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Showing posts with label Luke Cage. Show all posts
Showing posts with label Luke Cage. Show all posts

OPINION -- My Problem With The Marvel Netflix Shows In The Wake Of The Defenders "Experiment"



I wrote about what I thought about Marvel's The Defenders in a review about a year ago and it pains me to see that these Netflix Marvel Cinematic Universe-centric shows are still treading the same waters and repeating the same mistakes that plagued that crossover/team-up series.

I keep getting asked by friends, peers, and acquaintances about what do I think of the shows that followed The Defenders - Jessica Jones Season Two, The Punisher Season One, Luke Cage Season Two, and more recently Iron Fist Season Two. I felt like that it wasn't worth my time and effort to discuss those shows individually because I keep getting the sense of deja vu watching each of these shows. It's nowhere as bad as the CW's writing and handling of their DC Comics-based properties at times, but goddammit the writing here frustrates me to no end on how a lot of these shows are handled.


*** MAJOR SPOILERS AHEAD ***
Don't read ahead unless you have seen every
Marvel Netflix series up to this point following The Defenders - The Punisher (Season 1), Jessica Jones (Season 2), Luke Cage (Season 2), and Iron Fist (Season 2)










The Good



Colleen Wing and the potential of a Daughters of the Dragon spin-off

The tail end of Iron Fist Season 2 finally got things right as Colleen Wing was gifted with the power of the Iron Fist as it was revealed during the finale that she was "destined" for this power all along and not Danny Rand - who somehow manifested a new variation of the power after having it stolen away from Davos/Steel Serpent. Critics and fans alike (me included) have agreed unanimously that Colleen Wing/Jessica Henwick was the best thing to come out of everything else that was awful in Iron Fist Season 1 and I'm glad that the writers of this show had the sense to make her the focus and key titular player here instead of Danny Rand. I can't speak for anyone else but when I think of Iron Fist, I think of this being like one of those old school "kung-fu" TV dramas like from days of old or something along the lines of the wandering samurai who slays evil when they encounter it, thanks to their own code of bushido (something that Colleen Wing herself has mentioned on multiple occasions in both seasons that she has studied and practiced in her life).

The best moments of Iron Fist Season 2 were the "buddy cop" moments between Misty Knight and Colleen Wing. The MCU has something special here and I really hope that they don't squander this opportunity. Remember it was Colleen Wing who pulled Misty Knight out of the gutter when her life was spiraling out of control in Luke Cage Season 2 following her recovery. Colleen was there for Misty as a friend when she needed it to find and renew her resolve to badassery and Misty returns the favor here in Iron Fist Season 2. To say that I'm still not too crazy about Simone Missick's casting as Misty Knight, I can't deny that her and Jessica Henwick's Colleen Wing have chemistry in every scene that they share together to make this partnership and friendship work on multiple levels. Hell, I dare say it clicks more than Danny Rand and Luke Cage's "friendship". 

Screw a Heroes for Hire spin-off, let's just get a Daughters of the Dragon spin-off green-lit and going. 



Impressive fight choreography in Iron Fist Season 2 and The Punisher Season 1


Looking at the fight scenes between Season 1 and 2 of Iron Fist is like looking at day and night in terms of differences. That's not a bad thing that's a great thing that they changed the fight choreography for the better here. No excuses this time as Finn Jones had plenty of time between the end of The Defenders and the filming of this season to get his combat/martial arts training down instead of learning it on the set as he cited in interviews after critics tore into his performance in Iron Fist Season 1. 




Great performances from returning cast members


Jessica Jones in Jessica Jones Season 2

Out of the three Defenders left in the wake of Daredevil's sacrifice at the end of that series last year, Jessica still comes across as my personal favorite. She knows she's a flawed person, but still strives to do the right thing. She's not "addicted" to her powers (Iron Fist/Danny Rand) nor does she try to present herself as to being something bigger than she is (Luke Cage).

Krysten Ritter continues to impress in this role and still has that extra "weight" on her that looks healthy on the character (I mentioned this briefly in my write-up for The Defenders) instead of how scrawny she looked in the first season. Allegedly, Jessica Jones Season 2 was filmed almost immediately following The Defenders, so that's why she looks the same here as she did in that series.

Kilgrave in Jessica Jones Season 2

You have to sit through the bulk of Season 2, but Kilgrave returns in the tail end of Jessica Jones Season 2 after Jessica finds herself forced to kill an adversary who was mere seconds away from ending her life. She instantly regrets the decision, seeing it as her own devolution into becoming "the monster" that her mother has become, thanks to the same experiment that she underwent to obtain her powers. Kilgrave appears to her as a hallucination, much like The Joker did to Batman during the events of Batman: Arkham Knight, despite being already dead. Kilgrave exists as the dark side of her psyche, taunting and reminding her that she's destined to be just like him.


How can you hate Kilgrave when he reminds us of how much he enjoyed Trish's "I Want Your Cray-Cray" music video?



Mariah Stokes/Dillard in Luke Cage Season 2


From as much as I felt that she wasn't a strong enough villain to fill in the void left after Cottonmouth's demise in Luke Cage Season 1 as the head of his criminal empire (no pun intended...) in Harlem, I thought she came into her own as a villain here in Season 2. Her stand out moments were her "hoodrich" moments where she seems to instantly drop her PR face and show her true colors; oftentimes belittling and berating those around her, especially Misty Knight and her underlings.
That awkward moment in Luke Cage Season 2 whereas they acted like Danny Rand was a completely new/different character in contrast to his pre-Defenders state.


Standout performances from newcomers


Alisa Jones (Campbell) 



The reveal that Alisa was the mother of Jessica Jones was one of the better elements of Jessica Jones Season 2, highlighted by the fact that actress Miriam Shor portrayed her with a lot of chemistry with Krysten Ritter's Jessica Jones to believe that she was her mother in all of their scenes that they shared together.

You could feel the tension in all of the scenes when she lost her grip on her sanity and her raging emotions until she gave into the monster that the experiments done to her made Jessica's mother into.
Such a shame that we won't get to see her return in Season Three, but at least there's a possibility in flashbacks as all of the questions concerning the origins of Jessica's powers after being experimented on by IGH

Only downside is that she's a piss poor "final boss" of sorts for Jessica at the end of Season 2. Then the narrative allows Trish to kill her instead of Jessica to just throw a wrench into everything up to that point

Effin' Bushmaster. A character who I honestly wrote off as being a cannon fodder when I read the casting news for this season, but I was glad to be wrong. That dude could have be nice to see in a Black Panther sequel TBH. Mustafa Shakir already got the accent and fighting style (Capoeira) down.

The guy doesn't just beat Luke Cage once, he defeats Luke Cage or manages to hold his own against the super-powered hero multiple times over the course of Luke Cage Season 2.

My only issue with Bushmaster was that after all of that hype and time spent on this guy the entire season, we don't even get the satisfaction of seeing him get a definitive end of his journey this season.

One of the minor characters just calmly state that he went back to Jamaica off-screen. I wouldn't be surprised that he died from that concoction of potions and voodoo nonsense that he was hyping himself up on finally did him in. If it doesn't happen in the next season of Luke Cage, then I wouldn't be surprised that it happens in the rumored second season of The Defenders with a spin on Marvel Comics' Dark Avengers with a sort of Dark Defenders to stand against the heroes.






I can promise you that after most people are done watching Iron Fist Season 2, the only thing people will be talking about is this character instead of Davos or the Meachum Family in terms of "antagonists" for that season.
It was excellent on how Alive Eve was able to juggle both roles flawlessly. The shy and timid Mary while Walker was calm and collected, yet prone to violence. I'm very anxious to see what the writers have in store for this characters' future in the Marvel Cinematic Universe.

Just about all of the newcomers and reprising cast members in The Punisher

I've never been a fan of The Punisher character in comics, but everyone from Jon Bernthal as Frank Castle / Punisher, Ebon Moss-Bachrach as David Lieberman / Micro, Ben Barnes as Billy Russo, Amber Rose Revah as Dinah Madani, Daniel Webber as Lewis Wilson, and even to Jason R. Moore as Curtis Hoyle contributed to making the initial season of The Punisher worth a watch, even though I felt like the series dragged on excessively at points. Pacing hasn't a strong suit for any of these post-Defenders Marvel Netflix shows. I can't stand Deborah Ann Woll as Karen Page since the first season of Daredevil and I continue to feel like she's a waste of space in this series - along within Daredevil to boot; so for those wondering, she's the lone exception to my statement here.




The Bad



The Lack of Claire Temple (Rosario Dawson)

I don't know if they could afford to keep Rosario Dawson on payroll after these shows got into full swing, but the lack of her as the glue that kept all of the Defenders working like a well-oiled machine is painfully glaring at this point. At the same time, I wonder if her disappearance is on purpose to symbolize that the Defenders came together when she was present in all of their shows while they fall apart when she walks out of their lives. If that's the case, then that's some genius-level foreshadowing and symbolism.

Then when you see articles like this floating around online, it doesn't give any high hopes that she's coming back to the MCU in any capacity.

The Meachum Family drama was just awful

It was bad in Iron Fist Season 1 and I don't understand why they continued it in Season 2 with Joy's motivations making little to no sense at all for first plotting with Davos against Danny then siding against Davos to foil his plans. 

We don't see enough of Ward's "addiction" to care so his whole therapy arc kind of fell flat right off the bat. Adding a pregnancy towards the end of the season didn't do it any justice either. Seriously though, what was up with the writers trying to tease that him and Misty Knight could have a thing though? I'm STILL trying to wrap my head around that one...


Luke Cage is just so damn corny



This article right here put this much better than I could have in any shape or form. 

In terms of character evolution/development following The Defenders' events, a lot of these heroes have taken steps backwards. I can't include The Punisher in that conversation as his series was off in it's own little world, separate from went on during The Defenders since he wasn't in that series at all, despite playing a part in foiling The Hand's plans at the end of Daredevil Season Two. 

Jessica Jones falls back to her anti-social tendencies after learning to open up and function as a part of the team during The Defenders, thanks to her time bonding with Matt Murdock/Daredevil. She comes around by the end of Season 2 by bonding with Arocho's family, but she's still disconnected (more than she ever was) to her "sister" Trish Walker and "business partner" Malcolm Ducasse, despite their "help" over the course of the season on her case(s).

Luke Cage ends up becoming what he was fighting against all of this time for two seasons - the head of the criminal empire, claiming that it's the only way to maintain "order" in Harlem.

Danny Rand loses the Iron Fist to Davos, mostly thanks to his own self-doubts and imbalance with the power that led to him becoming "addicted" to the thrill that using it provides under the excuse that he was fighting for justice. He hasn't learned anything from Matt Murdock's sacrifice in The Defenders and continues to attempting to walk the path others have carved out for him instead of making his own. What's really frustrating is that when we see Danny in Luke Cage Season 2, he seems like he's mellowed out and actually enjoying life while at the same time finding the balance to master his powers. When we return to following his adventures in his own show, it's like all of that was thrown out of the window to revert back into the adopted boy yearning to be accepted by his K'un L'un family by following their teachings without question.

Without even seeing Daredevil Season 3, we can deduce from the teaser trailer that Matt Murdock is spiraling further down the rabbit hole as he wants to abandon his responsibilities as Murdock altogether and solely be Daredevil. To be fair, Murdock has been dealing with the struggle to juggle both parts of his life to tragic results since Daredevil Season 2, so I wasn't expecting a fix for that issue when he basically put the costume back on devoted to be martyr to save both the city and Elektra from The Hand. 

The heroes are only as "smart" as the narrative deems "appropriate" or necessary for the plot to move forward

A lot of this is across the broad for majority of the Marvel Netflix shows, but Misty Knight is the biggest culprit to this crime. In professional wrestling, fans have come to call this "stupid babyface syndrome" in that medium's narratives. Misty Knight comes off extremely stupid at times (she's three for three if you add up all of her fuck-ups between both Luke Cage seasons and The Defenders), even after that same stupidity got her arm chopped off - hence repeating the ever present issue plaguing these narratives that the heroes are only as "smart" as the narrative deems "appropriate" or necessary for the plot to move forward the narrative.

The a lot of these subplots for minor characters either not making sense or falling flat completely.


Tilda Johnson's introduction and character path/journey over the course of Luke Cage Season 2 was just all over the place.

It ultimately didn't make not one lick of damn sense. If she just wanted peace with her life and not to be caught up with her "mother's" shady dealing then why did she make a deal with Bushmaster to begin with? Plus we already know that she's set to become a villain (Dr. Nightshade) in Season 3 due to the titular actress spoiling that in an interview, so I'm just throwing my hands up at this point on this fuckery. You could say that she was doing this to save her own skin in that situation but she could have easily killed Bushmaster in the same manner that she poisoned her own mother.
She had plenty of chances to walk away from the world that the Dillards/Stokes drew her into but didn't. She has herself to blame more than anything else. Anyone with a fully functioning brain could tell that Mariah was using the "relationship" with her daughter as bold PR move.

I'm sure that the revelation of how she came into this world was the thing that threw her over the edge, but after that outburst of how Mariah didn't want her, why was she surprised that her mother would leave her anything in her will? You're trying to tell me that her own pettiness for her mother that she didn't really want nothing to do with at that point anyway is the reason she wants to become a super villain out of spite to Dillard leaving Harlem's Paradise to her? That's as lame of a motivation as Lex Luthor's hair falling out from that lab accident with Superman on Superfriends... 

While Shades and Mariah Dillard's "romance" will more likely be the talk out of most things that happened in Luke Cage Season 2, no one would have guessed that his noteworthy role in this season would be a gay subplot.

Poor Shades ends up being the victim of horrible lazy writing in Luke Cage Season 2.

All season he had his actions and motivations downplayed as merely the actions of a lovesick puppy trying to impress his lady (Mariah Dillard/Stokes) with a homosexual relationship with his former prison mate, Comanche, hinted at between the lines of a homosexual relationship between the two. I know I'm not the only one who caught that throughout the course of the season as it's pointed out in one conversation between Comanche and Shades that they were "lovers" in prison, but Shades merely brushes it off as comforts of the circumstance. Between juggling his extreme loyalty to Mariah and his "friendship" to Comanche, Shades' insecurities led him to kill his own best friend and frame the murder on one of Misty Knight's fellow officers who also died at the scene of the crime. It didn't take much for Misty Knight to get a confession out of him in order to save his own skin when Mariah Dillard was getting locked away. To say that guy spent all of this time embedded into Mariah's servitude as part of her "empire" of sorts, it didn't take much to make him sing like a bird to save his own skin once shit hit the fan. To be fair, this was one of the better "sexual identity/discovery" subplots on one of these superhero TV dramas, but ultimately ends in the same Hollywood cliches with the homosexual partner ending up dead and nothing really resolved on that front, leaving audiences wondering "what if?" after it's all said and done.

How the mighty have fallen... Shades was one of the best written characters in Season 1 and they just fucked him all to hell here. By this point, I felt that Shades should have had some higher goals for himself instead of being content on being a lackey. 


Trish's journey in Season 2 to get superpowers seemed more like after-school special "Don't Do Drugs" PSA than anything positive. It just painted the picture that she was always jealous that Jessica had powers and never really wanted them, but she did out of envy.
Jessica Jones Season 2 content involving Trish Walker that led to her getting superpowers that were "teased" at the end of that season was a little in bad taste I felt.

I understand that Trish did it to help protect Jessica Jones at first. Later on, it turns into an addiction that turns into an obsession to have what Jessica has. I thought they already did the redemption story on the consequences of drug abuse with Malcolm in the last season while Trish gets caught up doing the exact opposite here. If they are going to make Trish a heroine off the result of her drug addiction then that's going to rub a lot of people the wrong way in my honest opinion.

The filler/unnecessary baggage that each of these shows (except for Iron Fist Season 2, which only spanned 10 episodes) to stretch out to justify that episode order of 13 episodes. 

This unnecessary baggage hurts both seasons of Luke Cage more than it hurts the other two series as let's be honest, there's not that much compelling storytelling nor action on his end of the spectrum on this side of the MCU. How many times can we just watch him stand still and shrug off bullets and just throw guys to the ground like they were nothing? Or the off chance of him getting drugged and getting his ass kicked? At least Bushmaster spiced things up a few times in Season 2, but the bulk of the action in Luke Cage is poor.




The Ugly



Narrative across the board is still muddled. No cohesive thread/bond like found in the feature films. Each show is written as if there's no regard nor recognition that the same outcomes and themes are recycled in show to show. 

At this stage, there's NO excuse for this, especially when all of this stuff is supposed to be "connected" in a sense. The more people say that the more it's lost in translation when it comes to these Marvel Netflix properties. 

Every single one of these shows have fallen into the same pattern and it's infuriating that the writers and more people in general haven't picked up on this.
  • The obligatory sex scene in the first six episodes to justify the R-rating on Netflix
  • Everything in the first half serves as either filler or fluff to build up to a catch-22 twist at the halfway point of the season where everything and anything hits the fan to set the stage for the last act
  • Season Finale serves as climax against the season's "final boss" of sorts while providing an epilogue to explain and elaborate on everything that either didn't make sense, wrap up loose ends, and/or tease the next season on what's to come. i.e. Pretty much dumbs down last episode of the season as "let's just try to wrap everything up SAW style with details you might have missed to make us look smart" but not really because it's lazy writing
    • Insert random super-powered obstacle or villain that we're going to drag out motivations that has family ties/prior relationship to main cast
      • BS filler until roughly Episodes 6-9
        • Oh and cameo from other Netflix hero/minor-cast member (optional)
        I KNOW I can't be the only one who has picked up onto this pattern... It drives me nuts to no end in terms of frustration to see that EVERY SINGLE ONE of these Marvel Netflix shows follow the same patterns and tropes, honestly to the same effect. It paints the picture to me from series to series and season to season that the writers aren't watching each others' shows and a lot of this is recycling and rehashing the same territory. Y'know how people complain about how many times Spider-Man/Batman movies and cartoons have been rebooted and/or remade over the years? That's how it feels here. It's like almost no one looks at what came before and just throwing shit against the wall to see what works. 


        Closing Thoughts


        We still have Daredevil Season Three to hold out for in terms of hope that the Marvel Netflix end of the Marvel Cinematic Universe spectrum could turn things around. There's times where I'm watching these shows and wondering if they should even continue them in this state if they are going to continue rehashing the same material over and over with different players (namely a new villain of the month). That series drops within the span of the next couple of days, so we'll see whether or not that my opinions will change on this matter after the devils of Daredevil Season 3. 

        REVIEW -- Marvel's The Defenders (Netflix) - Season One (Episodes 1-8)



        Marvel's The Defenders, or simply The Defenders, is an American web television miniseries created by Douglas Petrie and Marco Ramirez for Netflix, based on the Marvel Comics characters Daredevil, Jessica Jones, Luke Cage and Iron Fist, who form the eponymous superhero team. It is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise and is the culmination of a series of interconnected shows from Marvel and Netflix. The miniseries is produced by Marvel Television in association with ABC Studios, Nine and a Half Fingers, Inc., and Goddard Textiles, with Ramirez serving as showrunner.

        The limited series stars Charlie Cox as Matt Murdock / Daredevil, Krysten Ritter as Jessica Jones, Mike Colter as Luke Cage, and Finn Jones as Danny Rand / Iron Fist, all reprising their roles from their individual series. The miniseries also stars Eka Darville, Elden Henson, Jessica Henwick, Simone Missick, Ramón Rodríguez, Rachael Taylor, Deborah Ann Woll, Élodie Yung, Rosario Dawson, Scott Glenn, and Sigourney Weaver. Development on the miniseries began in late 2013, with Cox the first actor cast in May 2014. Petrie and Ramirez joined as showrunners in April, after serving in the same role on the second season of Daredevil, though Petrie left with the start of filming, which took place in New York City from October 2016 to March 2017.

        The Defenders premiered in New York on July 31, 2017, with the full season of eight episodes released on August 18, 2017 on Netflix.


        Cast:

        Main

        Charlie Cox as Matt Murdock / Daredevil
        Krysten Ritter as Jessica Jones
        Mike Colter as Luke Cage
        Finn Jones as Danny Rand / Iron Fist
        Eka Darville as Malcolm Ducasse
        Elden Henson as Franklin "Foggy" Nelson
        Jessica Henwick as Colleen Wing
        Simone Missick as Misty Knight
        Ramón Rodríguez as Bakuto
        Rachael Taylor as Trish Walker
        Deborah Ann Woll as Karen Page
        Élodie Yung as Elektra Natchios
        Rosario Dawson as Claire Temple
        Scott Glenn as Stick
        Sigourney Weaver as Alexandra


        Recurring

        Wai Ching Ho as Gao
        J. Mallory McCree as Cole Miller
        Michelle Federer as Michelle Raymond
        Chloe Levine as Lexi Raymond
        Babs Olusanmokun as Sowande
        Ron Simons as Strieber
        Yutaka Takeuchi as Murakami

        Guest

        Peter McRobbie as Lantom
        Debbi Morgan as Delores Miller
        Marko Zaror as Shaft
        Carrie-Anne Moss as Jeri Hogarth
        Rob Morgan as Turk Barrett
        Amy Rutberg as Marci Stahl
        Susan Varon as Josie
        Alex Moggridge as John Raymond
        Nichole Yannetty as Nicole

        Episode Summaries: (FULL Spoilers)


        No. Title  Directed by Written by Original release date

        1 "The H Word" S. J. Clarkson Douglas Petrie & Marco Ramirez August 18, 2017


        While hunting agents of the Hand in Cambodia, Danny Rand / Iron Fist and Colleen Wing are told that the war they are fighting is actually taking place in New York City. There, Matt Murdock has given up his life as the vigilante Daredevil and is working as a pro bono lawyer. He remains conflicted due to his feelings for Elektra Natchios, who died fighting the Hand. Luke Cage, his name cleared by Murdock's ex-partner Foggy Nelson, returns from prison to the streets of Harlem where police detective Misty Knight informs him of local kids who have been getting involved with a mysterious business and ending up dead. After learning that all her major organs are failing and she has little time to live, a woman informs her colleagues to speed up their plans, and subsequently watches with a resurrected Natchios as a large earthquake tears through New York, felt by Rand and Wing as they return, and private investigator Jessica Jones as she discovers explosives while searching for a missing husband that an anonymous caller warned her to avoid.

        2 "Mean Right Hook" S. J. Clarkson Lauren Schmidt Hissrich & Marco Ramirez August 18, 2017


        Jones calls the police, but Knight sees her taking some evidence as she leaves the scene. Cage follows some leads on local kids after interrogating Turk Barrett, and finds them being sent to clean up a workshop where several enemies of the Hand have been murdered. Rand and Wing are also investigating the workshop, leading to a fight between Rand and Cage which only ends when the police arrive. The mysterious woman, Alexandra, is informed that her group's plans have been halted by a mystical wall. Alexandra believes this may actually be a door, and interrogates an old enemy, Stick, for answers on this. Jones is warned off her investigation by lawyer Jeri Hogarth, who later tells Nelson to keep any fallout from Jones's actions away from their firm. Jones returns to her apartment to find the missing man, John Raymond. They are attacked by Natchios, but he kills himself first. Jones chases Natchios, but is caught and arrested by Knight. Murdock soon arrives to serve as Jones's lawyer, having made an agreement with Nelson to carry out some of his extra work.

        3 "Worst Behavior" Peter Hoar Lauren Schmidt Hissrich & Douglas Petrie August 18, 2017


        Months ago, the Hand acquired the ancient weapon Black Sky—the body of Natchios—and used the last of their resources to resurrect her. Under Alexandra's tutelage and regaining the ability to speak, the Black Sky was prepared to fight as a weapon against the Hand's enemies. In the present, Jones dismisses Murdock's help, but he becomes interested in her case and begins investigating it himself. Stick escapes from Alexandra and Elektra by cutting off his left hand. Cage tells his girlfriend Claire Temple about his fight with Rand, whom she knows. Temple organizes a meeting between the two, hoping they can work together to fight the Hand, but they clash over their respective backgrounds. Inspired by some of Cage's comments, Rand decides to take a different approach and uses his corporate influence to find the Hand's new front, Midland Circle. Cage visits the mother of one of the local kids the Hand had hired, while Jones investigates Raymond's job. They also learn of a connection to Midland Circle. Cage arrives there to help Rand fight the Hand, soon followed by Jones and Murdock. They are attacked by the Black Sky as Murdock recognizes Elektra, but Rand drives her off.

        4 "Royal Dragon" Phil Abraham Douglas Petrie & Marco Ramirez August 18, 2017


        Rand, Cage, Jones, and Murdock escape to a nearby restaurant to hide out. With everyone introduced, Rand proposes that they work as a team to defeat the Hand, but Murdock is unwilling to get involved, and Jones leaves. Stick finds the group, having already known Murdock and known of Rand. He explains that a long time ago the elders of K'un-Lun came together to study the healing powers of qi, but five among them wished to use this power to live forever and were cast out. They became the five fingers of the Hand, and include Alexandra (who has gone by many names through the centuries), Madame Gao, Sowande (who has been recruiting the Harlem kids), Murakami, and the recently deceased Bakuto. Now the Hand have defeated all that oppose them, except for Stick and the Iron Fist. Alexandra arrives and offers to spare New York if Rand leaves with her, since their plan requires the Iron Fist, but he rejects her offer. Jones realizes that the Raymond family is still in danger, and returns to help as the Black Sky attacks.

        5 "Take Shelter" Uta Briesewitz Lauren Schmidt Hissrich, Douglas Petrie & Marco Ramirez August 18, 2017


        The Hand converges on the restaurant, and Murdock lures the Black Sky away from the fight. When he calls her Elektra, she flees, but not before preventing Murakami from killing Murdock. Cage is able to kidnap Sowande while the others escape. After Sowande warns that their loved ones will be targeted next, they convince their friends to stay with Knight at the police precinct until they are out of danger. While doing this, Wing is confronted by a resurrected Bakuto, who unsuccessfully attempts to recruit her to his cause after raising her as a member of the Hand before she met and joined with Rand. Murdock decides to take up his Daredevil identity once again, something that concerns the leaders of the Hand due to his relationship with Natchios. Murakami questions Alexandra's reliance on the Black Sky to complete their goals and notes that they can all be killed now that their resources were used on Natchios. He suggests that they devise a new plan without Alexandra. Stick decapitates Sowande when he attempts to escape capture.

        6 "Ashes, Ashes" Stephen Surjik Drew Goddard & Marco Ramirez August 18, 2017


        Now realizing that the Hand wants the Iron Fist as a key to unlock something, the group decides to hide Rand away while they continue the fight. However, Rand disagrees and attacks the others. They stop him, and tie him up, with Cage and Stick watching over him while Jones and Murdock continue the investigation of Raymond. Natchios begins to regain memories of her previous life, but Alexandra insists that she is not that person anymore. Meanwhile, the other leaders of the Hand learn of Sowande's death, and continue to lose faith in Alexandra's leadership. Murdock and Jones learn that there is something beneath Midland Circle, a hole to which Murdock had come across previously when dealing with the Hand. They return to the group with plans of attacking the building, to find Stick attempting to murder Rand to keep the Hand from using him. They are interrupted by Natchios, who kills Stick and takes Rand. Alexandra gloats to the other leaders about this victory, but is murdered herself by Natchios, who claims leadership of the Hand.

        7 "Fish in the Jailhouse" Félix Enríquez Alcalá Lauren Schmidt Hissrich & Marco Ramirez August 18, 2017


        Jones, Murdock, and Cage wake up in the police precinct as suspects for the murders of Sowande and Stick. They tell Knight about the Hand, but try not to go into the details or let her get involved much to the chagrin of her superiors. The remaining fingers of the Hand agree to let Natchios pursue her goals, hoping that she will grant them access to the substance they need to avoid death (the last of their supply was used on Natchios). She takes Rand below the building to the mystical door that they need him to open. Jones, Murdock, and Cage escape the precinct and go to Midland Circle, where they are confronted by Gao, Bakuto, and Murakami. Wing soon arrives to help, bringing with her the explosives that Raymond had been stockpiling. The group drives the fingers of the Hand away. Knight and Temple arrive soon after, and Knight agrees to stall the police while the others get to Rand. Natchios tricks Rand into opening the door, causing a blast that knocks out power throughout the city. Rand awakens beneath the skeleton of a dragon.

        8 "The Defenders" Farren Blackburn Lauren Schmidt Hissrich & Marco Ramirez August 18, 2017


        Gao explains to Rand that like he gained the power of the Iron Fist from a dragon, the substance that the Hand uses for resurrection comes from the bones of dragons. The Hand begins harvesting the skeleton, and Gao notes that this will weaken the foundations of the city and cause widespread destruction. Wing and Temple place the explosives so as to destroy the building once the others escape. They are confronted by Bakuto, who cuts off Knight's arm when she arrives to help. Wing kills Bakuto, but his body sets off the timer for the explosives. Jones, Murdock, and Cage arrive in the cavern to help Rand, and they fight the members of the Hand together. When Murdock realizes that the explosives are about to go off, he gets the others to leave immediately. He remains to plead with Natchios, and the two are together as the building implodes around them, as well as Gao and Murakami. The entire situation is covered up, and Rand, Jones, and Cage look to move on with their lives, protecting the city. Murdock later wakes up with a nun at his side.


        The Verdict:

        The series came out on Netflix Friday morning. I watched the opening to the first episode before I went to work, then I binged the first six episodes that evening while finishing it off the final two episodes that following Saturday morning.


        Even though I didn't care much for the previous two Marvel Netflix releases, Luke Cage and Iron Fist, I went into this series with an open mind since this would be the first time where all four Marvel Netflix heroes (Daredevil, Luke Cage, Iron Fist, and Jessica Jones) would share the same screen. These shows have been building towards this since we started with Daredevil Season One, so let's discuss this, shall we?

        Casting


        My feelings from the individual casting decisions from all 4 Marvel Netflix series to date (both seasons of Daredevil, Jessica Jones, Luke Cage, and Iron Fist) haven't changed at all going into this. I still can't stand Marvel Studios' choices for these actors/actresses portraying Iron Fist/Danny Rand, Elektra, Misty Knight, and Karen Page, but whatever.

        I wasn't too crazy about Ritter previously if you remember my Jessica Jones review, but I'm completely fine with her in that role after this series. Part of that is because it seems that Krysten Ritter doesn't look like she's skin and bones anymore and actually has meat on her bones for filming this series, while at the same time her performance isn't so deadpan serious and depressing like it was in Jessica Jones. She's actually my favorite female character and female actress in this - well, behind Rosario Dawson's Claire Temple and Jessica Henwick's Colleen Wing, of course. If I may be bold in saying this, but those three are the three strongest actresses in this series.

        Simone Missick's Misty Knight still comes off as the token sassy black chick that ANY black female could play that's even more generic than Beyonce's Foxy Cleopatra from Austin Powers. I was half expecting her to say "Shazam!" at one point on the last two episodes... Her stupidity from the writing of this script still carries over from my gripes with her character in Luke Cage here. People keep asking me why do I hate her so much, but it comes down to her facial expressions. Missick has the worst reaction facials for everything she says and does. I know that there's that "ratchet" thing where people love that "stank eye" look stereotypical black female characters do and that's part of Misty's character if you're going by her and Luke Cage's Golden/Silver Age Marvel Comics history, but if Luke Cage (with Mike Colter's performance) can break from his ghetto stereotypes and evolve into a dignified black character, then it's not a crime for me to expect more from Misty Knight. For crying out loud, I was pissed off enough the past month when people on social media were trying to make Storm a stereotype from those ghetto X-Men memes. I swear that they are keeping Simone Missick around just because she has a huge rack. I have no shame in admitting that I do want to see how she's going to look in costume as Misty Knight down the road from the neck down though.

        Deborah Ann Woll's Karen Page has a minimal role in this series and thank god for that. She annoyed me enough during both seasons of Daredevil, but unfortunately, she's one of the main cast members for the upcoming Punisher series. Ugh...

        Elodie Yung's Elektra Natchios is just a poor performance all around. I didn't care for her as Jinx in GI Joe: Retaliation, didn't care for her as Elektra in Daredevil Season Two, and didn't want to see her resurrected and reprise the role here. I'm with Frank Miller in terms of she doesn't fit how he creatively envisioned how his character was going to look when he created her. If you don't know, Frank Miller modeled Elektra originally after bodybuilder Lisa Lyons. In terms of playing this part, she does absolutely nothing for me in the role. She comes across as boring and bland as 90% of the DC villains for their The CW Network shows based off of their comics.

        Narrative and Presentation

        I'll say this now but my discussion on the plot for this is going to be a little scatter-brained as I jump around on a few points, but do try to bare with me on this.

        Like I jokingly mentioned to a few friends over the weekend, this series is best described as Daredevil Season 2.5 and Iron Fist Season 1.5 as this series wraps up a lot of the nagging plot points from those two series involving the Hand organization. Luke Cage and Jessica Jones find themselves dragged into this ordeal by pure chance if we want to be perfectly honest. In Jessica Jones' case, she stumbled onto this situation while running her own investigation so her inclusion made perfect sense. Luke Cage just happened to be following one of the troubled teens from his neighborhood that were doing the clean-up work for the Hand's murders that wind up with a run in with Danny Rand. Otherwise, Luke Cage wouldn't even have stumbled into this affair if Misty Knight didn't talk him into looking into it in the first place (only for this same chick to have issues with his vigilante behavior later... ugh, this bitch...) unless Claire Temple brought him and Danny Rand/Iron Fist together via different means. That being said, the four Defenders don't officially team-up until roughly Episode 3 and the early bit of Episode 4, so everything up to that point is legwork leading up to this inevitable live-action Marvel Team-Up.

        I hate to say this, but with the more Marvel Netflix shows that come out, it seems like their narratives suffer more and more as these storylines try to intersect. On top of that, it seems like Marvel hasn't learned from their previous mistakes either. For example, the same issue of repeating the obvious to the audience when we just literally saw the same thing as the characters did less than five minutes ago is done again here which was an nagging issue with Iron Fist. The most noteworthy offender is the scene where they captured one of Alexandra's allies and interrogate him only for Colleen Wing to ask what did he say when she was CLEARLY there in that same scene with everyone else. Iron Fist was criticized for this same method of storytelling and it's jarring to see that technique recycled here.

        While we're on the subject of Iron Fist, let's talk about how much of a total bore that Danny Rand continues to be in this series. It was bad enough in his own series and amplified even more here. He's more of a spoiled and sheltered rich kid, than "white privilege" as Luke Cage put it. That similarity was a bit too extreme for my taste as they were digging too hard to make a black vs. white argument here when Danny's best friend, Davos, was a man of color. It just seemed like they were quick to throw the race card in the conversation since Luke Cage was the token black superhero in this series. Once again, that just came off in really bad taste for me. Back on Danny though... everyone else in this story in terms of the four Defenders have a somewhat plausible reason for getting involved with the Hand situation. Luke's noble as fuck and just genuinely wants to help people, not just in Harlem, but all over. Jessica is doing her detective thing as part of her Alias Investigations work and stumbled onto something totally over her head. Matt Murdock/Daredevil is trying to distance himself in the wake of the events at the end of Daredevil Season 2, but find himself pulled back in with the Hand threatening his love ones again. Danny Rand is just there because he's pissed off his imaginary homeland is gone with the inhabitants left for dead. Oddly enough, that's something that's never really explained unless I missed it.

        So yeah, Danny is wondering around trying to get revenge on the Hand when they have been in New York all along. Mind you, that's something that was clearly pointed out in his own series. The best thing that came from Iron Fist in this series was his fight against the other Defenders towards the end since he couldn't keep his mentally unstable ass under control and lashed out against his friends. I took great pleasure seeing everyone beat some sense into this kid. It seemed to work too as it mellowed his character out by the series end. Sadly, it doesn't stop him from being a tool for the Hand, or rather Elektra, to open that cavern underneath Midlands Circle.

        By the way... are we supposed to assume now that Fin Fang Foom and his brother dragons exists in the MCU now after seeing the bones of that dragon underneath New York City?

        Charlie Cox's Daredevil and and Krysten Ritter's Jessica Jones have crazy good chemistry in this and almost every scene that they are in together is a joy as a result. I thought it would have been Mike Colter's Luke Cage that would have had a much more interesting bond to explore here with Jones, given their comic book history and hook-up in her own TV series, but it's Jones and Daredevil that have hit it off as unlikely friends. I'm anxious to see how they are going to flip the script and establish Iron Fist and Luke Cage as best friends like their comic book counterparts when their initial relationship was defined by a black vs. white argument. That's going to be a tough pill to swallow if mend fences to try to make someone your best friend after pulling out the race card. At least we have that possible future between Cage and Jones after that look he had about getting "coffee" sometime... I dunno how they are going to move Claire out of the picture in that dynamic, but if we're going by the comics continuity, that's who Jessica Jones ends up with and has a kid with.

        Jessica Jones Season One ranks as my second favorite Marvel Netflix show to date, but goddamn there were points where I hated her character in that show. Here, they fixed all of that. She's better here at pointing out the stupidity in this narrative (and the bad dialogue across the board at times...) and overall this fucked up situation that the Defenders find themselves in this series. Whereas that was Claire's job to point out the stupidity in the narrative in Iron Fist, Jessica Jones takes that role front row and center here. She wasn't much use in the many fights that they found themselves in ("Am I the ONLY one who doesn't know karate around here?") but manages to bring the humor to a lot of the scenes she's a part of.

        I know it seems like I give Luke Cage a lot of shit, especially in relation to his Netflix series of the same name, but I thought Cage did fine here. Like I mentioned before, he genuinely wants to help people - all of them, not just those in Harlem, and sticks around to deal with the Hand as a result. My only issue with him, or rather with the Hand, is that to say that they have so many connections, I'm surprised that they didn't have any of those special bullets designed to piece his skin or any special counter-measures to his power set. I mean really, Alexandra knew who all of them were outside of the identity of the Devil of Hell's Kitchen/Daredevil - at least enough to target their loved ones, but didn't have enough foresight to look into possible weaknesses or they thought their immortal mumbo-jumbo Hand magic (no pun intended there, seriously...) was enough? They should have looked into getting whatever that poison was that Stick used on Cage before he was killed by Elektra.

        People keep wondering why the Avengers don't get involved in the Marvel Netflix stories and poor planning by the Hand makes them come off as pathetic as those goons in Batman '66 with the "Thug 1", "Thug 2", etc. on their shirts. Tony Stark/Ironman probably felt that tremor in New York and turned over in his bed, going, "Wake me up when it's important..." Villains of that caliber aren't even worth the Avengers' time. Hell, they are barely worth the Defenders' time to be quite honest.

        With or without Elektra being involved, I firmly believe that Matt Murdock would have answered the call to save New York against the Hand or whatever threat that Alexandra brought forth. After the earthquake, the viewers clearly saw that he couldn't stand still while innocent lives were being threatened. Putting everything on the line merely for Elektra just seemed like a horndog cop out to me. In terms of writing, it's up there as bad as Spider-Man 2's metaphor that Peter Parker lost his powers mainly because he wanted to get laid from Mary Jane. They didn't need Elektra's involvement to define Murdock/Dardevil or give him a reason to be a martyr. No, he would have done that anyway for the sake of his city. Look at how much he's given up and endured already. How much physical abuse that his body was taking in Daredevil Season One was proof enough of that. As much as I didn't care for Elektra's actress nor her as a character in this continuity, I will admit that there were some clever narrative points to having her involvement cause a bit of tension in this team coming together, along with dealing with the fallout of her demise from Daredevil Season Two, despite how rushed all of that was.

        As much as I enjoyed Sigourney Weaver in the role of the villainous Alexandra that was the impromptu head of the Hand, I felt that her talents were wasted here to an extent. She was teased and hyped up in the trailers for this series as the final boss of sorts when it came to the Hand, especially during the Defenders' first confrontation that led to them all partnering up. To see her get killed off with no thought was a major disappointment, especially when Luke Cage did this with Cottonmouth to make Black Mariah the main villain for the final act of the first season and we saw the same thing with Bakuto in Iron Fist (whose resurrection here served absolutely NO purpose outside of chopping off Misty's arm) in favor for the Meachum family dilemma to reach it's climax. Once again, I wonder if the writers even watch the other Marvel Netflix shows leading up to this point when the writing mirrors the same tropes and swerves.

        In this case, Alexandra is replaced with the lackluster "final boss" in Elektra, who came across as a lovesick puppy and spoiled brat than any real threat as a major supervillain. I was left feeling that a lot of the Elektra resurrection stuff could have been saved for Daredevil Season 3 like I said in that review since of rushing that plot after devoting so much of that season's content to The Punisher beforehand. Elektra doesn't have any real plans of her own outside of fulfilling Alexandra's goal for immortality (which kinda didn't make much sense to say she was dying but was already alive for so long previously up to this point...)

        In terms of presentation, I did enjoy the use of color as explained here for symbolism, but there's a few things that still annoy me that carried over from Luke Cage. Maybe it's because I'm black and this irks me that the Marvel Netflix shows are going out of their way to point out that Luke Cage is the token black superhero here. The background music changes to hip hop/rap beat once Luke Cage enters the scene for the first few episodes and follows troubled black youths in a lot of stereotypical black situations that we are used to seeing on television. It gave off the impression to me that the writers here wanted Luke Cage to wear a flashing neon sign that read "BLACK SUPERHERO HERE" for the first few episodes. Fortunately, that trend stopped roughly after Episode 3.

        In terms of the use of color though, they went down to that dull and depressing grey/black/blue blend by the finale. That really hurt the visuals in the last episode as you could barely make out most of the action in that cavern the Defenders were fighting the Hand in. That didn't do the already bland climax of their final battle any favors at all visually.

        Speaking of the "climax" to this story at the end of Episode 8, let's talk about that a bit... Daredevil sacrifices himself to "save" Elektra in an act as a martyr while the rest of the Defenders escape before the Midlands Circle building blows up. Daredevil left Danny Rand with the words "protect my city" before making his noble sacrifice. This was all well and good - at least until they showed that Matt Murdock was still alive in the care of a woman named "Maggie".

        Sidebar Note: For those who don't know, Maggie Murdock is Matt Murdock's mother. If this doesn't clue most hardcore Daredevil fans in enough, I'll clue everyone else in that this means that Marvel Netflix is planning an adaptation of the "Born Again" storyline from the Daredevil comics for Daredevil Season Three. I think we'll get that sometime after Jessica Jones Season Two and The Punisher Season One.

        I was fine with Matt's noble sacrifice, but that was cheapened the moment that there wasn't any proper funeral to mourn their fallen comrade or to say goodbye to their dearly departed friend. Foggy and Karen grieved a little, but it wasn't like there was any weight to it. Foggy was visually hurting more than Karen - at least to me anyway, but there really wasn't any real weight to Daredevil's death. Hell, they didn't even bother to bury Stick either... Iron Fist was really moved by Daredevil's selfless sacrifice for the greater good and it looks like he's inspired to be another one of New York's native heroes in this corner of the MCU. Jessica Jones is back drinking away her sorrows after losing who she found to be a kindred spirit (she wouldn't be caught dead admitting it though) and friend in Daredevil/Matt Murdock, but Luke Cage reminds her that she'll always have a friend in him. I hope that means more cameos/guest starring roles for them in each other's shows for their second seasons. From that look on Luke's face for the possibility of hooking back up with Jessica, I'm sure he's down for more than just some "coffee".

        Thank you, Brian Michael Bendis! 

        Besides, we HAVE to get a moment like this into the MCU in the near-future after Luke and Jessica become parents.

        I guess I can't complain too much about the death not having any weight to it when comic books as a whole rarely keep characters dead in the first damn place. On top of that, we knew a Daredevil Season Three was coming BEFORE this show even premiered, along with the fact that it would pretty stupid if Gao and Elektra were dead when that so-called "substance" that the Hand's top leaders use to revive and extend their life spans were down there in that cave and they didn't use it.


        Action

        The Defenders wrecking these guys in a narrow corridor because we can't have Daredevil in a Netflix show without
        a hallway fight scene... Not that I'm complaining about it. 

        I knew this was coming given the fact that Luke Cage and Jessica Jones weren't known for the "great" fight choreography in those two series and the lackluster effort made in the action for Iron Fist previously, but The Defenders uses a lot of quick cuts and editing to justify the usage of stunt doubles. I didn't see why did Krysten Ritter and Mike Colter needed stunt doubles when their characters were merely tossing guys around like ragdolls when they weren't effortlessly punching people across the room. I shook my head at the hallway scene in this series where you could see Jessica Jones' stunt double clear as day in the foreground of that sequence. I was like c'mon man...

        At least they are using this as an excuse to give Finn Jones a stunt double when he clearly can barely make these fight scenes look as good as they are expected for the character that he is portraying. Daredevil's fight choreography hasn't skipped a beat since his own series, but it's easy to lose focus of everything that is going on when all four titular heroes are in the same action sequence. The action scenes here shine better when each of the Defenders are splintered off into one-on-one affairs.


        Closing Thoughts


        Outside of Colleen Wing and Claire Temple, the bulk of the sidekick and support characters from all four shows spent the majority of this series just standing around in the holding room at the police station, serving primarily as moral support for the four titular heroes. Some of them deserved much more screen time than others for sure and this just came across as lazy writing. That really sums up the bulk of this show to be quite honest - lots of lazy writing. I really want to like this, but the more I sit back and think about this plot for this miniseries, I can't help and point out how it could have been so much better and executed better. It just seems like that Marvel Netflix wants to slack off on their writing to the lackluster efforts seen for DC's television shows on The CW, when dedicated fans know that these characters are capable of and deserve so much better care and attention in these live-action adaptations. Don't get me wrong, there's quite a few moments in this that I actually really enjoyed, but others made me feel like I was rewatching the trainwreck that was Iron Fist and the latter half of Daredevil Season Two again.


        Watch It or Don't Bother?

        I'm with Jessica. This isn't much of a team until the last episode until they were forced to play the part due
        to the extremes of this situation.

        If you have seen all of the Marvel Netflix shows up to this point (to be honest, you really just need to see both seasons of Daredevil and Iron Fist really as the events from Luke Cage and Jessica Jones don't carry any weight here), you should go ahead and check this out. It's not going to set the Marvel Netflix universe on fire like Marvel's Avengers did back in 2012, but it was an experiment worth seeing through to its end. I hold my stance to my earlier comment in this review, citing that this is literally Daredevil Season 2.5 and Iron Fist Season 1.5, as this series acts as a sidebar adventure to wrap up the loose ends from those two series, namely the lackluster subplot involving the criminal organization known as The Hand. Jessica Jones and Luke Cage just happened to be dragged along for the ride, but they are welcome inclusions to this story. This definitely ain't no Avengers, but I think the Defenders will find their niche by the time Season Two rolls around. Let's hope by that time, the writers and producers will have learned from their mistakes before they go about this for the second go round.

        For those wondering my rankings of the Marvel Netflix shows after The Defenders, I'll update it now from best to worst:

        Daredevil Season One, Jessica Jones Season One, Daredevil Season Two, The Defenders Season One, Luke Cage Season One, and Iron Fist Season One.

        Daredevil S2 only outweighs Defenders because of the Punisher content; otherwise, I feel they are roughly the same in terms of quality, Luke Cage and Iron Fist rank roughly the same for me in terms of multiple various factors that had negatives outweighing the positives. 

        PREVIEW -- Marvel's The Defenders (Netflix) - Comic-Con Trailer 2



        Blind ninja. Smart-ass detective. Bulletproof ex-con. Kung Fu billionaire. Marvel’s The Defenders centers on four outsider heroes that have to put aside their personal issues and come together when a villainous sect threatens to destroy New York City as we know it. The Netflix original series launches globally on August 18, 2017.

        The biggest thing that I'm looking forward to in this show is seeing how all four of these distinct personalities identify and connect with each other once they share the same stage. Right off the bat, it seems like Jessica Jones is going to be most hilarious one in this bunch with Danny Rand being the lovable loser here.

        What I'm not looking forward to? More Elektra... I thought they did a piss poor job with her in Daredevil Season 2 and it doesn't seem like I'm going to care about her "revival" here if it's going to drag this narrative in the mud from Daredevil's end.

        REVIEW -- Marvel's Luke Cage (Netflix) - Season 1



        Marvel's Luke Cage, or simply Luke Cage, is an American web television series created for Netflix by Cheo Hodari Coker, based on the Marvel Comics character of the same name. It is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise and is the third in a series of shows that will lead up to a Defenders crossover miniseries. The series is produced by Marvel Television in association with ABC Studios, with Coker serving as showrunner.

        Mike Colter stars as Carl Lucas / Luke Cage, a former convict with superhuman strength and unbreakable skin who now fights crime. Mahershala Ali, Simone Missick, Theo Rossi, Erik LaRay Harvey, Rosario Dawson, and Alfre Woodard also star. Development of the series began in late 2013. In December 2014, Colter was cast as Cage, to appear first in Marvel's Jessica Jones, with Coker hired as the showrunner in March 2015. Filming began in New York City in September 2015 and concluded in March 2016.

        The series premiered on September 28, 2016 in Harlem, with the full series of 13 episode releasing on Netflix on September 30.

        Cast:


        Main

        Mike Colter as Carl Lucas / Luke Cage
        Simone Missick as Mercedes "Misty" Knight
        Theo Rossi as Hernan "Shades" Alvarez
        Erik LaRay Harvey as Willis Stryker / Diamondback
        Rosario Dawson as Claire Temple
        Alfre Woodard as Mariah Dillard

        Recurring

        Frank Whaley as Rafael Scarfe
        Ron Cephas Jones as Bobby Fish
        Jacob Vargas as Domingo Colon
        Darius Kaleb as Lonnie Wilson
        Jade Wu as Connie Lin
        Deborah Ayorinde as Candace Miller
        Justin Swain as Bailey
        Jaiden Kaine as Zip
        Sean Ringgold as Sugar
        Dawn-Lyen Gardner as Megan McLaren
        Jeremiah Richard Craft as Dave Griffith
        Michael Kostroff as Noah Burstein
        Tijuana Ricks as Thembi Wallace
        John Clarence Stewart as Alex
        Karen Pittman as Priscilla Ridley


        Guest

        Frankie Faison as Henry "Pop" Hunter
        Brian "Sene" Marc as Wilfredo "Chico" Diaz
        Clem Cheung as Jin Lin
        Warner Miller as Tone
        Parisa Fitz-Henley as Reva Connors
        Rob Morgan as Turk Barrett
        Chance Kelly as Albert Rackham
        Craig Mums Grant as Reggie "Squabbles"
        Thomas Q. Jones as Comanche
        Manny Pérez as Perez
        Sônia Braga as Soledad Temple
        Sonja Sohn as Betty Audrey
        Rachael Taylor as Trish Walker
        LaTanya Richardson Jackson as Mama Mabel
        Danny Johnson as Benjamin Donovan
        Curtiss Cook as Pistol Pete
        Clark Jackson as Damon Boone
        Natalie Paul as Dana Stryker
        Joniece Abbott-Pratt as Esther "Etta" Lucas
        Stephen Rider as Blake Tower
        PJ Marshall as Mario Green

        Stan Lee makes a cameo appearance through an on-set photograph, the same seen in previous Marvel/Netflix series, while Raphael Saadiq, d-Nice, Faith Evans,Charles Bradley, Jidenna, Dapper Dan, The Delfonics, Cliff "Method Man" Smith, Sway Calloway, Heather B., Sharon Jones & The Dap-Kings, and Fab Five Freddy appear as themselves.

        Episodes:

        No.TitleDirected byWritten byOriginal release date
        1"Moment of Truth"Paul McGuiganCheo Hodari CokerSeptember 30, 2016
        Luke Cage is keeping a low profile as a sweeper at a barbershop owned by ex-gangster Henry "Pop" Hunter and as a dishwasher at the "Harlem's Paradise", a nightclub owned by crime boss Cornell "Cottonmouth" Stokes. Two men, Shameek and Chico, bust up one of Stokes' arms deals with help from Dante, a bartender at the Harlem Paradise. After shooting and leaving Dante for dead, they make off with the money. NYPD detectives Misty Knight and Rafael Scarfe are tasked with the investigation. With help from "Shades" Alvarez, who works for Stokes' supplier Willis "Diamondback" Stryker, Stokes tracks and kills Shameek and retrieves his share of the money. Scarfe and Knight decide to question Cage, who had replaced Dante during his absence at the club. Meanwhile, Cage beats up and fends off street thugs, who attack his landlady's restaurant demanding contribution for the "New Harlem Renaissance" initiative spearheaded by Stokes' cousin Mariah Dillard, a councilwoman.

        The episode features musical performances by Raphael Saadiq ("Good Man")[41] and d-Nice.
        2"Code of the Streets"Paul McGuiganCheo Hodari CokerSeptember 30, 2016
        After Stokes' enquiry, Cage locates Chico and brings him to the barbershop for protection at Pop's behest, while Pop lies to Knight and Scarfe about Chico's whereabouts. Pop sends Cage to parley with Stokes on Chico's behalf, but one of Stokes' men, Tone, is tipped off to Chico's location by Turk Barrett and performs a drive-by shooting, killing Pop and critically wounding Chico while Cage shields a young boy. Knight becomes suspicious when Cage remains unharmed despite getting shot. Angered by Pop's death, Stokes kills Tone for his actions and gives Dillard the money. When Cage finds out about this, he decides to retaliate.

        The episode features a musical performance by Faith Evans ("Mesmerized").[59]
        3"Who's Gonna Take the Weight?"Guillermo NavarroMatt OwensSeptember 30, 2016
        Stokes pays for Pop's funeral and warns Cage to let go of the matter. Cage finds out from a regular customer, Bobby Fish, that the barbershop is facing closure due to unpaid bills, and begins targeting Stokes' business to manipulate Stokes into transferring his assets to Dillard's secure office, "Crispus Attucks". Stokes has a falling out with his associate Domingo Colon, whom he blames for the attacks. Cage attacks Crispus Attucks, steals a share of the money, which he gives to Fish, and leaves the rest for the police to find. After agreeing to testify against Stokes and revealing Cage's involvement in the attacks, Chico is killed by Scarfe, who is on Stokes' payroll. Stokes tracks down Cage to his landlady Connie Lin's restaurant and fires a missile, causing an explosion.

        The episode features a musical performance by Charles Bradley ("Ain't It a Sin").[60]
        4"Step in the Arena"Vincenzo NataliCharles MurraySeptember 30, 2016
        While trapped in the rubble, Cage reminisces about his past as Carl Lucas and his incarceration at Seagate Prison, a private detention facility run by C.O. Albert Rackham. He befriends fellow inmate Squabbles, develops an attraction to psychologist Dr. Reva Connors, and is forced to engage in illegal ring fights by Rackham, and crossed paths with inmates Alvarez and Comanche. Lucas and Connors plan to expose Rackham's activities, but Rackham learns of this by torturing Squabbles and has Lucas brutally beaten. Connors then convinces Dr. Noah Burstein, a scientist conducting experiments on the inmates, to perform the procedure on Lucas. Rackham sabotages the experiment, and the resulting accident gives Lucas his powers. He then escapes and adopts the identity of "Luke Cage". Cage manages to pull himself and Connie out of the rubble and reveals his abilities to the media.
        5"Just to Get a Rep"Marc JobstJason HorwitchSeptember 30, 2016
        Stokes begins extorting the citizens of Harlem to cover his debts and Cage confronts him to demand he stop. Shades recognizes Cage from Seagate and offers to lend Stokes a prototype weapon stolen from Hammer Industries that could kill Cage on Diamondback's behalf. Realizing this would cost him control of Harlem, Stokes decides to sell the weapons from the botched exchange to Colon and use the money to buy Diamondback's weapon. Scarfe is assigned to retrieve the weapons, but steals them for himself. Meanwhile, Knight begins investigating Scarfe at the behest of her superiors and Claire Temple arrives in Harlem to visit her mother, Soledad Temple, to whom she confides about her experiences with enhanced people. During Pop's memorial, Cage delivers an eulogy and humilliates Stokes in the process, leading Knight to warn him that war against Stokes could destroy Harlem.

        The episode features a musical performance by Jidenna ("Long Live the Chief").[59][50]
        6"Suckas Need Bodyguards"Sam MillerNathan Louis JacksonSeptember 30, 2016
        Scarfe attempts to blackmail Stokes, but is critically wounded instead and escapes to Pop's for help, where he gives Cage a ledger with incriminating evidence on Stokes. Cage contacts Claire, who treats Scarfe's injuries, while another of Stokes' men, Lieutenant Perez, is ordered to find and kill Scarfe. Knight finds out Perez is also on Stokes' payroll and tricks him into implicating himself, records his admission before arresting him. Cage, Claire and Scarfe are ambushed by mercenaries hired by Stokes on their way to 1 Police Plaza to turn over the evidence, and although Cage fends them off, Scarfe dies from his injuries. Meanwhile, Dillard has an interview with the media. The reporter exposes Dillard's possible involvement in Stokes' actions. Stokes is arrested with the evidence from Scarfe. Knight's supervisor expresses concerns about another disclosure of police corruption after Wilson Fisk's case.
        7"Manifest"Andy GoddardAkela CooperSeptember 30, 2016
        Scarfe's ledger is found inadmissible and Stokes is exonerated. He threatens to expose Cage's real identity if challenged again. Cage decides to leave Harlem; but Claire convinces him to stay and fight. Stokes reminisces about being raised by Dillard at the behest of their grandmother, mobster Mama Mabel. As a child, Stokes' musical talents were encouraged by his uncle Pete, whom Mabel later forced Stokes to kill after learning Pete had made side dealings with her rivals, and molested Dillard. Meanwhile, Knight is investigated by the internal affairs bureau while Dillard is put under pressure by her party to resign from the council. Cage attacks Colon and takes the weapons, giving them to Knight. Dillard visits Stokes to convince him to let go of his obsession with Cage, which leads into an argument that ends with her killing him when he says she flirted with Pete. Alvarez praises her and reveals his plan to frame Cage for the murder. Knight finds out "Luke Cage" is an alias just as he meets Claire to reveal his true identity and is shot by Stryker with the Judas, the Chitauri bullet, leaving him badly wounded.

        The episode features a musical performance by d-Nice.
        8"Blowin' Up the Spot"Magnus MartensAïda Mashaka CroalSeptember 30, 2016
        Claire gets Cage in an ambulance to a hospital; but they are attacked by Stryker en route. They take refuge in a women's clinic, where Claire examines Cage's tissue to find a way to take out the Judas shrapnel. Candace, a waitress and hostess at Stokes' club, tells the police that it was Cage who killed him, making Knight suspicious of Dillard. Knight calls Cage and informs him of the accusation, while another officer triangulates his location. She arrives at the clinic, attempting to arrest him; but they are attacked by Stryker again. Cage recognizes him from his childhood, with Stryker blaming him for leaving him to "rot". Cage follows Stryker to an empty theater and overpowers him, but he manages to escape. Dillard secretly pays Candace for testifying against Cage. In custody, Claire insists that Cage is innocent, making Knight so angry that she assaults her before the inspector intervenes and has Claire released. Stryker confronts Cage in an alley, reveals himself as his brother and shoots him with the Judas again, throwing him in a garbage truck.
        9"DWYCK"Tom ShanklandChristian TaylorSeptember 30, 2016
        A police psychologist is tasked to examine Knight. Cage is detected by two policemen, whom he beats up before escaping. Stryker blames Alvarez for Stokes' death. Dillard meets Colon and convinces him to arrange a meeting with all the local crime bosses. Cage reunites with Claire, who convinces him to let her take him to Burstein for treatment. The inspector releases Knight and tasks her to find Cage, who arrives at Burstein's with Claire. They give him the drive containing the data he needs. Stryker interrupts Dillard's meeting with the crime bosses, killing all of them except Colon. She tells Stryker that the video of Cage attacking the policemen has made him an enemy of the city; and Stryker can now sell the Judas bullets to NYPD. Burstein dips Cage inside acid, hoping that it will soften his skin, giving the former the chance to remove the shrapnels. However, the pain of the procedure gives Cage a cardiac arrest.

        The episode features a musical performance by The Delfonics ("Stop and Look (And You Have Found Love)").[61]
        10"Take it Personal"Stephen SurjikJason HorwitchSeptember 30, 2016
        Claire and Burstein manage to revive Cage and take out the shrapnels. Cage finds out that he was chosen as an experiment subject long before he was injured in Seagate. He and Claire look at Connors' files and find videos of her, proving that she was the person who chose Cage, upsetting him. Stryker kills a policeman, framing Cage. The police get angry and get more aggressive to find Cage, with one detective beating a teenage boy. Dillard shows support for the boy and arranges a ceremony in Harlem's Paradise. Cage threatens Burstein not to replicate the experiment and leaves with Claire and the drive. However, Burstein is revealed to have a copy of the data. In the ceremony, Dillard insists on Cage's fault and the need to arm the police against him. Her fellow party member however secretly tells her about their knowledge of the truth. Cage and Claire arrive at Harlem's Paradise while Knight arrives too, attempting to arrest Stryker, who shoots her before Cage interrupts and tries to escape with her; but they are surrounded by the mercenaries.
        11"Now You're Mine"George Tillman Jr.Christian TaylorSeptember 30, 2016
        Cage escapes to the kitchen with Knight while Stryker takes Claire, Candace, the servant who testified against Cage, and the remaining civilians hostages. The police surround the club; but inspector Ridley does not authorize any assault. Cage and Knight escape to the basement using a secret entrance in the kitchen just before Stryker's men storm in. Claire tends to Candace's wound, with the latter revealing the truth to the former and telling about where Cage and Knight might be. Claire escapes and joins the pair, tending to Knight's wound. Stryker uses the loudspeakers to demand Cage to meet him by threatening to kill the hostages. Cage leaves to meet him. Alvarez finds the secret entrance and confronts Knight and Claire, who manage to overpower and lock him. Stryker kills Dillard's fellow party member Boone. Cage arrives and frees the hostages, excluding Candace, whom Stryker uses to cover his own escape just as the SWAT team storms in and forces Cage to surrender using the Judas bullets provided by Dillard. Cage, Alvarez and some other mercenaries are put in custody.
        12"Soliloquy of Chaos"Phil AbrahamAkela Cooper & Charles MurraySeptember 30, 2016
        Cage manages to escape from police custody, while Knight works hard to locate Stryker and clear Luke's name. Stryker has Alvarez released, then orders Zip and his thugs to kill him, but Alvarez prevails and kills them. The tide of public opinion begins to turn back to Cage, although the NYPD is still determined to bring him down. Candace meets Knight and says that she will testify against Dillard if Knight protects her. Knight takes her to Soledad's. Alvarez approaches Dillard and suggests they get Cage on side by giving him evidence of Lucas's innocence, and that they all work together to defeat Stryker. Cage finds Barrett, who is working for Stryker, and forces him to reveal Stryker's location before locking him in a dumpster. Colon and his men attack Stryker and his mercenaries. Stryker manages to defeat them and escape. Cage arrives and saves a wounded Colon. As the parties converge on Pop's to parley, Stryker attacks, wearing a powered suit which allows him to match Cage's strength and invulnerability. Cage tasks Knight to go after Dillard and Alvarez while the former engages Stryker.

        The episode features a musical performance by Method Man ("Bulletproof Love").[28]
        13"You Know My Steez"Clark JohnsonAida Mashaka Croal & Cheo Hodari CokerSeptember 30, 2016
        In flashbacks, Stryker helps Lucas become a boxer, eventually leading to the latter winning an important match. In the present, Cage and Stryker continue their fight inside and outside the barber shop. In the confusion, Knight drops her phone and Dillard loses the files which prove Lucas's innocence. Cage tries to reason with Stryker, but eventually knocks him out when the suit's power system fails. Alvarez uses Knight's phone to lure Candace out of hiding and kills her, without whose testimony Dillard walks free. Ridley blames Knight for keeping Candace at a private place instead of protective custody. Federal marshals arrive to arrest Cage for his escape from Seagate. Claire kisses him before he leaves, promising to call a skilled lawyer she knows. Fish finds the Lucas files in the barbershop. Dillard re-opens Harlem's Paradise with Alvarez by her side; and Knight goes undercover in the club again. As Stryker recovers in hospital, Burstein enters his room.

        The episode features a musical performance Sharon Jones & The Dap-Kings ("100 Days, 100 Nights").


        The Verdict:

        The general reception of this Marvel Netflix series that most people are split into two parties about it - either you really loved it or you absolutely hated it. I'll be honest after binge-watching it after the premiere, I was more into the later but now that I have had time to weigh in on my thoughts I'm a little more in the middle now. That being said, without a shadow of a doubt, I feel like this is easily the worst out of the Marvel Netflix series to date.

        For those wondering how I would rank the series, it's as follows from best to worse: Daredevil (Season 1), Jessica Jones (Season 1), Daredevil (Season 2), and Luke Cage (Season 1). The measuring stick for qualifying as the worst of the bunch were by a very narrow margin between DD S2 and Luke Cage were small, but the Punisher content eclipses the great things that were done well in Luke Cage as both series have stumbling points in their narratives - the Hand/Elektra subplot in Daredevil S2 and the rise of Black Mariah and Diamondback in the last half of Luke Cage.

        Just because I knew that I wasn't going to rush to write this review immediately following my initial viewing of this series, I took down a lot of notes on stuff I noticed throughout the series. I'm going to start off this review with that.

        Misc. Notes and Tidbits (I jotted these down while watching)

        1. Episode 1 - This introduced the show along a string of stereotypes and cliches in African-American culture. All of these elements rubbed me the wrong way, despite the amazing soundtrack to this show, heavily influenced with Harlem's own musical talents. Marks the first occasion where I recognize the MCU used the N word in this continuity. Once it was said it's thrown around as much as an episode of The Boondocks.
          • Cottonmouth is established as the impromptu main antagonist of this series. A very poor one if I may add, especially in the wake of Daredevil's Wilson Fisk and Jessica Jones' Kilgrave. Also establishes the "wannabe Empire/Power" archetype to this show that I honestly really don't care for.
          • Vendors selling bootleg DVDs of "The Incident" - the attack on NYC during the climax of the original Avengers film
          • Right off the bat, establishes Misty Knight as a prominent woman in Luke Cage the same way as in Jessica Jones - a random, meaningless sexual encounter.

        2. Episode 2 - Pops is killed. I tire of these cliches and archetypes already, between the gang members and pawns to the minor characters. To say that this show was said to be "different" than what is presented as a representation of black culture on TV this is just more of the same, encouraging the same negativity and stereotypes that Hollywood is known for depicting of this culture and race.
          • The club owner who is secretly the crime lord, the crooked politician girlfriend whose getting her campaigned backed by said criminal, rival gangs beefing over stolen money which was an inside job, the elderly black figure established as a mentor in barbershop that acts as the focal point of positivity in the community.
          • Misty Knight revealed to be a detective instead of an auditor.

        3. Episode 3 - First major fight scene but ultimately underwhelming as it's just Cage throwing guys around like ragdolls and shrugging off everything thrown his way. Hence why this is a hard character to get behind. He lacks any real "obstacles" and his power set allows him to endure anything thrown his way to the point that it's laughable. His only "big" antagonist was the Purple Man but Jessica Jones already beat this show to that punch so we had to settle for a D, no F tier villain in this case.
          • "Do you see a nigga in front of you?" Kinda not surprised that they went this route to give a powerful message on what it means to a man of color and not be disrespected by using that derogatory term to describe himself.
          • Detective Scarfe shows his true colors as being in Cottonmouth's back pocket.


        4. Episode 4 - Serves as a trip down memory lane as Cage recalls how he got his powers. Serves more as an insider joke for older Marvel fans as Cage is sporting his older comics appearance in these flashbacks while in prison.
          • "You choose Jet (Lee) over Bruce!!?? No, you can't oversee my trainin'..." - I would've fired that guy as my kung-fu trainer too after that shit.
          • First time his catchpharse of "Sweet Christmas" is used. Believe it was used once in Jessica Jones as well. Honestly can't remember.

        5. Episode 5 - Claire Temple makes her first appearance in this series. As per her, this show takes place AFTER Daredevil Season 2 as she mentions the ordeal with Nobu's soldiers in the hospital.
          1. "Oh you readin' now? (Laughs)" - ignorance to intelligence from black community, something the Boondocks cartoon was notorious for exploiting for comedic purposes
          2. benign neglect referenced here
          3. "I plead the eight" "You mean the fifth."
          4. Hammer tech used on prototype armor piercing rounds
          5. "Shading" and "spilling the tea" at Pop's funeral that Misty describes as a pissing contest

        6. Episode 6 - Opens with "Trish Talk" from Jessica Jones' Patsy "Trish" Walker.
          1. Claire meets up with Luke Cage again after the events of Jessica Jones. REALLY doesn't make sense how this takes place AFTER JJ when Cage had his own bar at that point. The two work together to try to get Scarfe proper medical treatment for he can testify against Cottonmouth and shut his operation down for good. Ultimately, Scarfe dies during the chase but they still manage to get Cottonmouth arrested.
          2. Coffee joke pointed out - GTA reference of course
          3. Misty can't be THIS stupid to not see the writing on the wall about Scarfe. I'm literally throwing my hands up at this point.
          4. Big whoop she could see through the other Cottonmouth pawn but not her own partner? Get the fuck outta here.
          5. I'm not even mad that they killed off Scarfe here because as important as that character is to the comics continuity the Netflix Marvelverse killed off Ben Ulrich in Daredevil without giving a damn either to his significance so I'm like whatever at this point

        7. Episode 7 - Claire: "There's NOTHING that can hurt you, so what the HELL are you afraid of?"
          1. Am I the only one who got Mariah (Cottonmouth's cousin) confused with the woman who asked Luke Cage for "coffee" in Pop's barbershop (Patty?)  on the first few episodes? I keep going huh? almost every other time she'd be seen with Cottonmouth.
          2. So if Cage is still seeing/talking to Jessica Jones then why the fuck he's banging Misty Knight on the side? Oh wait, we're playing up the whore status quo here. Tony Stark's doing it. His dad Howard did it. Jessica Jones did it and it was labeled her as a "victim" and I guess that's the same excuse they'll write up for Cage.
          3. "I got white folks in the front room. I don't wanna scare 'em off." -- Similar childhood of being damaged by deraged parents much like Kingpin - recycling past goods
          4. "You're Harlem's Captain America... Negro please." -- Exactly how I feel about this show at this point.
          5. Allowing Cottonmouth to dig up the dirt on his past life -- That was stupid on Cage's behalf. He should've been trying to clear his own name on the previous charge since the second he recognized Shades from Seagate. Dude, you KNOW Jessica Jones! You could use her fucking legal connections to clear this shit ASAP. Ugh... the fucking piss poor writing on this show is KILLING me.
          6. "There's no Facebook. Hell, NO PORN!" I'm sure the ladies watching this are mad at that news... Then again, the first episode had enough softcore porn of Colter to satisfy them for the time being.
          7. Cottonmouth kills his own father figure (Uncle Pete) in a flashback in the same manner as Kingpin in Daredevil. Seriously, this show is written like the writers' never bothered to watch the other Netflix shows.
          8. In a fit of rage, Mariah kills Cottonmouth over their past. (Rolls eyes) I thought this was a little surprising but conveniently gets Luke Cage off the hook... until he's framed for the murder.
          9. Ends with Cage being shot with prototype HammerTech bullet that Shades and Cottonmouth mentioned a few episodes back. Shit, why not load up on a ton of these to kill this dude from the get go?

        8. Episode 8 - We see the new villain who I'm guessing who is Diamondback who looks like an UGLIER Wesley Snipes.
          1. Oh NOW Misty Knight is being smart? She can deduce how Cottonmouth was killed just by analyzing the crime scene but she couldn't tell her own partner was working the other side? This is like saying that Batman is smart but can't tell Dick Grayson and Robin are the same person and they live in the same house and work together.
          2. Claire owning Misty Knight had to be my favorite moment of this entire series to this point. That was a mic drop moment there. She only has herself to blame for being punk'd out by Diamondback.
          3. Diamondback vs Luke Cage was almost laughable to a point. These poor fighting scenes aren't doing anything for me. To say Cage had police and hand-to-hand combat training you don't see any evidence of that in his fighting style. He's like a caveman with a club just flailing around.

        9. Episode 9 - "Black Lives Matter" moment where Cage is confronted by police. Entire altercation is recorded on dashcam where Cage protects officer from irrational gunfire but still takes him down.
          1. Misty works through her PTSD from the trauma of being confronted with Diamondback. Seems odd for her to go through this conveniently to keep her out of the way to finish the investigation on Cornell/Cottonmouth case

        10. Episode 10 - Harlem's police force goes out of control questioning civilians for information on Luke Cage with Patty's son getting the worst of the attack that Mariah uses to turn the situation uglier in a mock imitation of the real life "Black Lives Matter" situation as a Malcolm X/MLK speech moment to elevate her campaign.
          1. In VERY bad taste making parallels to that moment. It comes off as "friendly" as the Friends of Humanity from X-Men: The Animated Series.
          2. Cage finds out the truth about Reva Connor's part in the experiment that gave him his powers, adding another cliche to the tons of "been there, done that" moments in this show in terms of writing.

        11. Episode 11 - Shades: "Whatchu talkin' bout, Willis?"
          1. Girl who framed Cage for Mariah conveniently meets Claire who at this point is the unsung TRUE hero of this show. Misty Knight talks a big game but she ain't shit - oh the irony there... Luke Cage is near indestructible, but words hurt him more than fuckin' rocket launcher blast.

        12. Episode 12 - Nothing really spectacular here outside of wrapping up a lot of threads towards the finale

        13. Episode 13 - Cage defeats Diamondback who is wearing some ghetto as hell looking Ironman armor made by Hammer Industries so you know it was bullshit. The banter alone was worth this fight but weak finish. I facepalmed at the people in the street gathered around filming the fight and cheering him on. C'mon can we do anything positive about black people in this show instead of conforming to more stereotypes?
          1. Misty Knight once again comes off as a complete moron. They don't pick up the evidence on Diamondback nor does she try to get her lost phone which allows Shades to kill her only concrete evidence to clear Cage's name.
          2. Time out... how does Cage get the drawls from Misty, Claire, AND Jessica Jones and no one is calling him out on this shit?
          3. "I was in the mood for something hot and dark before ya'll's messed that up..." -- I had to pause and laugh my ass off here
          4. Ends with teases of what's to come with the scientist taking Diamondback into his care who experimented on Cage to give him his powers, Misty Knight teasing her future as a vignette going full circle where we found her at the start of this series, Claire Temple considering picking up martial arts training from a flyer billed by Colleen Wing which will obviously lead into Iron Fist, and the documents proving Cage's innocence found among the wreckage of Pop's barbershop.

        Characters & Casting


        Until Black Panther comes to theaters, I think this will be Marvel's most culturally diverse cast to date in ANY Marvel film or television property to date. Several minorities are represented here in terms of acting talent and Marvel made sure to get some major players to play the key roles in this series. Despite the fact that Marvel recycled Alfe Woodard's casting from Captain America: Civil War to play a completely different character in this series as Mariah Dillard, her acting ability continued to shine nonetheless. She struggled to come into her own in the series' first half before moving into the limelight as one of Cage's main antagonists by end of the second half. I really wanted to like Simone Missick as Misty Knight but as the show went on, I couldn't stand her more and more in this role. Maybe it was the writing or how she does that nervous twitch with her facial reactions in multiple occasions in this series, but that's one casting decision that Marvel got wrong here. I would have been fine with her if she was just no name cop or something but to say that she landed the role of Misty Knight doesn't sit well with me, especially given how important that character is to this corner of the MCU. Mike Colter was able to stretch his legs and shine with the role of Luke Cage here more than the short cameo that he was given in Jessica Jones. It took him a few episodes to get warmed up to the role but once he got going, I could totally buy into him as this character. Thank the stars that they didn't go with the stereotypical "ghetto" iteration of Cage as I was ready to facepalm at that if they went that route. Theo Rossi as "Shades" was an interesting choice but I was anxious to see him come into his own throughout this season instead of being a mere henchman/goon for Cottonmouth, Diamondback, and then finally Black Mariah. I felt that they chopped Mahershala Ali's legs right from underneath him right when he was starting to show some depth with his character. Such a shame that he was only in the first half of this series, when he could have benefited being the focal villain in this premiere season then moved to Mariah and Diamondback later.

        Narrative


        I think I pointed it out thoroughly in my notes above in several occasions that the show's narrative works for the most part but drastically dips in overall quality towards the show's latter half. It makes me sad to see that Marvel has to stretch all of these shows out to 13 episodes on Netflix when it would be a nice short, concise story if they just tell the tale they wanted to tell in a mere 8 episodes, much like Stranger Things did. Luke Cage seemed to suffer from being dragged out for the extra 6 episodes as I thought the season could have wrapped up in a mere seven episodes in my personal opinion. The whole switch in hierarchy of power with the criminal underworld after Black Mariah and Diamondback took charge could have been saved for a second season, where they would have had more time to iron out the details instead of squeezing all of this in the remaining half of this season.

        Let's not forget that there's a LOT of moments in this series where I have to question if the creators have seen the other Marvel Netflix shows to date as a lot of things don't add up chronologically, such as Cage's relationship with Jessica Jones and his role in what happened in her series along with a few other moments that detailed above in my notes.

        In terms of the narrative as a whole, the show has far too many "convenient" events occurring to take place just for the sake of moving the plot or make the shit hit the fan to add drama. As a result, it doesn't feel natural, but instead, it feels like a laundry list of set pieces and stopping points just to be checked off to set up the Defenders down the road. The biggest culprit of this are those 2-3 episodes where Cage is injured and out of action after being shot with the Chitauri bullet.


        Representation

        One of the biggest critics about this show is that it's "racist" because there are very little white Caucasian characters to identify with. I'm almost at the point where I firmly believe that film theory should be a required course in high school because it's getting ridiculous with popular media having a much more powerful presence in our everyday lives, now more than ever. This show isn't racist - actually far from it.

        Can non-white people call every show on television "racist" because there's not enough characters for every minority to identify with? No, because the thought of that being plausible is absurd despite a lot of work from both DC and Marvel Comics to cater to as many races as possible after introducing multiple new iterations of established heroes to replace or even stand alongside their established counterparts. I suggest anyone who deems this show as "racist" for the lack of white representation pick up a textbook on film theory and educate themselves on the relationship between the spectator and on-screen spectacle by means of identification of visual and aesthetic characteristics and characterizations. To make a long story short, the creator of said media doesn't owe the spectator shit in terms of representation and how they identify with what is going on.

        Watch It or Don't Bother?

        "Sometimes backwards to move forward... always." - Luke Cage

        Luke Cage utters those words at the end of the final episode of this season and I couldn't think of anything better to describe this show in its entirety. Luke Cage makes a lot of steps backward in terms of storytelling - many of which that I thought Marvel Studios would have learned after the feedback on Daredevil Season 2 and Jessica Jones came out, such as pacing and dragging out a season just because they could. I would like to see more Marvel Netflix shows adopt a season format like Stranger Things did, where it was only eight episodes and didn't overstay it's welcome just because the episode order was for 13 episodes instead of half as much which was needed to tell this type of story.

        Don't get me wrong. I loved the soundtrack, especially how musical performances integrated into every episode as part of the Harlem Paradise club, and I enjoyed the narrative up until about the halfway point where Mariah killed Cottonmouth and replaced him in a position of power, only to be pulled at the strings by Diamondback. Integrating music into the show was a brilliant touch and really highlighted the "black" feel of the show opposed to anything else these Marvel-based Netflix shows have done to date. That being said, the show comes off like it's trying too hard to be a black show. I don't know if people will get where I'm coming from when I say that as a black male writing this blog but when you've seen a lot of this type of stuff on television and in films produced by Hollywood, you notice a lot of patterns and tropes that made me roll my eyes instead of sitting back and enjoying it. That's why I don't rave for shows like Empire or Power as they've clearly influenced this show in terms of style, but as black shows they tend to highlight more negatives than positives about black culture.

        I suggest watching it as it's definitely one of Marvel's most ambitious television series to date, but
        ultimately leaves a lot to be desired. With the recently announced season two on the way, maybe they will get things right.