuity and opens the door to other tidbits that will make the pending future of the Marvel Cinematic Universe even more exciting to watch unfold.



Ties to the Marvel Cinematic Universe

The biggest note to take away from this mini-series is the introduction of the Red Room, the organization who were responsible for training Black Widow agents, including Natasha Romanov, along with the other powers at play within HYDRA's ranks in the wake of the Red Skull's disappearance. 

Episode 1 references Anton Vanko, who is the father of the same Vanko who becomes Whiplash and serves as Tony Stark's primary antagonist in Iron Man 2, along with a Justin Hammer. Roxxon Oil is a corporation that is referenced frequently in the Marvel Cinematic Universe. In the comics, one of its subsidiaries are responsible for reverse-engineering the Deathlok (Michael Peterson) cyborgs.

Episode 2 references the Stark family mansion, which serves as the Avengers' home and base of operations in the comics continuity. Edwin Jarvis was their servant in the comics as well, but in this continuity of the Marvel Cinematic Universe, Jarvis' human counterpart serves an inspiration to Tony Stark's computer AI assistant. 

Episode 5 references the Howling Commandos as they continue to fight for justice even after the war was won out of respect to Captain America's memory. The Red Room is hinted at in this episode as the ones responsible for training Dottie Underwood as a Black Widow. Dr. Faustus (Johann Fennhoff) makes his first appearance in this episode as Dr. Ivchenko. 

These references aren't just limited to these episodes but scattered throughout this mini-series from start to finish of this season.


Weighing In

Haley Atwell as Peggy Carter was one of the only things that I adored about Captain America: The First Avenger and it was a joy to see her back to reprise the role of Peggy Carter again in her own opportunity to shine on her own. Much like Marvel's Guardians of the Galaxy, this was another risky gamble that managed to pay off for Marvel Studios.

I loved that retrospective aspect to the cinematography in this series. It wasn't nothing over the top nor futuristic. As a fan of film noir and this time period in general in cinema, I could personally watch this stuff all day. Sadly, we're limited to a eight-episode mini-series with this premiere season. James D'Arcy (Jarvis) and Atwell play off each other flawlessly throughout the course of this series; it's a match in cinematic heaven. Atwell's natural charm is reflected throughout Peggy Carter's character, making her captivating to watch. To see a woman shine as a star in this time period makes her an Avenger in her own right in this series, despite the lack of a fancy costume and super powers in this male-dominated world.

Isn't it ironic that it wasn't Scarlett Johannsen (Black Widow), Ming-Na (Melinda May), nor Chloe Bennett (Sky/Daisy Johnson) who got their own spin-off series, but it was Haley Atwell as Peggy Carter to serve as the first female of the Marvel Cinematic Universe to stand on her own with a spin-off. Despite my doubts, Marvel's gamble paid off. Why not cover the founding lady of the SHIELD organization? Agent Carter's personality and character was something that was merely glossed over in Captain America: The First Avenger, so it benefited to give her a chance to have her story (along with SHIELD's origins) to be explored further here. SHIELD needs to acknowledge their past for the past mistakes won't be repeated in the present as the organization is restructuring and rebuilding itself currently in the Marvel Cinematic Universe.

The series is on a grounded level, much like its counterpart, Agents of SHIELD, proving that you don't need superpowers to be a hero, especially for a woman. Once again, Marvel hits an unique milestone for this series and for their universe as a whole in this time period by showcasing that a woman can survive and dominate in this male-driven environment without being half-naked nor overly sexuallized. It was brilliant and clever writing for this series to have Carter use her "disadvantages" of being a woman in this era to be her greatest asset throughout this series, which allowed her to topple her male adversaries time and time again. In a lot of ways, Carter is a soldier comparable to Steve Rogers/Captain America. When you take the superpowers out of the equation, she is sometimes on par or even better than him with her battle prowess and resourcefulness.

Speaking of combat, the fight choreography in Agent Carter is top notch and a welcome improvement over Agents of SHIELD's normal fight sequences. Someone need to write a memo to Marvel and tell them to get these guys doing fight choreography for Agents of SHIELD regularly for the episodes following the winter break. The fights aren't over-the-top, yet they are believable for a woman in this era's build, given her experience. Bridget Regan (Dottie Underwood) got to fulfill some geek fandom as she was a fan favorite choice to play the role of Wonder Woman for DC Comics. Seeing her kick-ass as an early Black Widow had to be one hell of a consolation prize, right?

Favorite Episodes

Episode 4 - Blitzkrieg Button

Why? This episode serves as Carter's first moment of weakness as her iron walls of emotion came crashing down at the revelation of Steve Rogers' blood in the vial that Howard Stark asked her to retrieve for him. Carter is normally depicted as a strong-willed woman, so it's compelling to see her breakdown here.

Episode 5 - The Iron Ceiling

Why? The Howling Commandos. 'Nuff said. Plus, we learn more about the sleeper agents who are trained to become Black Widows by the Red Room. Not to mention that Carter is an absolute bad-ass among her peers once she steps onto the battlefield on this episode.

Episode 7 - Snafu

Why? We see the extent of Ivchenko's hypnosis at play as Dooley is forced to be his unwilling pawn. Before his noble sacrifice to save his colleagues, Dooley forces Carter to promise to bring Ivchenko to justice. Dottie Underwood aligns herself with Ivchenko as they test out one of Stark's experimental weapons in a cinema. It's ironic that the gas works similar to The Joker and/or Scarecrow's gas from Batman: The Animated Series, causing mass hysteria to the populace - resulting in the people violently lashing out and attacking each other.

Episode 8 - Valediction


Why? Howard Stark AND Peggy Carter come to grips with Steve Rogers' "demise". This episode serves as another emotional roller coaster for Carter, finally coming to grips with saying goodbye to Rogers and having to move on with her life. This episode also serves as the climatic finale between Carter's rivalry with Dottie Underwood.

Closing Thoughts

"Crikey O'Reilly!"
For those skeptical on this venture for the Marvel Cinematic Universe, give this mini-series a shot, even if Agents of SHIELD isn't your cup of tea. You can easily watch this without any prior Marvel Cinematic Universe knowledge and exposure.

From beginning to end, Agent Carter has a variety of lovable characters - Peggy Carter, Edwin Jarvis, Howard Stark, Angie Martinelli, Dottie Underwood, etc. There's something for everyone here.

I'm glad to see that Marvel Studios continue the high standard of fight choreography that they definitely raised the bar with after Captain America: The Winter Soldier. I'll say this now for those wondering, but Marvel definitely continues this trend in the Netflix-exclusive TV series, Daredevil.

I love how Carter and Angie's friendship is left open, along with just about everything else in this corner of the MCU so that if Marvel wants to revisit this era again, they can pick up where they left off.

Watch It or Don't Bother?

Definitely watch Agent Carter. Haley Atwell's Peggy Carter serves as the first woman in MCU to stand on her own in her own solo series in a narrative that isn't quite like anything else to date in Marvel Cinematic Universe. For those of you looking for a bit more drama and a faster paced spy-fiction than the slow, grueling pace of Agents of SHIELD, then you get your wish in this compact mini-series. For those of you looking for that Whedonesque charm that was reminiscent with Buffy the Vampire Slayer that paved the way for female heroines kicking ass and taking names on television, you can't go wrong with Agent Carter.

If you need anyone else's opinion on the series, take it from Peggy Carter herself:
“I know my value. Anyone else’s opinion doesn’t really matter.”
—  Peggy Carter

PREVIEW: Marvel's Avengers: Age of Ultron (2015) First Trailer


Unless you've been hiding underneath a rock for the past 24 hours, then you possibly have already seen this trailer at least 3-5 times already on social media, but for those who have missed out on the excitement, allow me to share the first trailer for Marvel Studios' next feature film.


This trailer was originally set to release next Tuesday during Marvel's Agents of SHIELD on ABC, but the trailer leaked early Wednesday (October 22, 2014) afternoon and the news spread like wildfire. Soon Marvel had no choice but to post the trailer publicly and spread the news.

Yeah, let's blame HYDRA. They screwed up the Marvel Cinematic Universe enough already :P

Shit is about to get real if Hulk and Iron Man are about to throw down...

It's not Ultron's "classic" comic book look, but close enough in my eyes. I already got goosebumps about this movie. May can't get here soon enough.

REVIEW -- Marvel's Agents of SHIELD - Season 2 Premiere, Episode 1: Shadows


Marvel's Agents of SHIELD returned Tuesday night (September 24, 2014) with its highly-anticipated Season 2 premiere on the ABC Network, hot off the heels of the events of the Season 1 finale and the events in the wake of Captain America: The Winter Soldier that shook the entire Marvel Cinematic Universe at it's core.

Cast:

Clark Gregg as Phil Coulson
Ming-Na Wen as Melinda May
Brett Dalton as Grant Ward
Chloe Bennet as Skye
Iain De Caestecker as Leo Fitz
Elizabeth Henstridge as Jemma Simmons
Nick Blood as Lance Hunter

Overview: (Spoilers)

In 1945, Agent Peggy Carter and her team raid the last known Hydra base led by Daniel Whitehall, and confiscate the weaponry and technology that they possess, including the Obelisk. In the present, Coulson's team monitor a deal revolving around the Obelisk, which quickly goes awry when Carl Creel arrives, killing the ex-S.H.I.E.L.D. agent offering the intel, and then escaping with it. Back at the Playground, Skye interogates Ward and learns that Hydra is using communication channels not monitored by S.H.I.E.L.D., which the team trace to discover that Hydra has simply returned to the shadows. Soon the team realizes that General Talbot is in trouble and rush to rescue him from Creel before abducting Talbot. Using Talbot's fingerprints, the team breaks into a military facility full of confiscated SH.I.E.L.D. items and locate the Obelisk. Agent Isabelle Hartley (Lucy Lawless) grabs the Obelisk, which begins killing her. Skye and Triplett steal a cloaked quinjet and escape, while May takes off on a motorcycle. Lance Hunter leaves with his team of mercenaries enlisted by S.H.I.E.L.D., only to be ambushed by Creel, causing their car to flip, killing Agent Hartley while Creel takes off with the Obelisk for an ageless Whitehall.

The Verdict:


First of all, let's give Lucy Lawless a hand... Oh wait, TOO early to make that joke, huh? Seriously though, I enjoyed her as Agent Isabelle Hartley in this season premiere episode. I doubt that she's going to stay dead though - who really does though in the Marvel Cinematic Universe other than villains? Plus, it seems like she was a bit too fond of becoming a cyborg too...

While we're on the subject of villains, it should be known that the HYDRA figure who keeps polishing his glasses is none other than Daniel Whitehall, who is known in Marvel Comics as the HYDRA villain known as the Kraken. For a second there, I thought he was Baron Wolfgang von Strucker until they called him Whitehall. I geeked out a bit to see the HYDRA soldiers in their full uniforms and garb in the flashback that accompanied the start of this episode. Many people will regard this flashback as a minor teaser for the upcoming Agent Carter spin-off series, featuring Peggy Carter herself. I was skeptical about that series at first, but now I'm interested to see how that series is going to pan out and how SHIELD's humble beginnings associate with it's current reconstruction.

It was cool to see Agent Coulsen in his new Director role, but it seems like the stress is already taking it's toll out on him. Ming-Na is still the epitome of bad-assery as Melinda May, even though she has some strong competition with Lucy Lawless' Isabelle Hartley in this premiere. The new hardened, battle-ready Skye was a welcome improvement over her character, but I'm still not too crazy about Agent Antoine Triplet (B.J. Britt). He continues his subtle flirting with almost all of the female leads, other than May and Hartley in this episode. I don't know what to think about Lance Hunter in this premiere, so the verdict is still out on him. Keep in mind that we can't trust all of these newcomers, especially in a post-Captain America: The Winter Soldier world full of potential HYDRA agents. That's one reason why I found it was very smart of Coulsen not to meet with everyone in briefings other than his trusted allies, such as Jemma, Skye, or May. I thought it was stupid to keep Ward around though, especially in their new SHIELD base of operations - no matter how "secure" they think it is.

I still have a CRAZY theory from the first season that I think that May is secretly Skye's mother. She seems to have that motherly, "tough love" vibe to her relationship with Skye. I'm waiting to see if this pans out.

While we're on the topic of Skye...

Did anyone notice that Skye is laying on a table full of those sketches/weird equations that both Coulsen and John Garrett were writing in last season's finale? Hmm... I still think it's a blueprint of some kind. Speaking of Skye, I love how we're still in the dark about The Rising Tide as we were in the previous season. That has to be something I hope they shed light upon in this season since it wasn't entirely explored in the first season.

Fitz' relevation about him losing his sanity and his intellect really had me feeling sorry for the guy. I think Fitz is going to reach his breaking point and snap (if he hasn't already) or loose his edge completely. I hope Jemma comes back though. Their bond was just too adorable in the first season. 

One of the treats for long-time Marvel Comics fans in this premiere episode came in the form of two antagonists of the Incredible Hulk making their first appearances in this episode - Carl "Crusher" Creel/The Absorbing Man and General Glenn Talbot. I hope this leads into a future cameo from big green himself before Avengers: Age of Ultron. Alternatively, we could end up seeing Thor making a cameo appearance in this season as he has been known to exchange blows with The Absorbing Man as well.

With the introduction of this new foe, I can appreciate Agents of SHIELD's bigger budget as their special effects are finally up to par with the rest of the Marvel Cinematic Universe to make their already great action scenes look even better.

I loved how this episode ended for Coulsen's team. Coulsen established his new team's merit and devotion to the cause, showing what extremes they are willing to go to see this mission to the end. If that's not loyalty to SHIELD then I don't know what is. Coulsen is definitely off to a good start as the new acting director.

Marvel's Agents of SHIELD is off to a good start for Season 2. "Shadows" set the gears in motion for many things to come in this season. I'm giving this episode a slightly above average score of 8 out of 10.